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Magazines Database Part 2
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| Issue | Date | Volume | Magazine | Title | Author | Pages | Topic |
|---|---|---|---|---|---|---|---|
| 140/141 | February 1970 | 27 | ArtsCanada | Icon and Idea in the World of Michael Snow | Gene Youngblood | 2 | |
| 140/141 | February 1970 | 27 | ArtsCanada | White/Light a visit to Ronald Bloore and his new paintings | Barry Lord | 15 | |
| 140/141 | February 1970 | 27 | ArtsCanada | Gordon Rayner: the first decade | Barrie Hale | 24 | |
| 140/141 | February 1970 | 27 | ArtsCanada | 12 Young Montreal Artists: An interview | Danielle Corbeil | 32 | |
| 140/141 | February 1970 | 27 | ArtsCanada | The liberalism of the Swedish art scene | Gail Dexter | 37 | |
| 140/141 | February 1970 | 27 | ArtsCanada | Grace Svarre - A Canadian artist in the jungles of Mexico | Erna Paris | 39 | |
| 150/151 | December 1970/ January 1971 | 27 | ArtsCanada | Notes on gifts | Vera Frenkel | 15 | |
| 150/151 | December 1970/ January 1971 | 27 | ArtsCanada | Gifts to the gods | Carol Zemel | 17 | |
| 150/151 | December 1970/ January 1971 | 27 | ArtsCanada | Not by bread alone | Eileen Thalenberg | 21 | |
| 150/151 | December 1970/ January 1971 | 27 | ArtsCanada | On the nature of gifts: three aspects in European culture | H. A. Hickl-Szabo | 27 | |
| 150/151 | December 1970/ January 1971 | 27 | ArtsCanada | On the nature of gifts: three aspects in Chinese culture | Dr. Hsio-Yen Shih | 32 | |
| 150/151 | December 1970/ January 1971 | 27 | ArtsCanada | On the nature of gifts: three aspects in North Pacific Coast culture | Dr. E. S. Rogers | 34 | |
| 150/151 | December 1970/ January 1971 | 27 | ArtsCanada | Some thoughts - theoretical and practical - on gifts artists make | Clyde McConnell | 36 | |
| 150/151 | December 1970/ January 1971 | 27 | ArtsCanada | Summer '70 The Crisis of Canada International, Part 2: Venice | Dorothy Cameron | 41 | |
| 150/151 | December 1970/ January 1971 | 27 | ArtsCanada | Carl Andre: art as a social fact | Enno Develing | 47 | |
| 150/151 | December 1970/ January 1971 | 27 | ArtsCanada | Look at my product notes, more or less, specific on Jim Dine | Victor Coleman | 50 | |
| 150/151 | December 1970/ January 1971 | 27 | ArtsCanada | Chronicles of Hell | Pat Martin Bates | 52 | |
| 150/151 | December 1970/ January 1971 | 27 | ArtsCanada | Process Hyphen Product | Joan Lowndes | 53 | |
| 150/151 | December 1970/ January 1971 | 27 | ArtsCanada | Hector Guimard | Ronald Conrad | 53 | |
| 150/151 | December 1970/ January 1971 | 27 | ArtsCanada | In the galleries, Toronto | Gary Michael Dault | 54 | |
| 150/151 | December 1970/ January 1971 | 27 | ArtsCanada | The David Mirvish opening show | Terry Fenton | 58 | |
| 150/151 | December 1970/ January 1971 | 27 | ArtsCanada | John Boyle and John Leonard | Barry Lord | 58 | |
| 150/151 | December 1970/ January 1971 | 27 | ArtsCanada | In the galleries, Montreal | Barry Lord | 59 | |
| 150/151 | December 1970/ January 1971 | 27 | ArtsCanada | The Concours artistique du Quebec 1970 | Barry Lord | 61 | |
| 150/151 | December 1970/ January 1971 | 27 | ArtsCanada | Alex Wyse | Carol Zemel | 64 | |
| 150/151 | December 1970/ January 1971 | 27 | ArtsCanada | "The most beautiful book in the world": Two views | Abraham Rotstein, Greg Curnoe | 64 | |
| 152/153 | February-March 1971 | 28 | ArtsCanada | ||||
| 134/135 | August 1969 | 26 | ArtsCanada | b + w = 3 | Barry Lord | 2 | |
| 134/135 | August 1969 | 26 | ArtsCanada | Michael Morris makes a book | Kurt von Meier | 8 | |
| 134/135 | August 1969 | 26 | ArtsCanada | Incoherent thoughts on concrete poetry | John Noel Chandler | 11 | |
| 134/135 | August 1969 | 26 | ArtsCanada | Margot Ariss: Words and things | John Bruce | 14 | |
| 134/135 | August 1969 | 26 | ArtsCanada | little magazines/ small presses 1969 | Michael Ondaatje | 17 | |
| 134/135 | August 1969 | 26 | ArtsCanada | Ttechnical difficulties | Victor Coleman | 19 | |
| 134/135 | August 1969 | 26 | ArtsCanada | The art of imitating art | Norman Day | 21 | |
| 134/135 | August 1969 | 26 | ArtsCanada | A Printing House in Hell: William Blake's Theory of Art | Frank Carner | 24 | |
| 134/135 | August 1969 | 26 | ArtsCanada | notes on a "Dynasty of Printers" | Pat Martin Bates | 25 | |
| 134/135 | August 1969 | 26 | ArtsCanada | De Kooning | Robert Markle | 26 | |
| 134/135 | August 1969 | 26 | ArtsCanada | Printmaking in Calgary | William Mitchell | 27 | |
| 134/135 | August 1969 | 26 | ArtsCanada | The Guilde Graphique Exhibition | Joan Murray | 28 | |
| 134/135 | August 1969 | 26 | ArtsCanada | Canadian printmakers at Guelph | Walter Bachinski | 29 | |
| 134/135 | August 1969 | 26 | ArtsCanada | The Walter Carsen Collection | Paul Russell | 32 | |
| 134/135 | August 1969 | 26 | ArtsCanada | New Sculpture at Rothmans Art Gallery, Stratford | Dorothy Cameron | 34 | |
| 134/135 | August 1969 | 26 | ArtsCanada | Ron Martin's new paintings | David Rabinowitch | 36 | |
| 134/135 | August 1969 | 26 | ArtsCanada | Breathing Exercises: four reviews | Douglas Pringle | 45 | |
| 134/135 | August 1969 | 26 | ArtsCanada | Vancouver | 37 | Exhibition Reviews | |
| 134/135 | August 1969 | 26 | ArtsCanada | Toronto | 38 | Exhibition Reviews | |
| 134/135 | August 1969 | 26 | ArtsCanada | Montreal | 43 | Exhibition Reviews | |
| 134/135 | August 1969 | 26 | ArtsCanada | London, England | 44 | Exhibition Reviews | |
| 134/135 | August 1969 | 26 | ArtsCanada | The National Gallery of Canada | 47 | Art Museums: Recent acquisition | |
| 136/137 | October 1969 | 26 | ArtsCanada | Dialogue at an exhibition of Yves Gaucher's Grey Paintings | John Noel Chandler | 3 | |
| 136/137 | October 1969 | 26 | ArtsCanada | Perceptual Realism | John Chambers | 7 | |
| 136/137 | October 1969 | 26 | ArtsCanada | Fluorescent light, etc. from Dan Flavin: a supplement | Dan Flavin, Brydon Smith | 14 | |
| 136/137 | October 1969 | 26 | ArtsCanada | The language of the eyes, Windows and Mirrors | Ross Mendes | 20 | |
| 136/137 | October 1969 | 26 | ArtsCanada | Siting: the problem of art in architecture | Barry Lord | 26 | |
| 136/137 | October 1969 | 26 | ArtsCanada | Robert Murray | Brydon Smith | 30 | |
| 136/137 | October 1969 | 26 | ArtsCanada | Why Pack a Museum? | Jan van der Marck | 34 | |
| 136/137 | October 1969 | 26 | ArtsCanada | Four Edmonton artists | Norman Yates | 42 | |
| 136/137 | October 1969 | 26 | ArtsCanada | The Sacred and Profane in Symbolist Art | Mario Amaya | 45 | |
| 136/137 | October 1969 | 26 | ArtsCanada | Moholy-Nagy | Richard Kostelanetz | 47 | |
| 136/137 | October 1969 | 26 | ArtsCanada | Miller Brittain | Barry Lord | 50 | Art Museums: Recent acquisition |
| 136/137 | October 1969 | 26 | ArtsCanada | Two exhibition reviews | Joan Lowndes | 51 | |
| 136/137 | October 1969 | 26 | ArtsCanada | Science in art in science | Leslie Mezei | 53 | Columns |
| 116/117 | April 1968 | 25 | ArtsCanada | "Go" | Fred Herzog | 1 | |
| 116/117 | April 1968 | 25 | ArtsCanada | Metamorphosis through Black | Takehiko Kamei | 5 | |
| 116/117 | April 1968 | 25 | ArtsCanada | The Need for Impermanence | Harvey Cowan | 6 | |
| 116/117 | April 1968 | 25 | ArtsCanada | Notes on Paper | John Perreault | 12 | |
| 116/117 | April 1968 | 25 | ArtsCanada | Death is so Permanent | Otto Piene | 14 | |
| 116/117 | April 1968 | 25 | ArtsCanada | Violence, Art, and the American Way | Kurt von Meier | 19 | |
| 116/117 | April 1968 | 25 | ArtsCanada | Eros & Thanatos | David Gardner | 25 | |
| 116/117 | April 1968 | 25 | ArtsCanada | The Disposable Transient Environment | Les Levine | 27 | |
| 116/117 | April 1968 | 25 | ArtsCanada | The Clean Machine | 28 | ||
| 116/117 | April 1968 | 25 | ArtsCanada | R. L. Bloore on Permanence | 31 | ||
| 116/117 | April 1968 | 25 | ArtsCanada | "TV pictures you can't turn off": two paintings from a series | Claude Breeze | 34 | |
| 116/117 | April 1968 | 25 | ArtsCanada | A conversation on electronics, electromedia and impermanence | Aldo Tambellini | 35 | |
| 116/117 | April 1968 | 25 | ArtsCanada | Artscan | 39 | ||
| 122/123 | October/ November 1968 | 25 | ArtsCanada | Bauhaus | Margit Staber | 4 | |
| 122/123 | October/ November 1968 | 25 | ArtsCanada | Cleaning the lenses of perception | R. Murray Schafer | 10 | |
| 122/123 | October/ November 1968 | 25 | ArtsCanada | The New School of Art: insight-explosions | Vera Frenkel | 13 | |
| 122/123 | October/ November 1968 | 25 | ArtsCanada | Why I hate acid rock | John Boyle | 17 | |
| 122/123 | October/ November 1968 | 25 | ArtsCanada | on teaching 20th century art | Kurt von Meier | 23 | |
| 122/123 | October/ November 1968 | 25 | ArtsCanada | Renewal at the Ontario College of Art | Aba Bayefsky | 25 | |
| 122/123 | October/ November 1968 | 25 | ArtsCanada | Graphic design and education: four designers speak out | |||
| 122/123 | October/ November 1968 | 25 | ArtsCanada | Nova Scotia College of Art | Garry Neill Kennedy | 30 | |
| 122/123 | October/ November 1968 | 25 | ArtsCanada | The future of education in the arts | Victor Doray | 31 | |
| 122/123 | October/ November 1968 | 25 | ArtsCanada | Preliminaries: a critical notebook | Gary Michael Dault | 39 | |
| 122/123 | October/ November 1968 | 25 | ArtsCanada | Roy Kiyooka | Michael Ondaatje | 45 | |
| 122/123 | October/ November 1968 | 25 | ArtsCanada | Recent Acquisitions: The National Gallery | 46 | ||
| 122/123 | October/ November 1968 | 25 | ArtsCanada | Universities Art Association | Mary Louise Funke | 53 | |
| 122/123 | October/ November 1968 | 25 | ArtsCanada | Penrose Annual Vol. 61 | Paul Arthur | 54 | Review |
| 122/123 | October/ November 1968 | 25 | ArtsCanada | A filmmaker on filmmaking | Morley Markson | 51 | |
| 122/123 | October/ November 1968 | 25 | ArtsCanada | Science in art in science | Leslie Mezei | 53 | |
| 122/123 | October/ November 1968 | 25 | ArtsCanada | Edinburgh | Barry Lord | 35 | Exhibition Reviews |
| 122/123 | October/ November 1968 | 25 | ArtsCanada | Vancouver | Marguerite Pinney | 37 | Exhibition Reviews |
| 122/123 | October/ November 1968 | 25 | ArtsCanada | Toronto | Gary Michael Dault | 39 | Exhibition Reviews |
| 122/123 | October/ November 1968 | 25 | ArtsCanada | London | Gary Michael Dault | 43 | Exhibition Reviews |
| 122/123 | October/ November 1968 | 25 | ArtsCanada | Manitoba | Llli-Maria Harff | 48 | In the studios |
| 122/123 | October/ November 1968 | 25 | ArtsCanada | New Brunswick | Luke Rombout | 49 | In the studios |
| 122/123 | October/ November 1968 | 25 | ArtsCanada | Newfoundland | Peter Bell | 50 | In the studios |
| 124/127 | December 1968 | 25 | ArtsCanada | Think about light | Michael van Elsen | 4 | |
| 124/127 | December 1968 | 25 | ArtsCanada | The myth of light | Northrop Frye | 8 | |
| 124/127 | December 1968 | 25 | ArtsCanada | Lawren Harris | Dennis Reid | 9 | |
| 124/127 | December 1968 | 25 | ArtsCanada | Les Dieux descendus parmi nous | Gerard Regnier | 17 | |
| 124/127 | December 1968 | 25 | ArtsCanada | Let there be darkness | Barry Lord | 21 | |
| 124/127 | December 1968 | 25 | ArtsCanada | Mehr Licht | Robert Creeley | 28 | |
| 124/127 | December 1968 | 25 | ArtsCanada | The lost pageantry of nature | Gyorgy Kepes | 30 | |
| 124/127 | December 1968 | 25 | ArtsCanada | Sculpture and light: Toronto and Montreal | Nan R. Piene | 41 | |
| 124/127 | December 1968 | 25 | ArtsCanada | Audrey Capel Doray | Michael Rhodes | 50 | |
| 124/127 | December 1968 | 25 | ArtsCanada | Light as architecture | James Acland | 54 | |
| 124/127 | December 1968 | 25 | ArtsCanada | Pulsa | Lucy R. Lippaid | 59 | |
| 124/127 | December 1968 | 25 | ArtsCanada | Music and light | Larry Austin | 61 | |
| 124/127 | December 1968 | 25 | ArtsCanada | Dan Flavin | Ira Licht | 62 | |
| 124/127 | December 1968 | 25 | ArtsCanada | 10 Canadian poets on light | 65 | ||
| 124/127 | December 1968 | 25 | ArtsCanada | Reflections of an artist surrounded by scientists | Anne-lore Daniels | 69 | |
| 124/127 | December 1968 | 25 | ArtsCanada | on sculpture and laser holography: a statement | Jerry Pethick | 70 | |
| 124/127 | December 1968 | 25 | ArtsCanada | Maxwell Bates | John Graham | 72 | |
| 124/127 | December 1968 | 25 | ArtsCanada | Art McKay defined in Regina | Barry Lord | 74 | |
| 124/127 | December 1968 | 25 | ArtsCanada | Kiyooka's Sculpture | George Bowering | 76 | |
| 124/127 | December 1968 | 25 | ArtsCanada | John MacGregor | Gary Michael Dault | 78 | |
| 124/127 | December 1968 | 25 | ArtsCanada | 48 hours in Montreal | Gary Michael Dault | 90 | |
| 124/127 | December 1968 | 25 | ArtsCanada | McGill Film Festival | Morley Markson | 92 | |
| 124/127 | December 1968 | 25 | ArtsCanada | Vancouver | 82 | Exhibition Reviews | |
| 124/127 | December 1968 | 25 | ArtsCanada | Toronto | 84 | Exhibition Reviews | |
| 124/127 | December 1968 | 25 | ArtsCanada | Winnipeg | 89 | Exhibition Reviews | |
| 124/127 | December 1968 | 25 | ArtsCanada | Edinburgh | 91 | Exhibition Reviews | |
| 124/127 | December 1968 | 25 | ArtsCanada | Science in art in science | Leslie Mezei | 93 | Columns |
| 124/127 | December 1968 | 25 | ArtsCanada | A.Y.'s Canada | Margaret Dault | 92 | Book Reviews |
| 104 | January 1967 | 24 | ArtsCanada | Pageant of Canada | Roy Strong | 6 | |
| 104 | January 1967 | 24 | ArtsCanada | William G.R. Hind Retrospective | Russell Harper | 8 | |
| 104 | January 1967 | 24 | ArtsCanada | Canadian Painting 1850 to 1950 | Clare Bice | 10 | |
| 104 | January 1967 | 24 | ArtsCanada | The Painter and the New World | Robert Ayre | 12 | |
| 104 | January 1967 | 24 | ArtsCanada | Sunday Afternoon | Barry Lord | 13 | |
| 104 | January 1967 | 24 | ArtsCanada | An Exciting New Building Calgary | Barry Lord | 17 | |
| 104 | January 1967 | 24 | ArtsCanada | Original Thinking in Lethbridge | Barry Lord | 18 | |
| 104 | January 1967 | 24 | ArtsCanada | 1967 The Moment of Truth for Canadian Crafts | Dorothy Todd Henaut | 20 | |
| 113 | October 1967 | 24 | ArtsCanada | Black | 3 | ||
| 114 | November 1967 | 24 | ArtsCanada | The Great War Wyndham Lewis and the Underground Press | 3 | ||
| 3 | November 1995 | 23 | New Art Examiner | Speakeasy | Ken Saunders | 12 | |
| 3 | November 1995 | 23 | New Art Examiner | Bodies: Rest and Motion | 14 | ||
| 3 | November 1995 | 23 | New Art Examiner | How I Got Screwed by Barbie: A Cautionary Tale | Steven C. Dubin | 20 | |
| 3 | November 1995 | 23 | New Art Examiner | Go Directly to Gaol | James Dickinson | 24 | |
| 3 | November 1995 | 23 | New Art Examiner | On View | Bill Stamets | 30 | |
| 3 | November 1995 | 23 | New Art Examiner | Studio View | David McCarthy | 32 | |
| 3 | November 1995 | 23 | New Art Examiner | Art & Law | Griff Morris | 56 | |
| 2 | October 1995 | 23 | New Art Examiner | Speakeasy | Roger Mandle | 14 | |
| 2 | October 1995 | 23 | New Art Examiner | Common Cause: Arts and Crafts in Chicago | Polly Ullrich | 16 | |
| 2 | October 1995 | 23 | New Art Examiner | Up Against Jeff Wall | Terry R. Myers | 22 | |
| 2 | October 1995 | 23 | New Art Examiner | The Abject Object: A Recent History of the Ephemeral Found Object in Contemporary Art | Jennifer L. Riddell | 26 | |
| 2 | October 1995 | 23 | New Art Examiner | On View | Milwaukee by Car | 32 | |
| 2 | October 1995 | 23 | New Art Examiner | Studio View | Glen R. Brown | 34 | |
| 2 | October 1995 | 23 | New Art Examiner | Art, Artifact and Architecture Law | Frank Galuszka | 50 | |
| 2 | October 1995 | 23 | New Art Examiner | Art & Money; The Arts in the World Economy | Barry Schwabsky | 50 | |
| 2 | October 1995 | 23 | New Art Examiner | Artnote | Griff Morris | 56 | |
| 1 | September 1995 | 23 | New Art Examiner | Speakeasy | Griff Morris | 16 | |
| 1 | September 1995 | 23 | New Art Examiner | In a Place Like This? | Maria Jose Barandiaran | 18 | |
| 1 | September 1995 | 23 | New Art Examiner | "Doleywood" and the Politics and Culture of Violence | Henry A. Giroux | 24 | |
| 1 | September 1995 | 23 | New Art Examiner | He Said, She Said | Cecilia Dougherty, William Stern | 28 | |
| 1 | September 1995 | 23 | New Art Examiner | On View | Martha McWilliams | 38 | |
| 1 | September 1995 | 23 | New Art Examiner | Studio View | James Scarborough | 40 | |
| 1 | September 1995 | 23 | New Art Examiner | New York Data 1915-23 | Barry Schwabsky | 56 | |
| 1 | September 1995 | 23 | New Art Examiner | Making Modernism: Picasso and the Creation of the Market for Twentieth-Century Art | Edward Rubin | 57 | |
| 1 | September 1995 | 23 | New Art Examiner | Wake for the Angels | Glen R. Brown | 57 | |
| 10 | Summer 1995 | 22 | New Art Examiner | Speakeasy | Matthew Kangas | 10 | |
| 10 | Summer 1995 | 22 | New Art Examiner | Dumb and Dumber: The Politics of the Whitney's New Anti-Intellectualism | Jenifer P. Borum | 12 | |
| 10 | Summer 1995 | 22 | New Art Examiner | With a Little Help From Our Friends: The Beatles' Apple Adventure Revisited | David Hoppe | 18 | |
| 10 | Summer 1995 | 22 | New Art Examiner | Holding Pattern | Jeff Huebner | 24 | |
| 10 | Summer 1995 | 22 | New Art Examiner | Mining for Gold:SFMOMA Stakes Its Claim | Erin Blackwell | 30 | |
| 10 | Summer 1995 | 22 | New Art Examiner | The Heart of San Francisco | Paul Krainak | 31 | |
| 10 | Summer 1995 | 22 | New Art Examiner | Regional Reflections | Vincent Carducci | 36 | |
| 10 | Summer 1995 | 22 | New Art Examiner | On View | Deborah Wilk | 40 | |
| 10 | Summer 1995 | 22 | New Art Examiner | Studio View | Jennie Klein | 42 | |
| 10 | Summer 1995 | 22 | New Art Examiner | Dream Doll: The Ruth Handler Story; Forever Barbie: The Unauthorized Biography of a Real Doll; The Art of Barbie: Artists Celebrate the World's Favorite Doll | Steven C. Dubin | 56 | |
| 10 | Summer 1995 | 22 | New Art Examiner | The Flaneur | Vincent Carducci | 57 | |
| 10 | Summer 1995 | 22 | New Art Examiner | Theory and Philosophy of Art: Style, Artist, and Society | Anthony Apesos | 58 | |
| 10 | Summer 1995 | 22 | New Art Examiner | But is it Art?: The Spirit of Art as Activism | Richard A. Schindler | 59 | |
| 9 | May 1995 | 22 | New Art Examiner | Speakeasy | Giselle Mercier | 12 | |
| 9 | May 1995 | 22 | New Art Examiner | The State We're In | Ann Wiens, Jerry Saltz, Terry R. Myers | 15 | |
| 9 | May 1995 | 22 | New Art Examiner | The Persistence of Silence | Glen R. Brown | 26 | |
| 9 | May 1995 | 22 | New Art Examiner | Not Exactly Mad About You/ Don't Run Away Mad | Jennifer L. Riddell | 32 | |
| 9 | May 1995 | 22 | New Art Examiner | The Younger They Are | Mitchell Kane | 36 | |
| 9 | May 1995 | 22 | New Art Examiner | The Henry Enhanced | Ann Friedman | 40 | |
| 9 | May 1995 | 22 | New Art Examiner | On View | John Brunetti | 42 | |
| 9 | May 1995 | 22 | New Art Examiner | Studio View | Maria Jose Barandiaran | 44 | |
| 9 | May 1995 | 22 | New Art Examiner | Specters of Marx: The State of the Debt, the Work of Mourning, and the New International | Nina Belmonte | 64 | |
| 9 | May 1995 | 22 | New Art Examiner | Read My Desire: Lacan Against the Historicists | T. J. Demos | 65 | |
| 9 | May 1995 | 22 | New Art Examiner | To Destroy Painting | Barry Schwabsky | 66 | |
| 9 | May 1995 | 22 | New Art Examiner | The New Geography of the Print | Peter Suchecki, Lauri Twitchell | 68 | Conference Report |
| 8 | April 1995 | 22 | New Art Examiner | Speakeasy | Gilbert Coker | 10 | |
| 8 | April 1995 | 22 | New Art Examiner | Order Out of Chaos | Martha McWilliams | 12 | |
| 8 | April 1995 | 22 | New Art Examiner | Disregarding Plague Art | James Crump | 18 | |
| 8 | April 1995 | 22 | New Art Examiner | Signs in Flotation | Robert C. Morgan | 24 | |
| 8 | April 1995 | 22 | New Art Examiner | Gaming at the Whitney | Bill Gaskins | 28 | |
| 8 | April 1995 | 22 | New Art Examiner | On View | Howard Risatti | 32 | |
| 8 | April 1995 | 22 | New Art Examiner | Studio View | Ann Wiens | 34 | |
| 8 | April 1995 | 22 | New Art Examiner | Embodied Meanings | Tom Csaszar | 50 | |
| 8 | April 1995 | 22 | New Art Examiner | I Stand in the Center of the Good: Interviews with Contemporary Native American Artists | W. Jackson Rushing | 51 | |
| 8 | April 1995 | 22 | New Art Examiner | Outside the Frame: Performance and the Object | James Hart | 52 | |
| 8 | April 1995 | 22 | New Art Examiner | Social Text 37 | Heather Jones Gay | 53 | |
| 8 | April 1995 | 22 | New Art Examiner | In Site 94 | Jennie Klein | 54 | Conference Report |
| 7 | March 1995 | 22 | New Art Examiner | Speakeasy | Vicki A. Clark | 10 | |
| 7 | March 1995 | 22 | New Art Examiner | This Essay is not About Marcel Duchamp | Kathryn Hixson | 12 | |
| 7 | March 1995 | 22 | New Art Examiner | Marcel Duchamp: Imposter Artist | Donald Kuspit | 17 | |
| 7 | March 1995 | 22 | New Art Examiner | Legacy | Mary Jean Kenton | 22 | |
| 7 | March 1995 | 22 | New Art Examiner | Beyond Mao and Tiananmen: China's Emerging Avant-Garde | David M. Raddock | 25 | |
| 7 | March 1995 | 22 | New Art Examiner | Ask Me Anything, I have Nothing to Hide | Gaskins | 28 | |
| 7 | March 1995 | 22 | New Art Examiner | Conference Report | Vicki A. Clark | 31 | |
| 7 | March 1995 | 22 | New Art Examiner | Photo Fest V | William Messer | 34 | |
| 7 | March 1995 | 22 | New Art Examiner | Studio View | Jean Robertson | 37 | |
| 7 | March 1995 | 22 | New Art Examiner | Picasso and Dora | Ed Rubin | 50 | |
| 7 | March 1995 | 22 | New Art Examiner | Practices of Freedom: Selected Writings on HIV/AIDS | David McCarthy | 51 | |
| 7 | March 1995 | 22 | New Art Examiner | Kansas City Here We come | Irene Tsatsos | 52 | |
| 6 | February 1995 | 22 | New Art Examiner | Speakeasy | Steve Murakishi | 12 | |
| 6 | February 1995 | 22 | New Art Examiner | Premature Emancipation | Bill Gaskins | 14 | |
| 6 | February 1995 | 22 | New Art Examiner | Walking the Walk | Maria Jose Barandiaran | 19 | |
| 6 | February 1995 | 22 | New Art Examiner | Poisoned Pens and Rattled Sabers | Steven C. Dubin | 26 | |
| 6 | February 1995 | 22 | New Art Examiner | Regarding China's New Avant-Garde Artists | David M. Raddock | 30 | |
| 6 | February 1995 | 22 | New Art Examiner | On View | Douglas Utter | 34 | |
| 6 | February 1995 | 22 | New Art Examiner | Studio View | Kristen Brooke Schleifer | 36 | |
| 6 | February 1995 | 22 | New Art Examiner | Conference Report | Sheri Wills | 50 | |
| 6 | February 1995 | 22 | New Art Examiner | The Correspondence of Walter Benjamin | Barry Schwabsky | 52 | |
| 5 | January 1995 | 22 | New Art Examiner | Speakeasy | Arnold Aprill, Oliva Gude | 11 | |
| 5 | January 1995 | 22 | New Art Examiner | Arts Education Meets the Avant-Garde: A Postmodern Family Reunion | David Hoppe | 14 | |
| 5 | January 1995 | 22 | New Art Examiner | An Accidental Education | Michael Warr | 19 | |
| 5 | January 1995 | 22 | New Art Examiner | Expressive Education | Daniel R. Scheinfeld, Tammy M. Steele | 22 | |
| 5 | January 1995 | 22 | New Art Examiner | Please Pay Attention Please | Hamza Walker | 28 | |
| 5 | January 1995 | 22 | New Art Examiner | On View | Michael Odom | 30 | |
| 5 | January 1995 | 22 | New Art Examiner | Studio View | David Lefkowitz | 32 | |
| 5 | January 1995 | 22 | New Art Examiner | Risking Who One Is: Encounters With Contemporary Art and Literature | Jennifer L. Riddell | 48 | |
| 5 | January 1995 | 22 | New Art Examiner | Visual Culture: Images and Interpretations | Carol Wood | 49 | |
| 5 | January 1995 | 22 | New Art Examiner | Culture on the Brink: Ideologies of Technologies | Michael Bulka | 50 | |
| 4 | December 1994 | 22 | New Art Examiner | Speakeasy | Eileen Broido | 10 | |
| 4 | December 1994 | 22 | New Art Examiner | Circumventing the Center | Jennie Klein | 12 | |
| 4 | December 1994 | 22 | New Art Examiner | Robert Frank: The Eye of a Stranger | Donald Kuspit | 20 | |
| 4 | December 1994 | 22 | New Art Examiner | Searching for Virtue in a Virtual Landscape | Daniel Collins | 24 | |
| 4 | December 1994 | 22 | New Art Examiner | Nauman: Good and Bad | Kathryn Hixson | 32 | |
| 4 | December 1994 | 22 | New Art Examiner | On View | Terry R. Myers | 36 | |
| 4 | December 1994 | 22 | New Art Examiner | Studio View | Loch Adamson | 38 | |
| 4 | December 1994 | 22 | New Art Examiner | The Aesthete in the City: The Philosophy and Practice of American Abstract Painting in the 1980s | Tom Csaszar | 53 | |
| 10 | Summer 1994 | 21 | New Art Examiner | Speakeasy | Wilhelm Schurmann | 13 | |
| 10 | Summer 1994 | 21 | New Art Examiner | Transitional Visions | Carol Becker | 16 | |
| 10 | Summer 1994 | 21 | New Art Examiner | The Mike Kelley Problem | Terry R. Myers | 24 | |
| 10 | Summer 1994 | 21 | New Art Examiner | Contrary Iconography | W. Jackson Rushing | 30 | |
| 10 | Summer 1994 | 21 | New Art Examiner | E-Ticket to Publicland | Shaw Smith | 36 | |
| 10 | Summer 1994 | 21 | New Art Examiner | Exchange and Interrupt | Tom Csaszar | 38 | |
| 10 | Summer 1994 | 21 | New Art Examiner | On View | Glen R. Brown | 44 | |
| 10 | Summer 1994 | 21 | New Art Examiner | Studio View | Mary Jean Kenton | 46 | |
| 10 | Summer 1994 | 21 | New Art Examiner | Hearsay | John Corbett | 71 | |
| 10 | Summer 1994 | 21 | New Art Examiner | Conference report | Lou Mallozzi | 72 | |
| 7 | March 1994 | 21 | New Art Examiner | Speakeasy | Todd Parola | 10 | |
| 7 | March 1994 | 21 | New Art Examiner | Surflux: More Fluxus Than You Can Shake A Stick At | Simon Anderson | 14 | |
| 7 | March 1994 | 21 | New Art Examiner | Critical Refluxtions | Hannah B. Higgins | 17 | |
| 7 | March 1994 | 21 | New Art Examiner | Fluxus as Unarchitecture | Paul Krainak | 24 | |
| 7 | March 1994 | 21 | New Art Examiner | Arts' Enemies: Censors to the Right of Me, Censors to the Left of Me | Steven C. Dubin | 26 | |
| 7 | March 1994 | 21 | New Art Examiner | Cause and Efect | Debora Duez Donato | 32 | |
| 7 | March 1994 | 21 | New Art Examiner | On View | Jeanne C. Fryer-Kohles | 34 | |
| 7 | March 1994 | 21 | New Art Examiner | Hearsay | John Corbett | 52 | |
| 6 | February 1994 | 21 | New Art Examiner | Speakeasy | John S. Weber | 10 | |
| 6 | February 1994 | 21 | New Art Examiner | Enter Folk Art | Steven Kapelek | 14 | |
| 6 | February 1994 | 21 | New Art Examiner | Show and Tell | Joyce Fernandes | 18 | |
| 6 | February 1994 | 21 | New Art Examiner | Academic Standard | Kathryn Hixson | 24 | |
| 6 | February 1994 | 21 | New Art Examiner | On View | Miles Unger | 27 | |
| 6 | February 1994 | 21 | New Art Examiner | Studio View | Barry Schwabsky | 29 | |
| 6 | February 1994 | 21 | New Art Examiner | Conference Report | Jenifer P. Borum | 41 | |
| 5 | January 1994 | 21 | New Art Examiner | Speakeasy | Vera Klement | 12 | |
| 5 | January 1994 | 21 | New Art Examiner | Removing the Frame | Suzi Gablik | 14 | |
| 5 | January 1994 | 21 | New Art Examiner | Reframing a Movement | Allison Gamble | 18 | |
| 5 | January 1994 | 21 | New Art Examiner | Lines of Force | Miriam Seidel | 24 | |
| 5 | January 1994 | 21 | New Art Examiner | On View | Mary Murphy | 28 | |
| 5 | January 1994 | 21 | New Art Examiner | Studio View | Bruce Barcott | 30 | |
| 5 | January 1994 | 21 | New Art Examiner | Hearsay | John Corbett | 46 | |
| 5 | January 1994 | 21 | New Art Examiner | Conference Report | Lynn Love | 47 | |
| 5 | January 1994 | 21 | New Art Examiner | Public Domain | Hamza Walker | 54 | |
| 3 | November 1993 | 21 | New Art Examiner | Speakeasy | Gail Tremblay | 12 | |
| 3 | November 1993 | 21 | New Art Examiner | The Art of Exhibition | Donald Kuspit | 14 | |
| 3 | November 1993 | 21 | New Art Examiner | Merchandising Multiculturalism | Jeff Rosen | 18 | |
| 3 | November 1993 | 21 | New Art Examiner | Beauty Redefined | Richard Bolton | 27 | |
| 3 | November 1993 | 21 | New Art Examiner | On View | Alice Thorson | 32 | |
| 3 | November 1993 | 21 | New Art Examiner | Studio View | Terry R. Meyers | 34 | |
| 3 | November 1993 | 21 | New Art Examiner | Hear Say | John Corbett | 43 | |
| 2 | September 1993 | 21 | New Art Examiner | Speakeasy | Keith Lewis | 10 | |
| 2 | September 1993 | 21 | New Art Examiner | Comfort Cut On The Gender Bias | Steve Hohenboken, Lou Cabeen | 12 | |
| 2 | September 1993 | 21 | New Art Examiner | Approximating the Body | Richard Martin | 16 | |
| 2 | September 1993 | 21 | New Art Examiner | Graphic Division | Meredith Davis | 19 | |
| 2 | September 1993 | 21 | New Art Examiner | American Craft and the Frontier Myth | Mary Douglas | 22 | |
| 2 | September 1993 | 21 | New Art Examiner | On View | Kristen Brooke Schleifer | 27 | |
| 2 | September 1993 | 21 | New Art Examiner | Studio View | Deborah Wilk | 29 | |
| 2 | September 1993 | 21 | New Art Examiner | Hear Say | John Corbett | 45 | |
| 2 | September 1993 | 21 | New Art Examiner | Update | David Mendoza | 52 | |
| 1 | October 1993 | 21 | New Art Examiner | Speakeasy | Derek Guthrie | 14 | |
| 1 | October 1993 | 21 | New Art Examiner | Mid-Term Exam | 18 | ||
| 1 | October 1993 | 21 | New Art Examiner | Aesthetic Quality, Artistic Control | Eleanor Heartney | 26 | |
| 1 | October 1993 | 21 | New Art Examiner | Trouble in Paradise | Kathryn Hixson | 29 | |
| 1 | October 1993 | 21 | New Art Examiner | A Passion for Provocation | James Yood | 33 | |
| 1 | October 1993 | 21 | New Art Examiner | Breaking Out of the Imperialist Cage | Suzi Gablik | 36 | |
| 1 | October 1993 | 21 | New Art Examiner | On View | Mark Van Der Walle | 41 | |
| 1 | October 1993 | 21 | New Art Examiner | Studio View | J. W. Mahoney | 42 | |
| 1 | October 1993 | 21 | New Art Examiner | Hear Say | John Corbett | 55 | |
| 8 | April 1993 | 20 | New Art Examiner | Speakeasy | Nancy Bechtol | 12 | |
| 8 | April 1993 | 20 | New Art Examiner | Engaged and Enraged | Jennie Davis | 14 | |
| 8 | April 1993 | 20 | New Art Examiner | The X Factor | Darrell Moore | 18 | |
| 8 | April 1993 | 20 | New Art Examiner | Lines, Forms, Colors, and Planes | Mary Jean Kenton | 23 | |
| 8 | April 1993 | 20 | New Art Examiner | On View | Philadelphia | 26 | |
| 7 | March 1993 | 20 | New Art Examiner | Speakeasy | Richard Torchia | 11 | |
| 7 | March 1993 | 20 | New Art Examiner | Contingent Histories, Aesthetic Politics | W. Jackson Rushing | 14 | |
| 7 | March 1993 | 20 | New Art Examiner | Murphy's Law | Tom Csaszar | 21 | |
| 7 | March 1993 | 20 | New Art Examiner | Subtle Subversion | Carol Becker | 25 | |
| 7 | March 1993 | 20 | New Art Examiner | On View | Pittsburgh | 28 | |
| 6 | February 1993 | 20 | New Art Examiner | Speakeasy | Richard Loving | 10 | |
| 6 | February 1993 | 20 | New Art Examiner | Formal Education | Howard Risatti | 12 | |
| 6 | February 1993 | 20 | New Art Examiner | Redecorating the White House | Ann B. Stoddard | 16 | |
| 6 | February 1993 | 20 | New Art Examiner | Comic Relief? | Tom Wachunas | 21 | |
| 6 | February 1993 | 20 | New Art Examiner | On View | Seattle | 24 | |
| 5 | January 1993 | 20 | New Art Examiner | Speakeasy | Jeanne Nugent | 10 | |
| 5 | January 1993 | 20 | New Art Examiner | Art as Education | Richard Bolton | 12 | |
| 5 | January 1993 | 20 | New Art Examiner | Strategic Occupation | Allison Gamble | 17 | |
| 5 | January 1993 | 20 | New Art Examiner | And Never the Twain Shall Meet? | Suzi Gablik | 20 | |
| 5 | January 1993 | 20 | New Art Examiner | On View | New York | 26 | |
| 3 | November 1992 | 20 | New Art Examiner | Speakeasy | Mitchell Kane | 10 | |
| 3 | November 1992 | 20 | New Art Examiner | Anything Must Go | John Corbett | 12 | |
| 3 | November 1992 | 20 | New Art Examiner | Portrait of the Artist | Ann Lee Morgan | 15 | |
| 3 | November 1992 | 20 | New Art Examiner | Doin' Dirt Time | Suzi Gablik | 18 | |
| 3 | November 1992 | 20 | New Art Examiner | On View | Philadelphia | 24 | |
| 2 | October 1992 | 20 | New Art Examiner | Speakeasy | Garland Black | 11 | |
| 2 | October 1992 | 20 | New Art Examiner | The Way to Docu-Drama | Martha McWilliams, Kathryn Hixson | 12 | |
| 2 | October 1992 | 20 | New Art Examiner | Updating Chicano Art | Shifra M. Goldman | 17 | |
| 2 | October 1992 | 20 | New Art Examiner | The Designation of Indifference | Butler Hancock | 21 | |
| 2 | October 1992 | 20 | New Art Examiner | On View | Washington D. C. | 24 | |
| 1 | September 1992 | 20 | New Art Examiner | Speakeasy | Thomas Loeser | 11 | |
| 1 | September 1992 | 20 | New Art Examiner | The Politics of Protest | Eleanor Heartney | 14 | |
| 1 | September 1992 | 20 | New Art Examiner | Paradise Lost? | Suzi Gablik | 18 | |
| 1 | September 1992 | 20 | New Art Examiner | Tea with Christian Leigh | Brad Trayser | 21 | |
| 1 | September 1992 | 20 | New Art Examiner | On View | San Francisco | 24 | |
| 4 | December 1991 | 19 | New Art Examiner | Speakeasy | Jeff Gates | 13 | |
| 4 | December 1991 | 19 | New Art Examiner | Confounding the Word | Shaw Smith | 16 | |
| 4 | December 1991 | 19 | New Art Examiner | Polite Formalities | Lee Flemming | 22 | |
| 4 | December 1991 | 19 | New Art Examiner | Philadelphia Stories | Donald Chant Bohn | 26 | |
| 4 | December 1991 | 19 | New Art Examiner | On View | Montreal | 30 | |
| 3 | November 1991 | 19 | New Art Examiner | Speakeasy | Harry Gamboa, Jr. | 13 | |
| 3 | November 1991 | 19 | New Art Examiner | Power Play | Steven Mannheimer | 16 | |
| 3 | November 1991 | 19 | New Art Examiner | Writing on the Wall | Eva Cockroft | 20 | |
| 3 | November 1991 | 19 | New Art Examiner | Contested Ground | W. Jackson Rushing | 25 | |
| 3 | November 1991 | 19 | New Art Examiner | On View | Chicago | 30 | |
| 2 | October 1991 | 19 | New Art Examiner | Speakeasy | Rex Weil | 13 | |
| 2 | October 1991 | 19 | New Art Examiner | Myths Made Manifest | Alice Thorson | 16 | |
| 2 | October 1991 | 19 | New Art Examiner | And the Object is the Body | Kathryn Hixson | 20 | |
| 2 | October 1991 | 19 | New Art Examiner | Culturally Correct Criteria? | Howard Risatti | 25 | |
| 1 | September 1991 | 19 | New Art Examiner | Speakeasy | Leroy Almon, Sr. | 13 | |
| 1 | September 1991 | 19 | New Art Examiner | The Mythic Outsider | Michael D. Hall | 16 | |
| 1 | September 1991 | 19 | New Art Examiner | The Wrong Stuff | John Michael Vlach | 22 | |
| 1 | September 1991 | 19 | New Art Examiner | Separating the Folk From Their Art | Roger Manley | 25 | |
| 1 | September 1991 | 19 | New Art Examiner | The Designation of Difference | Julie Ardery | 29 | |
| 10 | June/Summer 1991 | 18 | New Art Examiner | Speakeasy | Joanna Frueh | 13 | |
| 10 | June/Summer 1991 | 18 | New Art Examiner | Formalizing an African-American Aesthetic | Robert L. Douglas | 18 | |
| 10 | June/Summer 1991 | 18 | New Art Examiner | What is to be un-done | Richard Bolton | 25 | |
| 10 | June/Summer 1991 | 18 | New Art Examiner | Evasive Action | Ann Lee Morgan | 29 | |
| 10 | June/Summer 1991 | 18 | New Art Examiner | Hammer Time? | Ben Marks | 33 | |
| 7 | March 1991 | 18 | New Art Examiner | Speakeasy | Chris Scoates | 13 | |
| 7 | March 1991 | 18 | New Art Examiner | Imaging Issues | Dennis Adrian | 18 | |
| 7 | March 1991 | 18 | New Art Examiner | The Portable Titian | James Yood | 22 | |
| 7 | March 1991 | 18 | New Art Examiner | MoMA's New Man | Robert Atkins | 25 | |
| 7 | March 1991 | 18 | New Art Examiner | Museum Make-Over | Steven Mannheimer | 28 | |
| 6 | February 1991 | 18 | New Art Examiner | Speakeasy | Carol Becker | 15 | |
| 6 | February 1991 | 18 | New Art Examiner | Protesting Professionalism | Howard Risatti | 22 | |
| 6 | February 1991 | 18 | New Art Examiner | Bleached, Straightened, and Fixed | Catherine Lord | 25 | |
| 6 | February 1991 | 18 | New Art Examiner | Denying Credit | David C. Driskell | 28 | |
| 6 | February 1991 | 18 | New Art Examiner | Glass Houses - The Academicization of Activism | Michael Starenko | 31 | |
| 5 | January 1991 | 18 | New Art Examiner | Speakeasy | Bobbie Hill | 15 | |
| 5 | January 1991 | 18 | New Art Examiner | Art and the Moral Imperative | Donald Kuspit | 18 | |
| 5 | January 1991 | 18 | New Art Examiner | Toward an Ecological Self | Suzi Gablik | 26 | |
| 5 | January 1991 | 18 | New Art Examiner | The Waiting Game | Susan Snodgrass | 31 | |
| 4 | December 1990 | 18 | New Art Examiner | Speakeasy | Rachel Rosenthal | 15 | |
| 4 | December 1990 | 18 | New Art Examiner | A Community's Self-Portrait | Betty Ann Brown | 20 | |
| 4 | December 1990 | 18 | New Art Examiner | Canals, Canards, and Canapes | Kathryn Hixson | 25 | |
| 4 | December 1990 | 18 | New Art Examiner | Art in the Waste-Stream | Michael Bulka | 28 | |
| 4 | December 1990 | 18 | New Art Examiner | Street Art Smarts | Michael Odom | 31 | |
| 4 | December 1990 | 18 | New Art Examiner | Art Press Review | Matthew Kangas | 51 | |
| 3 | November 1990 | 18 | New Art Examiner | Speakeasy | Barry Blinderman | 15 | |
| 3 | November 1990 | 18 | New Art Examiner | Critical Acumen in the '80s | Eleanor Heartney | 20 | |
| 3 | November 1990 | 18 | New Art Examiner | Breaking the Silence | Howardena Pindell | 23 | |
| 3 | November 1990 | 18 | New Art Examiner | An Art of Secular Mysticism | Luis Camnitzer | 28 | |
| 3 | November 1990 | 18 | New Art Examiner | Kansas City's West Side Story | Peter von Ziegesar | 31 | |
| 2 | October 1990 | 18 | New Art Examiner | Speakeasy | Eric Bookhardt | 15 | |
| 2 | October 1990 | 18 | New Art Examiner | Breaking the Silence | Howardena Pindell | 18 | |
| 2 | October 1990 | 18 | New Art Examiner | Questioning the Quality Canon | Keith Morrison | 24 | |
| 2 | October 1990 | 18 | New Art Examiner | The Temptations of "O' Appalachia" | Alice Thorson | 28 | |
| 2 | October 1990 | 18 | New Art Examiner | Hampton Roads Turns the Corner | Linda McGreevy | 31 | |
| 2 | October 1990 | 18 | New Art Examiner | Art Talk | Rudolf Baranik | 51 | |
| 1 | September 1990 | 18 | New Art Examiner | Speakeasy | Kevin A. Hluch | 17 | |
| 1 | September 1990 | 18 | New Art Examiner | Cluing in to Baldessari | James R. Hugunin | 24 | |
| 1 | September 1990 | 18 | New Art Examiner | The State of the Crafts | Matthew Kangas | 28 | |
| 1 | September 1990 | 18 | New Art Examiner | Old Symbols, New Myths | Derek Guthrie | 31 | |
| 1 | September 1990 | 18 | New Art Examiner | Sustained Rage in a Hostile Landscape | Mark Alice Durant | 35 | |
| 1 | September 1990 | 18 | New Art Examiner | Art Press Review | Miriam Seidel | 59 | |
| 11 | Summer 1990 | 17 | New Art Examiner | Speakeasy | Gary Justis | 13 | |
| 11 | Summer 1990 | 17 | New Art Examiner | The Sacred and the Profane | Jane Addams Allen | 18 | |
| 11 | Summer 1990 | 17 | New Art Examiner | Cowardice and Politics Ruin "The Chicago Show" | James Yood | 23 | |
| 11 | Summer 1990 | 17 | New Art Examiner | Eisenman's Architectural Challenge | Robert Benson | 27 | |
| 10 | June 1990 | 17 | New Art Examiner | Speakeasy | Salli LoveLarkin | 17 | |
| 10 | June 1990 | 17 | New Art Examiner | The Cultural Contradictions of Conservatism | Richard Bolton | 24 | |
| 10 | June 1990 | 17 | New Art Examiner | "Murmur" Raises a Din | Deven Golden | 30 | |
| 10 | June 1990 | 17 | New Art Examiner | Cincinnati Joins the Censorship Circus | Steven Mannheimer | 33 | |
| 10 | June 1990 | 17 | New Art Examiner | Frohnmayer in the Fray | Derek Guthrie | 36 | |
| 10 | June 1990 | 17 | New Art Examiner | Art Press Review | Lonnette M. Stonitsch | 63 | |
| 10 | June 1990 | 17 | New Art Examiner | Art Talk | Bradford R. Collins | 67 | |
| 7 | March 1990 | 17 | New Art Examiner | Speakeasy | John Figura | 13 | |
| 7 | March 1990 | 17 | New Art Examiner | A Prince for the Pauper? | Bruce May | 18 | |
| 7 | March 1990 | 17 | New Art Examiner | Marking Time, Making Her Story | Miriam Seidel | 23 | |
| 7 | March 1990 | 17 | New Art Examiner | AfriCobra - Then and Now | Alice Thorson | 26 | |
| 7 | March 1990 | 17 | New Art Examiner | Craft After Modernism | Howard Risatti | 32 | |
| 7 | March 1990 | 17 | New Art Examiner | Art Press Review | Joanna Frueh | 57 | |
| 7 | March 1990 | 17 | New Art Examiner | Art Talk | John Perreault | 66 | |
| 6 | February 1990 | 17 | New Art Examiner | Speakeasy | H. Ivey | 13 | |
| 6 | February 1990 | 17 | New Art Examiner | Frohnmayer's Folly | John Loughery | 20 | |
| 6 | February 1990 | 17 | New Art Examiner | A Question of Intent | Michael Starenko | 26 | |
| 6 | February 1990 | 17 | New Art Examiner | Vision and Revision in D. C. Art | Mokha Laget | 30 | |
| 6 | February 1990 | 17 | New Art Examiner | Another Look at Contemporary Native American Art | W. Jackson Rushing | 35 | |
| 6 | February 1990 | 17 | New Art Examiner | Art Press Review | Bradford R. Collins | 59 | |
| 6 | February 1990 | 17 | New Art Examiner | Art Talk | John Perreault | 63 | |
| 5 | January 1990 | 17 | New Art Examiner | Speakeasy | Beauvais Lyons | 13 | |
| 5 | January 1990 | 17 | New Art Examiner | Pluralism and Postmodernism | Jane Addams Allen | 20 | |
| 5 | January 1990 | 17 | New Art Examiner | Glasnost and the Avant-Garde | Susan Reid | 25 | |
| 5 | January 1990 | 17 | New Art Examiner | The Day Without Art | John Perreault | 31 | |
| 5 | January 1990 | 17 | New Art Examiner | A Thoroughly Modern Potter | Janet Koplos | 32 | |
| 5 | January 1990 | 17 | New Art Examiner | Contracting Creative Vision | Joanna Shaw-Eagle | 35 | |
| 5 | January 1990 | 17 | New Art Examiner | Art Press Review | Nicols Fox | 55 | |
| 4 | December 1989 | 17 | New Art Examiner | Speakeasy | Edward Goldman | 13 | |
| 4 | December 1989 | 17 | New Art Examiner | Art Beyond the Rectangle | Suzi Gablik | 20 | |
| 4 | December 1989 | 17 | New Art Examiner | Latin American Art's U.S. Explosion | Shifra M. Goldman | 25 | |
| 4 | December 1989 | 17 | New Art Examiner | Citing the Oversights | Lance Carlson | 30 | |
| 4 | December 1989 | 17 | New Art Examiner | Squabbles at Florida's Ringling Museum | K. L. Dean | 33 | |
| 4 | December 1989 | 17 | New Art Examiner | Computer Art Comes of Age at SIGGRAPH 1989 | Wayne Draznin | 52 | |
| 4 | December 1989 | 17 | New Art Examiner | Art Press Review | Susan Snodgrass | 55 | |
| 67 | Winter 2008 | Art Journal | Notes on Parrhesia | Judith F. Rodenbeck | 5 | ||
| 67 | Winter 2008 | Art Journal | Why and How Do We Work on Living Artists | Suzanne Hudson | 8 | ||
| 67 | Winter 2008 | Art Journal | Painting Lesson: Hantai and His Critics | Agnes Berecz | 12 | ||
| 67 | Winter 2008 | Art Journal | Outtakes | Huey Copeland | 20 | ||
| 67 | Winter 2008 | Art Journal | Two or Three Things I Know about Artist Interviews | Phyllis Tuchman | 33 | ||
| 67 | Winter 2008 | Art Journal | "Artists sometimes have feelings" | Richard Meyer | 38 | ||
| 67 | Winter 2008 | Art Journal | Response: Proximal but Divided | Johanna Burton | 56 | ||
| 67 | Winter 2008 | Art Journal | Conclusion: How and Why Do We Write about Living Artists? | Anne Byrd | 60 | ||
| 67 | Winter 2008 | Art Journal | Toward an Aesthetic Marine Biology | J. Malcolm Shick | 62 | Features | |
| 67 | Winter 2008 | Art Journal | A Collaborative Approach to Preparing MFA Art Student to Teach at the University Level | Julia Morrisore, Craig Roland | 87 | Features | |
| 67 | Winter 2008 | Art Journal | "It can change as we go along": Social Practice in the Academy and the Community | Harrell Fletcher, Sandy Sampson, Eric Steen, Amy Steel, Cyrus Smith, Avalon Kalin, Laurel Kurtz, Katy Asher, Varinthorn Christopher | 92 | Features | |
| 67 | Winter 2008 | Art Journal | Morris Louis Now: An American Master Revisited | Lisa Frye Ashe | 113 | Reviews | |
| 67 | Winter 2008 | Art Journal | Mark Godfrey, Abstraction and the Holocaust | Harry Copper | 116 | Reviews | |
| 67 | Winter 2008 | Art Journal | Action Painting, Action/Abstraction: Pollock, de Koonin, and American Art, 1940-1976 | Gail Levin | 119 | Reviews | |
| 67 | Winter 2008 | Art Journal | Charles Harrison, Painting the Difference: Sex and Spectator in Modern Art | Katerina Reed-Tsocha | 121 | Reviews | |
| 67 | Fall 2008 | Art Journal | Not Your Daddy's Servo | Judith F. Rodenbeck | 5 | ||
| 67 | Fall 2008 | Art Journal | Detached from HiStory: Jasia Reichardt and Cybernetic Serendipity | Maria Fernandez | 6 | Features | |
| 67 | Fall 2008 | Art Journal | From Space to Environment: The Origins of Kankyo and the Emergence of Intermedia Art in Japan | Midori Yoshimoto | 24 | Features | |
| 67 | Fall 2008 | Art Journal | The pUblic Sensoriums of Pulsa: Cybernetic Abstraction and the Biopolitics of Urban Survival | Yates McKee | 46 | Features | |
| 67 | Fall 2008 | Art Journal | Showing | Jordan Crandall | 68 | Artist's Project | |
| 67 | Fall 2008 | Art Journal | Michael Haneke's New(s) Images | Jonathan Thomas | 80 | Features | |
| 67 | Fall 2008 | Art Journal | Steps to an Ecology of Communication: Radical Software, Dan Graham, and the Legacy of Gregory Bateson | William Kaizen | 86 | Features | |
| 67 | Fall 2008 | Art Journal | Tom McDonough, "The Beautiful Language of My Century": Reinventing the Language of Contestation in Postwar France, 1945-1968 | Kaira M. Cabanas | 108 | Reviews | |
| 67 | Fall 2008 | Art Journal | Stanley Mathews, From Agit-Prop to Free Space: The Architecture of Cedric Price | Noah Chasin | 111 | Reviews | |
| 67 | Fall 2008 | Art Journal | Felicity D. Scott, Architecture or Techno-Utopia: Politics after Modernism | Noah Chasin | 111 | Reviews | |
| 67 | Fall 2008 | Art Journal | Steven Nelson, From Cameroon to Paris: Mousgoum Architecture In and Out of Africa | Ikem Stanley Okoye | 114 | Reviews | |
| 67 | Summer 2008 | Art Journal | Material Experience | Judith F. Rodenbeck | 5 | ||
| 67 | Summer 2008 | Art Journal | Unbaled: An Interview with Shinique Smith | Kymberly N. Pinder | 6 | Features | |
| 67 | Summer 2008 | Art Journal | Elaine Reichek: Pixels, Bytes, and Stitches | Paula Birnbaum | 18 | Features | |
| 67 | Summer 2008 | Art Journal | Convergence: History, Materials, and the Human Hand--An Interview with El Anatsui | Laura Leffler James | 36 | Features | |
| 67 | Summer 2008 | Art Journal | Anonymous Textiles, Patented Domains: The Invention (and Death) of an Author | T'ai Smith | 54 | Features | |
| 67 | Summer 2008 | Art Journal | The Attraction of Print: Notes on the Surface of the (Art) Print | Ruth Pelzer-Montada | 74 | Features | |
| 67 | Summer 2008 | Art Journal | Recent Art of Sakarin Krue-On: An Interview | Carol Salus | 92 | Features | |
| 67 | Summer 2008 | Art Journal | Ordinary Pictures and Accidental Masterpieces: Snapshot photography in the Modern Art Museum | Catherine Zuromskis | 104 | Features | |
| 67 | Summer 2008 | Art Journal | Looking through Hannah's Eyes: Interview with Donald Goddard | Tina Takemoto | 126 | Features | |
| 67 | Spring 2008 | Art Journal | The Science of the Concrete | Judith F. Rodenbeck | 5 | ||
| 67 | Spring 2008 | Art Journal | Debris and Immobility | Lane Relyea | 6 | Artist's Project | |
| 67 | Spring 2008 | Art Journal | Debris Field | Heather Mekkelson | 9 | Artist's Project | |
| 67 | Spring 2008 | Art Journal | The Anthropology of Assemblage | Julia Kelly | 24 | Forum: Assemblage and Bricolage | |
| 67 | Spring 2008 | Art Journal | Assemblage, Bricolage, and the Practice of Everyday Life | Anna Dezeuze | 31 | Forum: Assemblage and Bricolage | |
| 67 | Spring 2008 | Art Journal | "Committing the Perfect Crime:" Sexuality, Assemblage, and the Postmodern Turn in American Art | Jonathan D. Katz | 38 | Forum: Assemblage and Bricolage | |
| 67 | Spring 2008 | Art Journal | Arman's System of Objects | Jaimey Hamilton | 54 | Forum: Assemblage and Bricolage | |
| 67 | Spring 2008 | Art Journal | Bric-a-Brac: The Everyday Work of Tom Friedman | Jo Applin | 68 | Forum: Assemblage and Bricolage | |
| 67 | Spring 2008 | Art Journal | Slums Do Stink: Artists, Bricolage, and Our Need for Doses of "Real" Life | Patricio del Real | 82 | Forum: Assemblage and Bricolage | |
| 67 | Spring 2008 | Art Journal | From Reaching Heiligendamm: An Interview with Oliver Ressler | Marc James Leger | 100 | Interview | |
| 67 | Spring 2008 | Art Journal | David Joselit, Feedback: Television against Democracy | Eric C. H. de Bruyn | 115 | Reviews | |
| 67 | Spring 2008 | Art Journal | Jessica Winegar, Creative Reckonings: The Politics of Art and Culture in Contemporary Egypt | Dina Ramadan | 119 | Reviews | |
| 67 | Spring 2008 | Art Journal | McKenzie Wark, Gamer Theory | T'ai Smith | 121 | Reviews | |
| 67 | Spring 2008 | Art Journal | Alexander Galloway, Eugene Thacker, The Exploit: A Theory of Networks | T'ai Smith | 122 | Reviews | |
| 66 | Winter 2007 | Art Journal | Blindsight and Microblindness | Judith F. Rodenbeck | 5 | ||
| 66 | Winter 2007 | Art Journal | Blink: The Viewer as Blind Man in Installation Art | Jane Blocker | 6 | Features | |
| 66 | Winter 2007 | Art Journal | What. Comes. After.: An Introduction to Lin + Lam's Unidentified Vietnam | Una Chung | 22 | Features | |
| 66 | Winter 2007 | Art Journal | Unidentified Vietnam | Lin + Lam | 25 | Features | |
| 66 | Winter 2007 | Art Journal | Affect and Spectatorial Agency: Viewing Institutional Critique in the 1970s | Kirsi Peltomaki | 36 | Features | |
| 66 | Winter 2007 | Art Journal | Game Face: Douglas Huebler and the Voiding of Photographic Portraiture | Gordon Hughes | 52 | Features | |
| 66 | Winter 2007 | Art Journal | Archival Obsessions: Arnold Dreyblatt's Memory Work | Astrid Schmetterling | 70 | Features | |
| 66 | Winter 2007 | Art Journal | The Movement of Vulnerability: Images of Falling and September 11 | Andrea D. Fitzpatrick | 84 | Features | |
| 66 | Winter 2007 | Art Journal | Cecile Whiting, Pop L.A.: Art and the City in the 1960s | Ken Allan | 103 | Reviews | |
| 66 | Winter 2007 | Art Journal | Nadja Rottner and Peter Weibel, Gego 1957-1988: Thinking the Line | Monica Amor | 105 | Reviews | |
| 66 | Winter 2007 | Art Journal | Gego: Between Transparency and the Invisible | Monica Amor | 105 | Reviews | |
| 66 | Winter 2007 | Art Journal | Alexander Alberro, Sabeth Buchmann, Art After Conceptual Art | Godfre Leung | 109 | Reviews | |
| 66 | Winter 2007 | Art Journal | John C. Welchman, Institutional Critique and After | Godfre Leung | 109 | Reviews | |
| 66 | Winter 2007 | Art Journal | Darby English, How to See a Work of Art in Total Darkness | Derek Conrad Murray | 112 | Reviews | |
| 66 | Fall 2007 | Art Journal | Contingency and Engagement | Judith F. Rodenbeck | 5 | ||
| 66 | Fall 2007 | Art Journal | Like TV: On Barbara Kruger's Twelve | Martha Gever | 6 | Features | |
| 66 | Fall 2007 | Art Journal | Be Here (and There) Now: The Spatial Dynamics of Screen-Reliant Installation Art | Kate Mondloch | 20 | Features | |
| 66 | Fall 2007 | Art Journal | The Look of Law | Simon Leung | 34 | Forum: The Look of Law | |
| 66 | Fall 2007 | Art Journal | Radio LAPD: 70 Years of Public Work | Jeff Cain | 46 | Forum: The Look of Law | |
| 66 | Fall 2007 | Art Journal | Jeff Cain's Radio LAPD: Police as Content Providers in the Digital Age | Simon A. Cole | 52 | Forum: The Look of Law | |
| 66 | Fall 2007 | Art Journal | Pictures from Nowhere: Three Moments | Trevor Paglen | 56 | Forum: The Look of Law | |
| 66 | Fall 2007 | Art Journal | Telescopes, Transparency, and Torture: Trevor Paglen and the Politics of Exposure | Karen Beckman | 62 | Forum: The Look of Law | |
| 66 | Fall 2007 | Art Journal | The Disappearing/ Reappearing Prison | Ashley Hunt | 68 | Forum: The Look of Law | |
| 66 | Fall 2007 | Art Journal | Captivity, By Turns: A Comment on the Work of Ashley Hunt | Jared Sexton | 74 | Forum: The Look of Law | |
| 66 | Fall 2007 | Art Journal | After Hiroshima Mon Amour | Silvia Kolbowski | 80 | Forum: The Look of Law | |
| 66 | Fall 2007 | Art Journal | Remade in Silence: Silvia Kolbowski's A Film Will Be Shown without the Sound | Bliss Cua Lim | 85 | Forum: The Look of Law | |
| 66 | Fall 2007 | Art Journal | The Return to the Origin: heidegger's Journey to Greece | Paul Doro | 88 | Features | |
| 66 | Fall 2007 | Art Journal | German Photographs (1724-2005): Heidegger | Patrick Lakey | 102 | Features | |
| 66 | Fall 2007 | Art Journal | Autonomy, Agonism, and Activist Art: An Interview with Grant Kester | Mick Wilson | 106 | Features | |
| 66 | Fall 2007 | Art Journal | James Elkins, Photography Theory | Robin Kelsey | 119 | Reviews | |
| 66 | Fall 2007 | Art Journal | Helen Molesworth, Part Object Part Sculpture | Erika Naginski | 122 | Reviews | |
| 66 | Fall 2007 | Art Journal | Kamal Bullatah, Istihdar al-Makan, Dirasah fi al-Fann al-Tashkili al-Filastini al-Mu'asir (Conjuring Up Space: A Study of Contemporary Palestinian Art) | Joseph Massad | 126 | Reviews | |
| 66 | Fall 2007 | Art Journal | Samia A. Halaby, Liberation Art of Palestine: Palestinian Painting and Sculpture in the Second Half of the 20th Century | Joseph Massad | 126 | Reviews | |
| 66 | Fall 2007 | Art Journal | Gannit Ankori, Palestinian Art | Joseph Massad | 126 | Reviews | |
| 66 | Summer 2007 | Art Journal | Crossing memory's Green Line--Contemporary Art in Beirut | Judith F. Rodenbeck | 5 | ||
| 66 | Summer 2007 | Art Journal | Out of History: Postwar Art in Beirut | Sarah Rogers | 8 | Features | |
| 66 | Summer 2007 | Art Journal | Dangerous Gifts: Lamia Joreige's Objects of War | Laura U. Marks | 21 | Features | |
| 66 | Summer 2007 | Art Journal | Objects of War | Lamia Joreige | 23 | Features | |
| 66 | Summer 2007 | Art Journal | Place at Last | Walid Sadek | 34 | Features | |
| 66 | Summer 2007 | Art Journal | Mining War: Fragments from a Conversation Already Passed | Hannah Feldman and Akram Zaatari | 48 | Features | |
| 66 | Summer 2007 | Art Journal | The War Works: Videos under Siege, Online and in the Aftermath, Again | Kaelen Wilson-Goldie | 68 | Features | |
| 66 | Summer 2007 | Art Journal | Ritualizing Life: Videos of Jalal Toufic | Boris Groys | 83 | Features | |
| 66 | Summer 2007 | Art Journal | Minor Art: Conceptual Posters and Book Covers | Jalal Toufic | 85 | Features | |
| 66 | Summer 2007 | Art Journal | Curating Beirut: A Conversation on the Politics of Representation | T. J. Demos, Sandra Dagher, Catherine David, Rasha Salti, Christine Tohme | 98 | Features | |
| 66 | Summer 2007 | Art Journal | African Art Now: Masterpieces from the Jean Pigozzi Collection | Elizabeth Harney | 120 | Reviews | |
| 66 | Summer 2007 | Art Journal | Africa Remix: Contemporary Art of a Continent | Elizabeth Harney | 120 | Reviews | |
| 66 | Summer 2007 | Art Journal | A Fiction of Authenticity: Contemporary Africa Abroad | Elizabeth Harney | 120 | Reviews | |
| 66 | Spring 2007 | Art Journal | The Exquisite and Urgent Importance of Art | Patricia C. Phillips | 5 | ||
| 66 | Spring 2007 | Art Journal | Words of Ar | Matthew Gehring | 8 | Features | |
| 66 | Spring 2007 | Art Journal | Visions, Valves, and Vestiges: The Curdled Victories of the Bienal de La Habana | Rachel Weiss | 10 | Features | |
| 66 | Spring 2007 | Art Journal | Once More... With feeling: Reenactment in Contemporary Art and Culture | Robert Blackson | 28 | Features | |
| 66 | Spring 2007 | Art Journal | Publishing Art: Alternative Distribution in Print | Gwen Allen, Cherise Smith | 41 | ||
| 66 | Spring 2007 | Art Journal | Re-member the Audience: Adrian Piper's Mythic Being Advertisements | Cherise Smith | 46 | ||
| 66 | Spring 2007 | Art Journal | Trueblack | Arnold J. Kemp | 59 | ||
| 66 | Spring 2007 | Art Journal | Colab Takes a Piece, History Takes It Back: Collectivity and New York Alternative Spaces | David E. Little | 60 | ||
| 66 | Spring 2007 | Art Journal | Special Corporate Self-Aggrandizement Section | Slop Art co-laborers Adriane Herman, Rent-an-Art-Historian's Chris Thompson, PhD | 75 | ||
| 66 | Spring 2007 | Art Journal | Interview with Seth Price | Gwen Allen, Cherise Smith | 79 | ||
| 66 | Spring 2007 | Art Journal | Excerpts from Title Variable | Seth Price | 79 | ||
| 66 | Spring 2007 | Art Journal | Emerging Issues in Contemporary Desigh: A Roundtable | Barbara J. Bloemink, Brooke Hodge, Ellen Lupton, Matilda McQuaid, Patricia C. Phillips | 92 | Features | |
| 66 | Spring 2007 | Art Journal | 555-1171 | Sarah Oppenheimer | 112 | Features | |
| 66 | Spring 2007 | Art Journal | Against Voluptuous Bodies: Late Modernism and the Meaning of Painting | Stephen Melville | 113 | Reviews | |
| 66 | Spring 2007 | Art Journal | History after Apartheid: Visual Culture and Public Memory in a Democratic South Africa | Ikem Stanley Okoye | 116 | Reviews | |
| 66 | Spring 2007 | Art Journal | Shades of Black: Assembling Black Arts in 1980s Britain | Courtney J. Martin | 119 | Reviews | |
| 65 | Fall 2006 | Art Journal | Remediations--Re-viewing Art | Patricia C. Phillips | 5 | Features | |
| 65 | Fall 2006 | Art Journal | Alien Duration: Tehching Hsieh, 1978-99 | Frazer Ward | 6 | Features | |
| 65 | Fall 2006 | Art Journal | The Role of the University Art Museum and Gallery | Anna Hammond, Ian Berry, Sheryl Conkelton, Sharon Corwin, Pamela Franks, Katherine Hart, Wyona Lynch-McWhite, Charles Reeve, John Stomberg | 20 | Features | |
| 65 | Fall 2006 | Art Journal | Grayscale Video and the Shift to Color | Sean Cubitt | 40 | ||
| 65 | Fall 2006 | Art Journal | Video: From Technology to Medium | Yvonne Spielmann | 54 | ||
| 65 | Fall 2006 | Art Journal | "a demo tape on how to play video on the violin" | Jean Gagnon | 70 | ||
| 65 | Fall 2006 | Art Journal | The Temporalities of Video: Extendedness Revisited | Christine Ross | 82 | ||
| 65 | Fall 2006 | Art Journal | Homer Simpson as Outsider Artist, or How I Learned to Accept Ambivalence (Maybe) | Reva Wolf | 100 | Features | |
| 65 | Fall 2006 | Art Journal | The Artist as Producer: Russian Constructivism in Revolution | Paul Wood | 112 | Reviews | |
| 65 | Fall 2006 | Art Journal | Imagine No Possessions: The Socialist Objects of Russian Constructivism | Paul Wood | 112 | Reviews | |
| 65 | Fall 2006 | Art Journal | Palestine, Israel, and the Politics of Popular Culture | Sarah Rogers | 117 | Reviews | |
| 65 | Fall 2006 | Art Journal | Parables for the Virtual: Movement, Affect, Sensation | Maria Fernandez | 120 | Reviews | |
| 65 | Fall 2006 | Art Journal | Monuments, Objects, Histories: Institutions of Art in Colonial and Post-Colonial India | Iftikhar Dadi | 123 | Reviews | |
| 65 | Summer 2006 | Art Journal | Art That Insists: Persistence with Urgency | Patricia C. Phillips | 5 | ||
| 65 | Summer 2006 | Art Journal | Status: Stolen | Perry Bard | 6 | Artist's Project | |
| 65 | Summer 2006 | Art Journal | The Hegelian Implications of the Museum of Sex; or, Does MoSex Mean No Sex? | Kelly Dennis | 8 | Features | |
| 65 | Summer 2006 | Art Journal | The Trouble with (the Term) Art | Carolyn Dean | 24 | Features | |
| 65 | Summer 2006 | Art Journal | Diasporic Body Double: The Art of the Singh Twins | Saloni Mathur | 34 | Features | |
| 65 | Summer 2006 | Art Journal | A Conversation on Social Collaboration | Doug Ashford, Wendy Ewald, Nina Felshin, Patricia C. Phillips | 58 | Features | |
| 65 | Summer 2006 | Art Journal | No Ideas but in Things: Photography at Learning's Limit | Chris Mills, Nick Muellner | 84 | Features | |
| 65 | Summer 2006 | Art Journal | Israeli Holocaust Memorial Strategies at Yad Vashem: From Silence to Recognition | Natasha Goldman | 102 | Features | |
| 65 | Summer 2006 | Art Journal | The Studio-Art Doctorate in America | Timothy Emlyn Jones | 124 | Features | |
| 65 | Summer 2006 | Art Journal | Remaking Beijing: Tiananmen Square and the Creation of a Political Space | Kevin Chua | 128 | Reviews | |
| 65 | Summer 2006 | Art Journal | Empathic Vision: Affect, Trauma, and Contemporary Art | Helen McDonald | 130 | Reviews | |
| 65 | Summer 2006 | Art Journal | Art in Mind: How Contemporary Images Shape Thought | Helen McDonald | 130 | Reviews | |
| 65 | Summer 2006 | Art Journal | Irrational Modernism: A Neurasthenic History of New York Dada | Mira Schor | 133 | Reviews | |
| 65 | Summer 2006 | Art Journal | Mute Dreams, Blind Owls, and Dispersed Knowledges: Persian Poesis in the Transnational Circuitry | Z. Pamela Karimi | 136 | Reviews | |
| 65 | Spring 2006 | Art Journal | Positionings | Patricia C. Phillips | 3 | ||
| 65 | Spring 2006 | Art Journal | The Shiny Illusionism of Krauss and Judd | David Raskin | 6 | Features | |
| 65 | Spring 2006 | Art Journal | Uneasy Bedfellows: Canonical Art Theory and the Politics of Identity | Derek Conrad Murray, Soraya Murray | 22 | Features | |
| 65 | Spring 2006 | Art Journal | Lilla LoCurto and William Outcault: Self-Portraits for a New Millennium | Helaine Posner | 40 | Artist's Project | |
| 65 | Spring 2006 | Art Journal | Bordering on Cultural Vision(s): Jay Dusard's Collaboration with the Border Art Workshop/ Taller de Arte Fronterizo | Andrew E. Hershberger | 82 | Features | |
| 65 | Spring 2006 | Art Journal | Mediating Political "Things", and the Forked Tongue of Modern Culture: A Conversation with Bruno Laour | Christian S. G. Katti | 94 | Features | |
| 65 | Spring 2006 | Art Journal | Art since 1900: Modernism, Antimodernism, Postmodernism | Charles Harrison | 116 | Reviews | |
| 65 | Spring 2006 | Art Journal | Body Doubles: Sculpture in Britain, 1877-1905 | Tim Barringer | 119 | Reviews | |
| 65 | Spring 2006 | Art Journal | Modern Art, Britain, and the Great War: Witnessing, Testimony, and Remembrance | Tim Barringer | 119 | Reviews | |
| 65 | Spring 2006 | Art Journal | Risking the Abstract: Mexican Modernism and the Art of Gunther Gerzso | Courtney Gilbert | 123 | Reviews | |
| 65 | Spring 2006 | Art Journal | Mirror-Travels: Robert Smithson and History | Robert Slifkin | 125 | Reviews | |
| 65 | Spring 2006 | Art Journal | Robert Smithson and the American Landcape | Robert Slifkin | 125 | Reviews | |
| 64 | Winter 2005 | Art Journal | Reconciliations: New Views and Re-views | Patricia C. Phillips | 3 | ||
| 64 | Winter 2005 | Art Journal | 64 Scenes | Mary Lum | 4 | Artist Project | |
| 64 | Winter 2005 | Art Journal | Perceptions at Play: Giacometti through Contemporary Eyes | Roxana Marcoci | 6 | Features | |
| 64 | Winter 2005 | Art Journal | P.T. Reddy, Neo-Tantrism, and Modern Art in India | Rebecca M. Brown | 26 | Features | |
| 64 | Winter 2005 | Art Journal | Art and Labor: Some Introductory Ideas | Jessica Stockholder, Joe Scanlan | 50 | Dialogue: Art and Labor | |
| 64 | Winter 2005 | Art Journal | Where Are he Drugs? | Chris Hanson, Hendrika Sonnenberg | 52 | Dialogue: Art and Labor | |
| 64 | Winter 2005 | Art Journal | A Wastrel's Progress and the Worm's Retreat | Hirsch Perlman | 64 | Dialogue: Art and Labor | |
| 64 | Winter 2005 | Art Journal | Scrolls, Boxes, and Trees: Manuela Filiaci's Work | Angela Dalle Vacche | 70 | Artist Portfolio | |
| 64 | Winter 2005 | Art Journal | Modernism: What El Norte Can Learn from Latin America | Robin Greeley | 82 | ||
| 64 | Winter 2005 | Art Journal | Jose Gomez Sicre and the "Idea" of Latin American Art | Alejandro Anreus | 83 | ||
| 64 | Winter 2005 | Art Journal | 1001 Words for Mario Pedrosa | Francisco Alambert | 85 | ||
| 64 | Winter 2005 | Art Journal | Marta Traba: Internationalism or Regional Resistance? | Florencia Bazzano-Nelson | 87 | ||
| 64 | Winter 2005 | Art Journal | Jorge Romero Brest and the Coordinates of Aesthetic Modernism in Latin America | Andrea Giunta | 89 | ||
| 64 | Winter 2005 | Art Journal | Thomas Ybarra-Frausto and Amalia Mesa-Bains: A Critical Discourse from Within | Holly Barnet-Sanchez | 91 | ||
| 64 | Winter 2005 | Art Journal | Matting the Monochrome: Malevich, Klein, and Now | Mark A. Cheetham | 94 | Features | |
| 64 | Winter 2005 | Art Journal | Systematic Inexhaustion | Nana last | 110 | Features | |
| 64 | Winter 2005 | Art Journal | History of the Surrealist Movement | Raymond Spiteri | 122 | Reviews | |
| 64 | Winter 2005 | Art Journal | Surrelaism: Desire Unbound | Raymond Spiteri | 122 | Reviews | |
| 64 | Winter 2005 | Art Journal | Surrealism Against the Current: Tracts and Declarations | Raymond Spiteri | 122 | Reviews | |
| 64 | Winter 2005 | Art Journal | Artists on the Left: American Artists and the Communist Movement, 1926-1956 | Gregory Sholette | 128 | Reviews | |
| 64 | Winter 2005 | Art Journal | Complete Writings, 1959-1975 | Adrian Kohn | 131 | Reviews | |
| 64 | Winter 2005 | Art Journal | Rhythm Science | Soraya Murray | 133 | Reviews | |
| 64 | Fall 2005 | Art Journal | Something to Talk About | Patricia C. Phillips | 3 | ||
| 64 | Fall 2005 | Art Journal | Commemorative Stamps, Art Journal 1929-2005 | Barbara Bloom | 4 | Artist Project | |
| 64 | Fall 2005 | Art Journal | The Aesthetics of Witnessing: A Conversation with Alfredo Jaar | Patricia C. Phillips | 6 | Features | |
| 64 | Fall 2005 | Art Journal | Teaching After the End | David Levi Strauss, Daniel Joseph Martinez | 28 | Features | |
| 64 | Fall 2005 | Art Journal | "Ask Somebody Else Something Else": Analyzing the Artist Interview | Johanna Burton, Lisa Pasquariello | 46 | Thematic Investigation | |
| 64 | Fall 2005 | Art Journal | Against Criticism: The Artist Interview in Avalanche Magazine, 1970-76 | Gwen Allen | 50 | Thematic Investigation | |
| 64 | Fall 2005 | Art Journal | Robert Ryman, Retrospective | Suzanne Hudson | 62 | Thematic Investigation | |
| 64 | Fall 2005 | Art Journal | Method Acting: The Artist-Interviewer Conversation | Tim Griffin | 70 | Thematic Investigation | |
| 64 | Fall 2005 | Art Journal | A Response | Rhea Anastas | 78 | Thematic Investigation | |
| 64 | Fall 2005 | Art Journal | "Dark Matter into Light": A Round-Table Discussion | Chris Gilbert, Carlos Basualdo, T. J. Demos, Gregory Sholette | 84 | Features | |
| 64 | Fall 2005 | Art Journal | Good Artist/Bad Artist: An Interview with Ellen Harvey | Ana Finel Honigman | 102 | Features | |
| 64 | Fall 2005 | Art Journal | The Money Shot: Trash, Class, and the Making of TV Talk Shows | Kelly Dennis | 119 | Reviews | |
| 64 | Fall 2005 | Art Journal | Beyond Geometry: Experiments in Form, 1940s-70s | Monica Amor | 122 | Reviews | |
| 64 | Fall 2005 | Art Journal | A Minimal Future? Art as Object 1958-1968 | Monica Amor | 122 | Reviews | |
| 64 | Fall 2005 | Art Journal | The Insubordination of Signs: Political Change, Cultural Transformation, and Poetics of the Crisis | Jon Beasley-Murray | 126 | Reviews | |
| 64 | Fall 2005 | Art Journal | Masculine/Feminine: Practices of Difference(s) | Jon Beasley-Murray | 126 | Reviews | |
| 64 | Fall 2005 | Art Journal | Cultural Residues: Chile in Transition | Jon Beasley-Murray | 126 | Reviews | |
| 64 | Fall 2005 | Art Journal | Surface Tension: Problematics of Site | Jill Dawsey | 129 | Reviews | |
| 64 | Summer 2005 | Art Journal | Questions of Seeing | Patricia C. Phillips | 3 | ||
| 64 | Summer 2005 | Art Journal | Respeaking Othello in Fred Wilson's Speak of Me as I Am | Peter Erickson | 4 | Features | |
| 64 | Summer 2005 | Art Journal | Nothingness Made Visible: The Case of Rothko's Paintings | Natalie Kosoi | 20 | Features | |
| 64 | Summer 2005 | Art Journal | Art History Survey: A Round-Table Discussion | Peggy Phelan, Kevin Concannon, Irina D. Costache, Kathleen Desmond, David Little, Steve Shipps | 32 | Features | |
| 64 | Summer 2005 | Art Journal | After the End: A Modest Proposal | Daniel Joseph Martinez, David Levi Strauss | 52 | Features | |
| 64 | Summer 2005 | Art Journal | Introduction: Tourist/ Refugee | Clifton Meador | 61 | Artist Project | |
| 64 | Summer 2005 | Art Journal | "Bye, Bye Black Girl": Lorna Simpson's Figurative Retreat | Huey Copeland | 62 | Features | |
| 64 | Summer 2005 | Art Journal | Touring the Archive, Archiving the Tour: Image, Text and Experience with the Center for Land UseInterpretation | Sarah Kanouse | 78 | Features | |
| 64 | Summer 2005 | Art Journal | Torture Culture: Lynching Photographs and the Images of Abu Ghraib | Dora Apel | 88 | Features | |
| 64 | Summer 2005 | Art Journal | Fresh Talk/Daring Gazes: Conversations on Asian American Art | Nancy Um | 101 | Reviews | |
| 64 | Summer 2005 | Art Journal | Wolfgang Paalen: Artist and Theorist of the Avant-Garde | Andreas Neufert | 103 | Reviews | |
| 64 | Summer 2005 | Art Journal | Earthworks: Art and the Landscape of the Sixties | Maura Coughlin | 105 | Reviews | |
| 64 | Summer 2005 | Art Journal | Artists, Land, Nature | Maura Coughlin | 105 | Reviews | |
| 64 | Summer 2005 | Art Journal | Art and Revolution in Latin America, 1910-1990 | David Kunzle | 109 | Reviews | |
| 64 | Spring 2005 | Art Journal | Art of Attention | Patricia C. Phillips | 3 | ||
| 64 | Spring 2005 | Art Journal | Transagreesive Transcendence in the Photographs of Rotimi Fani-Kayode | Steven Nelson | 4 | Features | |
| 64 | Spring 2005 | Art Journal | The New Iconoclasm | Elizabeth Mansfield | 20 | Features | |
| 64 | Spring 2005 | Art Journal | Slasher Story | Richard Meyer | 32 | Features | |
| 64 | Spring 2005 | Art Journal | After the End: Strategies of Resistance | Daniel Joseph Martinez, David Levi Strauss | 42 | Features | |
| 64 | Spring 2005 | Art Journal | The Looking for Miss Black Factory Contest | William Pope. L | 50 | Artist Project | |
| 64 | Spring 2005 | Art Journal | Identity Roller Coaster | Normal L. Kleeblatt | 61 | Thematic Investigation | |
| 64 | Spring 2005 | Art Journal | From Form to Platform: The Politics of Representation and the Representation of Politics | Johanne Lamoureux | 64 | Thematic Investigation | |
| 64 | Spring 2005 | Art Journal | Then and Now: Whitney Biennial 1993 | Elisabeth Sussman | 74 | Thematic Investigation | |
| 64 | Spring 2005 | Art Journal | Ordering the Universe: Documenta II and the Apotheosis of the Occidental Gaze | Sylvester Okwunodu Ogbechie | 80 | Thematic Investigation | |
| 64 | Spring 2005 | Art Journal | Identity Exhibitions: From Magiciens de la terre to Documenta II | Reesa Greenberg | 90 | Thematic Investigation | |
| 64 | Spring 2005 | Art Journal | New-Media Art Education and Its Discontents | Trebor Scholz | 95 | Features | |
| 64 | Spring 2005 | Art Journal | Chronophobia: On Time in the Art of the 1960s | Robert Slifkin | 109 | Reviews | |
| 64 | Spring 2005 | Art Journal | Flavours: Thai Contemporary Art | Brian Curtin | 111 | Reviews | |
| 64 | Spring 2005 | Art Journal | Only Skin Deep: Changing Visions of the American Self | Daniel Veneciano | 115 | Reviews | |
| 64 | Spring 2005 | Art Journal | Arshile Gorky: His Life and Work | Daniel Veneciano | 115 | Reviews | |
| 63 | Winter 2004 | Art Journal | Unsettled Imaginations | Patricia C. Phillips | 3 | ||
| 63 | Winter 2004 | Art Journal | Envisioning Surrealism in Historie de l'oeil and La femme 100 tetes | Raymond Spiteri | 4 | Features | |
| 63 | Winter 2004 | Art Journal | History Images | Sze Tsung Leong | 19 | Artist Project | |
| 63 | Winter 2004 | Art Journal | Drastic Urbanization: The Photographs of Sze Tsung Leong | Christopher Phillips | 20 | Artist Project | |
| 63 | Winter 2004 | Art Journal | Neurotic Cities: Barnes in Philadelphia | Jeremy Braddock | 46 | Features | |
| 63 | Winter 2004 | Art Journal | Response to Jeremy Braddock | Kimberly Camp | 62 | Features | |
| 63 | Winter 2004 | Art Journal | Jackson Pollock's Industrial Expressionism | Barbara Jaffee | 68 | Features | |
| 63 | Winter 2004 | Art Journal | Love Among the Ruins: David Cannon Dashiell's Queer Mysteries | Alison Mairi Syme | 80 | Features | |
| 63 | Winter 2004 | Art Journal | The Sculpture of Indeterminacy: Alison Knowles's Beans and Variations | Julia Robinson | 96 | Features | |
| 63 | Winter 2004 | Art Journal | Amazwi Abesifazane (Voices of Women) | Carol Becker | 116 | Features | |
| 63 | Winter 2004 | Art Journal | Camp: Queer Aesthetics and the Performing Subject | Jill H. Casid | 135 | Reviews | |
| 63 | Winter 2004 | Art Journal | Africas: The Artist and the City; A Journey and an Exhibition | Sylvester Okwunodu Ogbechie | 137 | Reviews | |
| 63 | Winter 2004 | Art Journal | Georges Adeagbo: Archeology of Motivations;Rewriting History | Sylvester Okwunodu Ogbechie | 137 | Reviews | |
| 63 | Winter 2004 | Art Journal | Kazimir Malevich: The White Rectangle; Writings on Film | Kent Mitchell Minturn | 141 | Reviews | |
| 63 | Winter 2004 | Art Journal | Malevich and Film | Kent Mitchell Minturn | 141 | Reviews | |
| 63 | Fall 2004 | Art Journal | Art and Risk | Patricia C. Phillips | 3 | ||
| 63 | Fall 2004 | Art Journal | The Road to Dystopia: The Paintings of Antonia Eiriz | Alejandro Anreus | 4 | Features | |
| 63 | Fall 2004 | Art Journal | Unframe Malevich!: Ineffability and Sublimity in Suprematism | Branislav Jakovlijevic | 18 | Features | |
| 63 | Fall 2004 | Art Journal | Netherzone: A Psychogeographical Farce | Eve Andree Laramee | 32 | Artist Project | |
| 63 | Fall 2004 | Art Journal | Other Solutions | Carrie Lambert | 48 | Features | |
| 63 | Fall 2004 | Art Journal | A Parallax Practice: A Conversation with Elizabeth Diller and Ricardo Scofidio | Patricia C. Phillips | 62 | Features | |
| 63 | Fall 2004 | Art Journal | Ana Mendieta and Carl Andre: Duet of Leaf and Stone | Laura Roulet | 80 | Features | |
| 63 | Fall 2004 | Art Journal | Walker Evans: Florida | Benjamin Lima | 102 | Reviews | |
| 63 | Fall 2004 | Art Journal | Walker Evans: Cuba | Benjamin Lima | 102 | Reviews | |
| 63 | Fall 2004 | Art Journal | Walker Evans: Signs | Benjamin Lima | 102 | Reviews | |
| 63 | Fall 2004 | Art Journal | Perfect Documents: Walker Evans and African Art, 1935 | Benjamin Lima | 102 | Reviews | |
| 63 | Fall 2004 | Art Journal | Walker Evans: The Lost Work | Benjamin Lima | 102 | Reviews | |
| 63 | Fall 2004 | Art Journal | Walker Evans: Polaroids | Benjamin Lima | 102 | Reviews | |
| 63 | Fall 2004 | Art Journal | Unclassified: A Walker Evans Anthology | Benjamin Lima | 102 | Reviews | |
| 63 | Fall 2004 | Art Journal | Manet Manett | Paul Galevez | 106 | Reviews | |
| 63 | Fall 2004 | Art Journal | Veil: Veiling, Representation and Contemporary Art | Sarah Rogers | 108 | Reviews | |
| 63 | Fall 2004 | Art Journal | The History of Japanese Photography | Jeffrey Thompson | 110 | Reviews | |
| 63 | Spring 2004 | Art Journal | Aesthetic Practices | Patricia C. Phillips | 3 | ||
| 63 | Spring 2004 | Art Journal | Between You and Me: Man Ray's Object to Be Destroyed | Janine Mileaf | 4 | Features | |
| 63 | Spring 2004 | Art Journal | Joan Miro's Drawing-Collage, August 8, 1933: The "Intellectual Obscenities" of Postcards | Jordana Mendelson | 24 | Features | |
| 63 | Spring 2004 | Art Journal | Strategic Visuality: A Project by Four Artists/Researchers | Nato Thompson | 38 | Project | |
| 63 | Spring 2004 | Art Journal | Recording California's Carceral Landscapes | Trevor Paglen | 41 | Project | |
| 63 | Spring 2004 | Art Journal | Addendum: as though there is nothing else on the drawing board | The Speculative Archive | 46 | Project | |
| 63 | Spring 2004 | Art Journal | The Grafter's Shack | J. Morgan Puett with Jorge Colombo | 50 | Project | |
| 63 | Spring 2004 | Art Journal | Are We in the Dark Ages? | Center for Tactical Magic | 58 | Project | |
| 63 | Spring 2004 | Art Journal | Origins of Virtualism: An Interview with Frank Popper | Joseph Nechvatal | 62 | Interviews | |
| 63 | Spring 2004 | Art Journal | What the Structure Defines: An Interview with Kutlug Ataman | Ana Finel Honigman | 78 | Interviews | |
| 63 | Spring 2004 | Art Journal | Singular Women: Writing the Artist | Joanna Frueh | 87 | Reviews | |
| 63 | Spring 2004 | Art Journal | Women Making Art: History, Subjectivity, Aesthetics | Joanna Frueh | 87 | Reviews | |
| 63 | Spring 2004 | Art Journal | Roy McMakin: A Door Meant as Adornment | Ross K. Elfline | 90 | Reviews | |
| 63 | Spring 2004 | Art Journal | Curious Boym: Design Works | Ross K. Elfline | 90 | Reviews | |
| 63 | Spring 2004 | Art Journal | Painting Gender, Constructing Theory: The Alfred Stieglitz Circle and American Formalist Aesthetics | Marie Clifford | 93 | Reviews | |
| 63 | Spring 2004 | Art Journal | Melancholia and Moralism: Esays on AIDS and Queer Politics | Christopher Tradowsky | 95 | Reviews | |
| 63 | Spring 2004 | Art Journal | Out of the Picture: Milton Resnick and the New York School | Hearne Pardee | 98 | Reviews | |
| 58 | Winter 1999 | Art Journal | In This Issue, Action in the Everyday | Janet A. Kaplan | 3 | ||
| 58 | Winter 1999 | Art Journal | Responses | Vsaif Kortun, Judith Mastai | 4 | ||
| 58 | Winter 1999 | Art Journal | Notes on Kiki Smith's Fall/Winter | Maura Reilly | 6 | Benefit Print | |
| 58 | Winter 1999 | Art Journal | Women Who Wear Wigs | Kutlug Ataman | 30 | Features | |
| 58 | Winter 1999 | Art Journal | Who's Afraid of Visual Culture? | Johanna Drucker | 36 | Features | |
| 58 | Winter 1999 | Art Journal | Komar and Melamid's Dialogue with Art History | Valerie L. Hillings | 48 | Features | |
| 58 | Winter 1999 | Art Journal | About Installation | Llya Kabakov, Margarita Tupitsyn, Victor Tupitsyn | 62 | Conversation | |
| 58 | Winter 1999 | Art Journal | Mea Culpa: A Conversation with Mary Kelly | Juli Carson | 74 | Working Notes | |
| 58 | Winter 1999 | Art Journal | Beyond the Future: The Third Asia-Pacific Triennial | Charles Green | 81 | International Dispatch | |
| 58 | Winter 1999 | Art Journal | Tarts, Stars, Jewels, and Fairies | Joanna Frueh | 88 | Obsessions | |
| 58 | Winter 1999 | Art Journal | Soviet Socialist Realism | Marek Bartelek | 90 | Reviews | |
| 58 | Winter 1999 | Art Journal | Farewell to an Idea: Episodes from a History of Modernism | James Herbert | 95 | Reviews | |
| 58 | Winter 1999 | Art Journal | Ilya Kabakov | Amy Schlegel | 98 | Reviews | |
| 58 | Winter 1999 | Art Journal | The Passionate Camera: Photography and Bodies of Desire | Grant Kester | 101 | Reviews | |
| 58 | Winter 1999 | Art Journal | The End of the Art World | Mark Daniel Cohen | 103 | Reviews | |
| 58 | Winter 1999 | Art Journal | Urban Exile: Collected Writings of Harry Gamboa Jr. | Jennifer A. Gonzalez | 104 | Reviews | |
| 57 | Fall 1998 | Art Journal | Visualizing Race: A Lifelong Process and Training | James Smalls | 2 | ||
| 57 | Fall 1998 | Art Journal | Surface Tensions | Kenseth Armstead | 4 | ||
| 57 | Fall 1998 | Art Journal | The Colonial Self: Homosexuality and Mestizaje in the Art of Nahum B. Zenil | Eduardo de Jesus Douglas | 14 | ||
| 57 | Fall 1998 | Art Journal | Biblical Gender Bending in Harlem: The Queer Performance of Nugent's Salome | Ellen McBreen | 22 | ||
| 57 | Fall 1998 | Art Journal | Master Narratives/ minority artists | Norman L. Kleeblatt | 29 | ||
| 57 | Fall 1998 | Art Journal | Locating Race in Late Colonial Mexico | Magali M. Carrera | 36 | ||
| 57 | Fall 1998 | Art Journal | Pedagogical Sights/ Sites: Producing Colonianlism and Practicing Art in the Pacific | Karen K. Kosasa | 46 | ||
| 57 | Fall 1998 | Art Journal | A Native Hawaiian Visual Language Project and Native Hawaiian Artists | Herman Pi'ikea Clark and April A. H. Drexel | 55 | ||
| 57 | Fall 1998 | Art Journal | American Visions at the Paris Exposition, 1900: Another Look at Frances Benjamin Johnston's Hampton Photographs | Jeannene M. Przyblyski | 60 | ||
| 57 | Fall 1998 | Art Journal | American Canvas: A Roundtable on the 1997 NEA Report | Michael Brenson, Alejandro Diaz, Judy Kim, Malgorzata Lisiewicz, Jessica Murray | 69 | Conversation | |
| 57 | Fall 1998 | Art Journal | Agnes Martin | Holland Cotter | 77 | Profiles | |
| 57 | Fall 1998 | Art Journal | Paul Cadmus | Richard Meyer | 77 | Profiles | |
| 57 | Fall 1998 | Art Journal | Out of Actions: Between Performance and the Object, 1949-1979 | M. A. Greenstein | 85 | Reviews | |
| 57 | Fall 1998 | Art Journal | The Freeze Generation and Beyond | Alexandra Anderson-Spivy | 88 | Reviews | |
| 57 | Fall 1998 | Art Journal | Black Art and Culture in the 20th Century and Alan Read | Steven Nelson | 91 | Reviews | |
| 57 | Fall 1998 | Art Journal | The Fact of Blackness: Frantz Fanon and Visual Representation | Steven Nelson | 91 | Reviews | |
| 57 | Fall 1998 | Art Journal | The World of Stereographs | Melody D. Davis | 94 | Reviews | |
| 57 | Fall 1998 | Art Journal | Poetics and Politics in the Art of Rudolf Baranik | Richard Leslie | 96 | Reviews | |
| 56 | Fall 1997 | Art Journal | Digital Reflections: The Dialogue of Art and Technology | Johanna Drucker | 2 | Editor's Statement | |
| 56 | Fall 1997 | Art Journal | Ars Combinatorial: Mystical Systems, Procedural Art, and the Computer | Janet Zweig | 20 | ||
| 56 | Fall 1997 | Art Journal | The Virtualization of Art Practice: Body Knowledge and the Engineering Worldview | Simon Penny | 30 | ||
| 56 | Fall 1997 | Art Journal | Art Education and Cyber-Ideology: Beyond Individualism and Technological Determinism | Jonathan Harris | 39 | ||
| 56 | Fall 1997 | Art Journal | Shoping on the Home Image Network | Paul Zelevansky | 46 | ||
| 56 | Fall 1997 | Art Journal | Hypermedia as Art System | Dew Harrison | 55 | ||
| 56 | Fall 1997 | Art Journal | Foundation and Development of Robotic Art | Eduardo Kac | 60 | ||
| 56 | Fall 1997 | Art Journal | Trusting Aesthetics to Prosthetics | Jon Ippolito | 68 | ||
| 56 | Fall 1997 | Art Journal | On the Need for Ethical Aesthetics; Or, Where I Stand between Neo-Luddites and Cyberians | Deborah J. Haynes | 75 | ||
| 56 | Fall 1997 | Art Journal | Beyond the Zip Drive: CD-ROM and Publication in Art History | Roberta K. Tarbell, Alexandra Anderson-Spivy | 83 | Reviews | |
| 56 | Fall 1997 | Art Journal | Two Pionerring Catalogues Raisonnes on CD-ROM | Roberta K. Tarbell | 84 | Reviews | |
| 56 | Fall 1997 | Art Journal | Jasper's Dilemma | Caroline Jones | 88 | Reviews | |
| 56 | Fall 1997 | Art Journal | Assessing Recent Interpretations of the Arts and Crafts Movement | Marilyn Fish | 90 | Reviews | |
| 56 | Fall 1997 | Art Journal | Gaudier-Brzeska: Lost Avant-Garde | Francine Koslow Miller | 92 | Reviews | |
| 56 | Fall 1997 | Art Journal | Artists' Book Books | Buzz Spector | 95 | Reviews | |
| 56 | Fall 1997 | Art Journal | Other Voices | Michael Lobel | 96 | Reviews | |
| 55 | Fall 1996 | Art Journal | Some Thoughts on National and Cultural Identity: Art by Contemporary Japanese and Japanese American Artists | Karin Higa | 6 | Artists' Page | |
| 55 | Fall 1996 | Art Journal | Japan 1868-1945: Art, Architecture, and National Identity | Christine M. E. Guth | 16 | Editor's Statement | |
| 55 | Fall 1996 | Art Journal | Josiah Conder's Rokumeikan: Architecture and National Representation in Meiji Japan | Toshio Watanabe | 21 | ||
| 55 | Fall 1996 | Art Journal | The Tectonics of Japanese Style: Architect and Carpenter in the Late Meiji Period | Cherie Wendelken | 28 | ||
| 55 | Fall 1996 | Art Journal | Japan's Imperial Diet Building: Debate over Construction of a National Identity | Jonathan M. Reynolds | 38 | ||
| 55 | Fall 1996 | Art Journal | The 1909 Ryuto and the Aesthetics of Affectivity | Miriam Wattles | 48 | ||
| 55 | Fall 1996 | Art Journal | Ishii Hakutei on the Future of Japanese Painting | Mikiko Hirayama | 57 | ||
| 55 | Fall 1996 | Art Journal | Mavo's Conscious Constructivism: Art, Individualism, and Daily Life in Interwar Japan | Gennifer Weisenfeld | 64 | ||
| 55 | Fall 1996 | Art Journal | The Living Artist: Matsumoto Shunsuke's Reply to the State | Mark H. Sandler | 74 | ||
| 55 | Fall 1996 | Art Journal | Kandinsky Re-Visited | Rose-Carol Washton long | 84 | Exhibition Review | |
| 55 | Fall 1996 | Art Journal | Lee Krasner | Joan Marter | 88 | Book Reviews | |
| 55 | Fall 1996 | Art Journal | Gerhard Richter | Tom McDonough | 89 | Book Reviews | |
| 55 | Fall 1996 | Art Journal | Decoding Visual Politics | Phoebe Farris | 91 | Book Reviews | |
| 55 | Fall 1996 | Art Journal | Indian Art | Andrew L. Cohen | 93 | Book Reviews | |
| 55 | Fall 1996 | Art Journal | Art Criticism | Tom McDonough | 97 | Book Reviews | |
| 55 | Summer 1996 | Art Journal | Images of a Displaced Past: Michael Flanagan and Medrie MacPhee | Johanna Drucker | 7 | Artists' Page | |
| 55 | Summer 1996 | Art Journal | Recent Approaches to 19th-Century Visual Culture | Susan L. Siegfried, Judy Sund | 19 | Editor's Statement | |
| 55 | Summer 1996 | Art Journal | Marxism and Art History after the Fall of Communism | Andrew Hemingway | 20 | ||
| 55 | Summer 1996 | Art Journal | Courbet, the Commune, and the Meanings of Still Life in 1871 | Jeannene M. Przyblyski | 28 | ||
| 55 | Summer 1996 | Art Journal | Photography, Allegory, and Labor | Steve Edwards | 38 | ||
| 55 | Summer 1996 | Art Journal | Our English Coasts, 1852: William Holman Hunt and Invasion Fear at Midcentury | Jonathan P. Ribner | 45 | ||
| 55 | Summer 1996 | Art Journal | Negotiating the Categories: Sarah Bernhardt and the Possibilities of Jewishness | Janis Bergman-Carton | 55 | ||
| 55 | Summer 1996 | Art Journal | Modernism's Subjects in the United States | Michael Leja | 65 | ||
| 55 | Summer 1996 | Art Journal | Seeing Women in the July Monarchy Salon: Rhetorics of Visibility and the Women's Press | Jann Matlock | 73 | ||
| 55 | Summer 1996 | Art Journal | Design and the Modern World | James G. Rogers, Jr. | 86 | Exhibition Review | |
| 55 | Summer 1996 | Art Journal | Florine Stettheimer | Ann Lee Morgan | 91 | Book Reviews | |
| 55 | Summer 1996 | Art Journal | Language of the Soil | Suzaan Boettger | 95 | Book Reviews | |
| 55 | Summer 1996 | Art Journal | Art 101 | Mark Miller Graham | 99 | Book Reviews | |
| 55 | Summer 1996 | Art Journal | Art Since 1940 | Martica Sawin | 103 | Book Reviews | |
| 55 | Summer 1996 | Art Journal | Stieglitz | Debra Bricker Balken | 105 | Book Reviews | |
| 55 | Summer 1996 | Art Journal | The Bottom Line | Hannah Feldman | 107 | Book Reviews | |
| 54 | Winter 1995 | Art Journal | Thomas Zummer | John G. Hanhardt, Maria Christina Villasenor | 8 | Artists' Page | |
| 54 | Winter 1995 | Art Journal | Video/Media Culture of the Late Twentieth Century | John G. Hanhardt, Maria Christina Villasenor | 20 | Editor's Statement | |
| 54 | Winter 1995 | Art Journal | Sadie Benning or the Secret Annex | Bill Horrigan | 26 | ||
| 54 | Winter 1995 | Art Journal | Bill Viola: Allegories in Subjective Perception | William D. Judson | 30 | ||
| 54 | Winter 1995 | Art Journal | Sacred Contingencies: The Digital Deconstructions of Raphael Montanez Ortiz | Chon A. Noriega | 36 | ||
| 54 | Winter 1995 | Art Journal | The Old and the New: Nam June Paik | Patricia Mellencamp | 41 | ||
| 54 | Winter 1995 | Art Journal | To End and Begin Again: The Work of Victor Masayesva, Jr. | Jr. Elizabeth Weatherford | 48 | ||
| 54 | Winter 1995 | Art Journal | The Architecture of Image and Sound: Dwelling in the Work of Mary Lucier | Melinda Barlow | 53 | ||
| 54 | Winter 1995 | Art Journal | Imaging Community: Video in the Installation Work of Pepon Osorio | Tiffany Ana Lopez | 58 | ||
| 54 | Winter 1995 | Art Journal | Shu Lea Cheang's Gender-Bending Affirmations | Lucinda B. Furlong | 65 | ||
| 54 | Winter 1995 | Art Journal | Marlon Riggs: The Subjective Position of Documentary Video | Phillip Brian Harper | 69 | ||
| 54 | Winter 1995 | Art Journal | When the Crowd Rustles the Tiger Roars | Ernest Larsen | 73 | ||
| 54 | Winter 1995 | Art Journal | Is the Site Right? | Carole Ann Klonarides | 77 | ||
| 54 | Winter 1995 | Art Journal | High Wire, No Safety Net | Steve Seid | 78 | ||
| 54 | Winter 1995 | Art Journal | Report from Bay Area Video Coalition | Sally Jo Fifer, Luke Hones | 78 | ||
| 54 | Winter 1995 | Art Journal | Resource Guide | John G. Hanhardt, Maria Christina Villasenor | 82 | ||
| 54 | Winter 1995 | Art Journal | Art's Revenge in the Time of AIDS | Douglas Dreishpoon | 87 | Exhibition Review | |
| 54 | Winter 1995 | Art Journal | Bound Spaces | Maria Christina Villasenor1 | 93 | Book Reviews | |
| 54 | Winter 1995 | Art Journal | Bill Viola: Allegories in Subjective Perception | Chrissie Iles | 97 | Book Reviews | |
| 54 | Winter 1995 | Art Journal | Have You Seen Your World Today? | Thomas Keenan | 102 | Book Reviews | |
| 54 | Winter 1995 | Art Journal | Video Grammatology | Geregory L. Ulmer | 106 | Book Reviews | |
| 54 | Summer 1995 | Art Journal | Genre | Douglas Blau | 6 | Artists' Page | |
| 54 | Summer 1995 | Art Journal | Conservation and Art History | James Coddington, Maryan Ainsworth | 16 | Editor's Statement | |
| 54 | Summer 1995 | Art Journal | James Ensor's Christ's Entry into Brussels in 1889: Technical Analysis, Restoration, and Reinterpretation | Mark Leonard, Louise Lippincott | 18 | ||
| 54 | Summer 1995 | Art Journal | Degas's Little Dancer: Not Just a Study in the Nude | Daphne Barbour | 28 | ||
| 54 | Summer 1995 | Art Journal | Andean Tapestry: Structure Informs the Surface | Ay Oakland Rodman, Vicki Cassman | 33 | ||
| 54 | Summer 1995 | Art Journal | Impossible Liberties: Contemporary Artists on the Life of Their Work over Time | Kimberly Davenport | 40 | ||
| 54 | Summer 1995 | Art Journal | Two Bronze Herms: Questions of Mass Production in Antiquity | Carol C. Mattusch | 53 | ||
| 54 | Summer 1995 | Art Journal | The Politics of Derestoration: The Aegina Pediments and the German Confrontation with the Past | William J. Diebold | 60 | ||
| 54 | Summer 1995 | Art Journal | Reconstructing Medieval Pictorial Narrative: Louis Joubert's Tapestry Restoration Project | Laura Weigert | 67 | ||
| 54 | Summer 1995 | Art Journal | "A Small Knot of Cultivated People": William Morris and Ideologies of Protection | Chritopher Miele | 73 | ||
| 54 | Summer 1995 | Art Journal | Raphael's Foligno Madonna at the Louvre in 1800: Restoration and Reaction at the Dawn of the Museum Age | Andrew McClellan | 80 | ||
| 54 | Summer 1995 | Art Journal | Remaking Bacon | Andres Mario Zervigon | 87 | Book Reviews | |
| 54 | Summer 1995 | Art Journal | New York Dada | Stephen C. Foster | 93 | Book Reviews | |
| 54 | Summer 1995 | Art Journal | Chinese Painting | Jason C. Kuo | 97 | Book Reviews | |
| 54 | Summer 1995 | Art Journal | The Visual Word | Judi Freeman | 100 | Book Reviews | |
| 54 | Summer 1995 | Art Journal | Psychoanalyzing Art | Laurie Wilson | 105 | Book Reviews | |
| 54 | Spring 1995 | Art Journal | Tailor-Made | Nina Felshin | 7 | Artists' Page | |
| 54 | Spring 1995 | Art Journal | Clothing as Subject | Nina Felshin | 20 | Editor's Statement | |
| 54 | Spring 1995 | Art Journal | Wild and Waxy: Dutch Art Nouveau Artistic Dress | Marianne Carlano | 30 | ||
| 54 | Spring 1995 | Art Journal | Futurist Fashion: Three Manifestoes | Emily Braun | 34 | ||
| 54 | Spring 1995 | Art Journal | Suprematist Embroidered Ornament | Charlotte Douglas | 42 | ||
| 54 | Spring 1995 | Art Journal | Fashionable Ladies, Dada Dandies | Brigid Doherty | 46 | ||
| 54 | Spring 1995 | Art Journal | Delaunay Design: Aesthetics, Immigration, and the New Woman | Sherry Buckberrough | 51 | ||
| 54 | Spring 1995 | Art Journal | Magdalena Abakanowicz's "Abakans" | Michael Brenson, Alejandro Diaz, Judy Kim, Malgorzata Lisiewicz, Jessica Murray | 56 | ||
| 54 | Spring 1995 | Art Journal | Life in the Produce Aisle | Robert Kushner | 62 | ||
| 54 | Spring 1995 | Art Journal | Out of the Closet: Mary Kelly's Corpus (1984-85) | Emily Apter | 66 | ||
| 54 | Spring 1995 | Art Journal | Women's Work: A Lineage, 1966-94 | Nina Felshin | 71 | ||
| 54 | Spring 1995 | Art Journal | Decade of Decision | W. Jackson Rushing | 88 | Exhibition Review | |
| 54 | Spring 1995 | Art Journal | Degas Bronzes? | Roger J. Crum | 93 | Exhibition Review | |
| 54 | Spring 1995 | Art Journal | Constantin Brancusi | Roxana Marcoci | 100 | Reviews | |
| 54 | Spring 1995 | Art Journal | 19th-Century Art | Jeannene M. Przyblyski | 102 | Book Reviews | |
| 54 | Spring 1995 | Art Journal | The New Tatoo | Virginia Wageman | 106 | Book Reviews | |
| 53 | Winter 1994 | Art Journal | World War II: Reverberations | Mona Hadler, Joan Marter | Artists' Pages | ||
| 53 | Winter 1994 | Art Journal | Sculpture in Postwar Europe and America, 1945-59 | Mona Hadler | Editors' Statements | ||
| 53 | Winter 1994 | Art Journal | Postwar Sculpture Re/ viewed | Joan Marter | Editors' Statements | ||
| 53 | Winter 1994 | Art Journal | The Rejection of Isamu Noguchi's Hiroshima Cenotaph: A Japanese American Artist in Occupied Japan | Bert Winther | |||
| 53 | Winter 1994 | Art Journal | The Ascendancy of Abstraction for Public Art: The Monument to the Unknown Political Prisoner Competition | Joan Marter | |||
| 53 | Winter 1994 | Art Journal | Synagogue Art of the 1950s: A New Context for Abstraction | Janay Jadine Wong | |||
| 53 | Winter 1994 | Art Journal | Louise Bourgeois's Retroactive Politics of Gender | Ann Gibson | |||
| 53 | Winter 1994 | Art Journal | Barnett Newman's Broken Obelisk | Stephen Polcari | |||
| 53 | Winter 1994 | Art Journal | Lee Bontecou's "Warnings" | Mona Hadler | |||
| 53 | Winter 1994 | Art Journal | Critical Perspectives on New Images of Man | Dennis Raverty | |||
| 53 | Winter 1994 | Art Journal | Recollections of New Images of Man: An Interview with Peter Selz | Joan Marter | |||
| 53 | Winter 1994 | Art Journal | Sculpture's Autre: Falkenstein's Direct Metal Sculpture and the Art Autre Aesthetic | Michael Plante | |||
| 53 | Winter 1994 | Art Journal | The Mature Richier, the Young Cesar: Expressionist Confluences in French Postwar Sculpture | Michele C. Cone | |||
| 53 | Winter 1994 | Art Journal | Zadkine and Gabo in Rotterdam | Joan Pachner | |||
| 53 | Winter 1994 | Art Journal | Willem de Kooning from the Hirshhorn Museum Collection | David Cateforis | 86 | Exhibition Review | |
| 53 | Winter 1994 | Art Journal | Drawings by Sculptors | Nancy Grove | 90 | Exhibition Review | |
| 53 | Winter 1994 | Art Journal | Joseph Cornell | Nancy Grove | 94 | Book Reviews | |
| 53 | Winter 1994 | Art Journal | Kandinsky Watercolors | Peg Weiss | 96 | Book Reviews | |
| 53 | Winter 1994 | Art Journal | Expressionism in Germany and Austria | Beth Irwin Lewis | 104 | Book Reviews | |
| 53 | Winter 1994 | Art Journal | Pre-Columbian Art in the Twentieth Century | Edward J. Sullivan | 106 | Book Reviews | |
| 53 | Summer 1994 | Art Journal | Photographic Projects | Diane Neumaier | 7 | Artists' Pages | |
| 53 | Summer 1994 | Art Journal | Contemporary Russian Art Photography | Diane Neumaier | 18 | Editors' Statements | |
| 53 | Summer 1994 | Art Journal | After Raskolnikov: Russian Photography Today | John P. Jacob | 22 | ||
| 53 | Summer 1994 | Art Journal | Photographers of Russia, Unite Yourselves | Sergei Gitman, Valery Stigneev | 28 | ||
| 53 | Summer 1994 | Art Journal | An Update: Afterthoughts on Two Annual Exhibitions | Valery Stigneev | 31 | ||
| 53 | Summer 1994 | Art Journal | Photography in the Thaw | Susan Emily Reid | 33 | ||
| 53 | Summer 1994 | Art Journal | Conceptual Photography in the Russian Museum | Alexander Borofsky | 40 | ||
| 53 | Summer 1994 | Art Journal | Russian Photography and Its Contexts | Joseph Bakshtein | 43 | ||
| 53 | Summer 1994 | Art Journal | The Future of a Disillusion: Sex, Truth, and Photography in the Soviet Union | Jo Anna Isaak | 45 | ||
| 53 | Summer 1994 | Art Journal | Negotiating New Histories of Photography | Martha Rosler | 53 | ||
| 53 | Summer 1994 | Art Journal | Against the Camera, for the Photographic Archive | Margarita Tupitsyn | 58 | ||
| 53 | Summer 1994 | Art Journal | Photographic Ethics in the Work of Boris Mihailov | Alla Efimova | 63 | ||
| 53 | Summer 1994 | Art Journal | Photography and Reality in the Work of Afrika | Collette A. Chattopadhyay | 70 | ||
| 53 | Summer 1994 | Art Journal | Alternative Museum | Gennady Goushchin | 76 | ||
| 53 | Summer 1994 | Art Journal | The Sun without a Muzzle | Victor Tupitsyn | 80 | ||
| 53 | Summer 1994 | Art Journal | Cool Reflections: A Kind of Utopian Manifesto for Reconstruction | Viktor Misiano | 85 | ||
| 53 | Summer 1994 | Art Journal | Personality versus Physique | Melody D. Davis | 88 | Exhibition Review | |
| 53 | Summer 1994 | Art Journal | Indian Temple Sculpture | Walter Smith | 94 | Exhibition Review | |
| 53 | Summer 1994 | Art Journal | Face of the Gods | Judith Bettelheim | 99 | Exhibition Review | |
| 53 | Summer 1994 | Art Journal | Duchamp | Craig Adcock | 105 | Book Reviews | |
| 53 | Spring 1994 | Art Journal | Self-Portraits | Robert Berlind | 7 | ||
| 53 | Spring 1994 | Art Journal | Art and Old Age | Robert Berlind | 19 | ||
| 53 | Spring 1994 | Art Journal | George Andrews | Benny Andrews | 22 | ||
| 53 | Spring 1994 | Art Journal | Bob Blackburn | Robert Berlind | 25 | ||
| 53 | Spring 1994 | Art Journal | Rudy Burckhardt | 27 | |||
| 53 | Spring 1994 | Art Journal | Elizabeth Catlett | Robert Berlind | 28 | ||
| 53 | Spring 1994 | Art Journal | George Cohen | Judith Raphael | 31 | ||
| 53 | Spring 1994 | Art Journal | John Coplans | Robert Berlind | 33 | ||
| 53 | Spring 1994 | Art Journal | Dorothy Dehner | Elizabeth deBethune | 35 | ||
| 53 | Spring 1994 | Art Journal | Sari Dienes | Robert Berlind | 38 | ||
| 53 | Spring 1994 | Art Journal | Lamar Dodd | Evan R. Firestone | 40 | ||
| 53 | Spring 1994 | Art Journal | Ruth Duckworth | Judith Raphael | 43 | ||
| 53 | Spring 1994 | Art Journal | Herbert Ferber | Robert Berlind | 45 | ||
| 53 | Spring 1994 | Art Journal | Howard Finster | Norman Girardot, Ricardo Viera | 48 | ||
| 53 | Spring 1994 | Art Journal | Antonio Frasconi | Robert Berlind | 50 | ||
| 53 | Spring 1994 | Art Journal | Elizabeth Layton | Robert Soppelsa, Don Lambert | 53 | ||
| 53 | Spring 1994 | Art Journal | George McNeil | Robert Berlind | 55 | ||
| 53 | Spring 1994 | Art Journal | Anne Noggle | Wilkes Tucker | 58 | ||
| 53 | Spring 1994 | Art Journal | Pablita Velarde | Sally Hyer | 61 | ||
| 53 | Spring 1994 | Art Journal | The Critic at Seventy-Five | Hugo Munsterberg | 64 | ||
| 53 | Spring 1994 | Art Journal | The Erotic as Social Security | Joanna Frueh | 66 | ||
| 53 | Spring 1994 | Art Journal | An Artist's Notes on Aging and Death | Vera Klement | 73 | ||
| 53 | Spring 1994 | Art Journal | Creative Exit | Marion Somers | 76 | ||
| 53 | Spring 1994 | Art Journal | An Introduction to Estate Planning for the Artist | Ralph E. Lerner | 79 | ||
| 53 | Spring 1994 | Art Journal | Le Siecle de Titien | Wendy Stedman Sheard | 86 | Exhibition Review | |
| 53 | Spring 1994 | Art Journal | In the Spirit of Fluxus | Rosemary O'Neill | 90 | Exhibition Review | |
| 53 | Spring 1994 | Art Journal | Lost in the Desert | Richard M. Carp | 94 | Book Reviews | |
| 53 | Spring 1994 | Art Journal | Wallace Stevens and the Abstract | Ned Balbo | 97 | Book Reviews | |
| 53 | Spring 1994 | Art Journal | Memorializing the Holocaust | Michele C. Cone | 102 | Book Reviews | |
| 53 | Spring 1994 | Art Journal | Alexander Calder | Monroe Denton | 105 | Book Reviews | |
| 52 | Winter 1993 | Art Journal | Philip Guston's Exchanges | Ellen Lanyon | 5 | ||
| 52 | Winter 1993 | Art Journal | Interactions between Artists and Writers | Debra Bricker Balken | 16 | ||
| 52 | Winter 1993 | Art Journal | Collaborating on the Paradigm of the Future | Margarita Tupitsyn | 18 | ||
| 52 | Winter 1993 | Art Journal | Sophie Taeuber and Hans Arp: A Community of Two | Renee Riese Hubert | 25 | ||
| 52 | Winter 1993 | Art Journal | Illustrating Samuel Beckett: The Issue of the Supererogatory | Judith Wechsler | 33 | ||
| 52 | Winter 1993 | Art Journal | Questions of Identity in Oranges by Frank O'Hara and Grace Hartigan | Terence Diggory | 41 | ||
| 52 | Winter 1993 | Art Journal | Collaboration without Objects in the Early Happenings | Johanna Drucker | 51 | ||
| 52 | Winter 1993 | Art Journal | Collaboration as Social Exchange: Screen Tests/ A Diary by Gerard Malanga and Andy Warhol | Reva Wolf | 59 | ||
| 52 | Winter 1993 | Art Journal | A Muse in the Room, or Poets Are Poor | Raphael Rubinstein | 67 | ||
| 52 | Winter 1993 | Art Journal | Notes on the Publisher as Auteur | Debra Bricker Balken | 70 | ||
| 52 | Winter 1993 | Art Journal | Interactions between Artists and Writers | 72 | |||
| 52 | Winter 1993 | Art Journal | Dada Collage and Photomontage | Johanna Drucker | 82 | Book Reviews | |
| 52 | Winter 1993 | Art Journal | Manet's Olympia | Steven Z. Levine | 87 | Book Reviews | |
| 52 | Winter 1993 | Art Journal | Cult of the Avant-Garde | Bradley Collins | 91 | Book Reviews | |
| 52 | Winter 1993 | Art Journal | The End of the Canon? | Alisa Luxenberg | 95 | Book Reviews | |
| 52 | Winter 1993 | Art Journal | Chinese Painting, Calligraphy; and Gardens | Robert Albright Rorex | 98 | Book Reviews | |
| 52 | Fall 1993 | Art Journal | Scatological Ejaculations, or, "Letting Loose and Hitting 'em with All We've Got" | Mary Kelly | 6 | Artists' Pages | |
| 52 | Fall 1993 | Art Journal | Scatological Art | Gabriel P. Weisberg | 18 | Editors' Statements | |
| 52 | Fall 1993 | Art Journal | Teocuitlatl, "Divine Excrement": The Significance of "Holy Shit" in Ancient Mexico | Cecilia F. Klein | 20 | ||
| 52 | Fall 1993 | Art Journal | Some Penetrating Insights: The Imagery of Enemas in Art | Laurinda S. Dixon | 28 | ||
| 52 | Fall 1993 | Art Journal | In Deep Shit: The Coded Images of Travies in the July Monarchy | Gabriel P. Weisberg | 36 | ||
| 52 | Fall 1993 | Art Journal | Scatology and the Realist Aesthetic | Petra ten-Doesschate Chu | 41 | ||
| 52 | Fall 1993 | Art Journal | The Ordure of Anarchy: Scatological Signs of Self and Society in the Art of James Ensor | Susan M. Canning | 47 | ||
| 52 | Fall 1993 | Art Journal | MERDE! The Caricatural Attack against Emile Zola | Norman L. Kleeblatt | 54 | ||
| 52 | Fall 1993 | Art Journal | Potty-Talk in Parisian Plays: Henry Somm's La Berline de l'émigré and Alfred Jarry's Ubu roi | Elizabeth K. Menon | 59 | ||
| 52 | Fall 1993 | Art Journal | Myths and Meanings in Manzoni's Merda d'artista | Gerald Silk | 65 | ||
| 52 | Fall 1993 | Art Journal | The Fig Leaf Was Brown | John Miller | 76 | ||
| 52 | Fall 1993 | Art Journal | Postscript: An Anal Universe | Lenore Malen | 79 | ||
| 52 | Fall 1993 | Art Journal | The Ancient Americas | Virginia E. Miller | 84 | Exhibition Review | |
| 52 | Fall 1993 | Art Journal | Revolutionary Fictions | Jonathan P. Ribner | 88 | Book Reviews | |
| 52 | Fall 1993 | Art Journal | 19th-Century Studies | Thomas F. Rowlands | 92 | Book Reviews | |
| 52 | Fall 1993 | Art Journal | Public Sculpture | Monroe Denton | 94 | Book Reviews | |
| 52 | Fall 1993 | Art Journal | Art through the Ages | Harry Murutes | 100 | Book Reviews | |
| 52 | Summer 1993 | Art Journal | Three Artists | Cynthia Carlson | 6 | Artists' Pages | |
| 52 | Summer 1993 | Art Journal | Romanticism: Breaking the Canon | Nina Athanassoglou-Kallmyer | 18 | Editors' Statements | |
| 52 | Summer 1993 | Art Journal | Conjuring: How the Virtuoso Romantic Learned from the Enlightened Charlatan | Barbara Maria Stafford | 22 | ||
| 52 | Summer 1993 | Art Journal | Poetic Monsters and Nature Hieroglyphics: The Precocious Primitivism of Philipp Otto Runge | Frances S. Connelly | 31 | ||
| 52 | Summer 1993 | Art Journal | British Aesthetic Discourse, 1780-1830: The Sketch, the Non Finito, and the Imagination | Wendelin A. Guentner | 40 | ||
| 52 | Summer 1993 | Art Journal | Delacroix's Dante and Virgil as a Romantic Manifesto: Politics and Theory in the Early 1820s | James H. Rubin | 48 | ||
| 52 | Summer 1993 | Art Journal | Creating Immortality: Turner, Soane, and the Great Chain of Being | Susan Sidlauskas | 59 | ||
| 52 | Summer 1993 | Art Journal | The Untrammeled Vision: Thomas Cole and the Dream of the Artist | Randall C. Griffin | 66 | ||
| 52 | Summer 1993 | Art Journal | A Postscript: Some Recent Neo-Romantic Mutations | Robert Rosenblum | 74 | ||
| 52 | Summer 1993 | Art Journal | Multiculturalism in the Americas | Susan Nessen | 86 | Exhibition Review | |
| 52 | Summer 1993 | Art Journal | Rescuing Art and Culture | Bradford R. Collins | 93 | Book Reviews | |
| 52 | Summer 1993 | Art Journal | Letters of Well-Known Artists | Catherine C. Bock-Weiss | 97 | Book Reviews | |
| 52 | Summer 1993 | Art Journal | Art History: Which Way? | Rudolf M. Bisanz | 101 | Book Reviews | |
| 51 | Summer 1992 | Art Journal | The Heart of Matter | 8 | Editors' Statements | ||
| 51 | Summer 1992 | Art Journal | A Journey: Earth/ City/ Flow | Mierle Laderman Ukeles | 12 | Artists' Pages | |
| 51 | Summer 1992 | Art Journal | On the Edge of Town | Jimmie Durham | 14 | Artists' Pages | |
| 51 | Summer 1992 | Art Journal | What Have We Make of the Landscape? | Rackstraw Downes | 16 | Artists' Pages | |
| 51 | Summer 1992 | Art Journal | Mariculture Rig | Peter Fend | 20 | Artists' Pages | |
| 51 | Summer 1992 | Art Journal | Endangered Garden | Patricia Johanson | 21 | Artists' Pages | |
| 51 | Summer 1992 | Art Journal | Wheatfield/ Tree Mountain | Agnes Denes | 22 | Artists' Pages | |
| 51 | Summer 1992 | Art Journal | Swimmin' the River | Billy Curmano | 24 | Artists' Pages | |
| 51 | Summer 1992 | Art Journal | The Poetic and Mythologic Crossroads of Ecological Art | Regina Vater | 25 | Artists' Pages | |
| 51 | Summer 1992 | Art Journal | Joseph Beuys: Pioneer of a Radical Ecology | David Adams | 26 | ||
| 51 | Summer 1992 | Art Journal | Conversational Drift: Helen Mayer Harrison and Newton Harrision | Craig Adcock | 35 | ||
| 51 | Summer 1992 | Art Journal | Art in the Ecozoic Era | Thomas Berry | 46 | ||
| 51 | Summer 1992 | Art Journal | The Ecological Imperative | Suzi Gablik | 49 | ||
| 51 | Summer 1992 | Art Journal | The Consumption of Paradise | Peggy Cyphers | 52 | ||
| 51 | Summer 1992 | Art Journal | Interiority | Inez Martinez | 57 | ||
| 51 | Summer 1992 | Art Journal | The Machine in the Garden Revisited: American Environmentalism and Photographic Aesthetics | Deborah Bright | 60 | ||
| 51 | Summer 1992 | Art Journal | Art and the Environmental Crisis: From Commodity Aesthetics to Ecology Aesthetics | Timothy W. Luke | 72 | ||
| 51 | Summer 1992 | Art Journal | Eco-Art: Strength in Diversity | Patricia B. Sanders | 77 | ||
| 51 | Summer 1992 | Art Journal | Paradigms and Paradoxes: Nature, Morality, and Art in America | Susan Platt | 82 | ||
| 51 | Summer 1992 | Art Journal | 3,000 Years of Mexican Art | Shifra M. Goldman | 91 | Exhibition Review | |
| 51 | Summer 1992 | Art Journal | Semeiology | W. Jackson Rushing | 97 | Exhibition Review | |
| 51 | Summer 1992 | Art Journal | Art across America | Wanda M. Corn | 101 | Book Reviews | |
| 51 | Summer 1992 | Art Journal | Seurat Centenary | Ellen W. Lee | 104 | Book Reviews | |
| 51 | Spring 1992 | Art Journal | Joseph Kosuth | Gerald Silk | 5 | Artists' Pages | |
| 51 | Spring 1992 | Art Journal | Uneasy Pieces: Controversial Works in the History of Art, 1830-1950 | Gerald Silk | 22 | ||
| 51 | Spring 1992 | Art Journal | Big Trouble: Daumier, Gargantua, and the Censorship of Political Caricature | Elizabeth C. Childs | 26 | ||
| 51 | Spring 1992 | Art Journal | Gustave Courbet's Venus and Psyche: Uneasy Nudity in Second-Empire France | Petra ten-Doesschate Chu | 38 | ||
| 51 | Spring 1992 | Art Journal | Louis Legrand's Battle over Prostitution: The Uneasy Censoring of Le Courrier Francais | Gabriel P. Weisberg | 45 | ||
| 51 | Spring 1992 | Art Journal | An American Victorian Dilemma, 1875: Should a Woman Be Allowed to Sculpt a Man? | Eleanor Tufts | 51 | ||
| 51 | Spring 1992 | Art Journal | The Political Censorship of Jan Matejko | Danuta Batorska | 57 | ||
| 51 | Spring 1992 | Art Journal | Nevinson's Elegy: Paths of Glory | Charles E. Doherty | 64 | ||
| 51 | Spring 1992 | Art Journal | The Most Famous Painting of the "Golden Twenties"? Otto Dix and the Trench Affair | Dennis Crockett | 72 | ||
| 51 | Spring 1992 | Art Journal | Bernhard Hoetger's Tree of Life: German Expressionism and Racial Ideology | Elizabeth Tumasonis | 81 | ||
| 51 | Spring 1992 | Art Journal | Visual Theory | Baradford R. Collins | 93 | Book Reviews | |
| 51 | Spring 1992 | Art Journal | Contemporary Artists | Ann Lee Morgan | 99 | Book Reviews | |
| 51 | Spring 1992 | Art Journal | Georgia O'Keeffe | Naomi Rosenblum | 105 | Book Reviews | |
| 51 | Spring 1992 | Art Journal | Corot | Marjorie Munsterberg | 113 | Book Reviews | |
| 50 | Summer 1991 | Art Journal | Editors' Statement | Joanna Frueh, Arlene Raven | 6 | ||
| 50 | Summer 1991 | Art Journal | Feminism and Students of the '80s and '90s: The Lady and the Raging Bitch; or, How Feminism Got a Bad Name | Jackie Brookner | 11 | ||
| 50 | Summer 1991 | Art Journal | Feminist Art Theory in Atlanta: The Political Climate | Thomasine H. Bradford, Lynda Idleman | 14 | ||
| 50 | Summer 1991 | Art Journal | Many Voices | Judith A. Beckman | 19 | ||
| 50 | Summer 1991 | Art Journal | Feminist Art Criticism: Turning Points and Sticking Places | Cassandra L. Langer | 21 | ||
| 50 | Summer 1991 | Art Journal | Women and Other Women: One Feminist Focus for Art History | Erica Rand | 29 | ||
| 50 | Summer 1991 | Art Journal | Sex into Sexuality: A Feminist Agenda for the '90s | Joyce Fernandes | 35 | ||
| 50 | Summer 1991 | Art Journal | Where's the Artist? Feminist Practice and Poststructural Theories of Authorship | Linda S. Klinger | 39 | ||
| 50 | Summer 1991 | Art Journal | The Essential Representation of Woman | Flavia Rando | 48 | ||
| 50 | Summer 1991 | Art Journal | No More Nice Girls: Recent Transgressive Feminist Art | Christine Tamblyn | 53 | ||
| 50 | Summer 1991 | Art Journal | Patrilineage | Mira Schor | 58 | ||
| 50 | Summer 1991 | Art Journal | The Name of the Game | Suzanne Lacy | 64 | ||
| 50 | Summer 1991 | Art Journal | Pousette-Dart's Spirit-Object | W. Jackson Rushing | 72 | Editors' Statements | |
| 50 | Summer 1991 | Art Journal | The Technological Muse | Joan Marter | 75 | Editors' Statements | |
| 50 | Summer 1991 | Art Journal | High and Low | Michele H. Bogart | 80 | Book Reviews | |
| 50 | Summer 1991 | Art Journal | Cezanne | Richard Shiff | 82 | Book Reviews | |
| 50 | Spring 1991 | Art Journal | Constructed Painting | Curt Barnes | 4 | Artists' Writings | |
| 50 | Spring 1991 | Art Journal | An Interview | James Biederman | 4 | Artists' Writings | |
| 50 | Spring 1991 | Art Journal | Structure: A Personal History | Michael Boyd | 6 | Artists' Writings | |
| 50 | Spring 1991 | Art Journal | Notes | Larry Brown | 8 | Artists' Writings | |
| 50 | Spring 1991 | Art Journal | Solids and Veils | Sam Gilliam, Annie Gawlak | 10 | Artists' Writings | |
| 50 | Spring 1991 | Art Journal | Misconstructions, Deconstruals | Suzanne Joelson | 12 | Artists' Writings | |
| 50 | Spring 1991 | Art Journal | Notes from the Studio | Will Mentor | 13 | Artists' Writings | |
| 50 | Spring 1991 | Art Journal | Ingrid, It's Only a Painting | Jonathan Santlofer | 15 | Artists' Writings | |
| 50 | Spring 1991 | Art Journal | Hunky Dory | Ken Sofer | 19 | Artists' Writings | |
| 50 | Spring 1991 | Art Journal | Painting and Pegboard | Norman Toynton | 21 | Artists' Writings | |
| 50 | Spring 1991 | Art Journal | Making Art | Mark Williams | 22 | Artists' Writings | |
| 50 | Spring 1991 | Art Journal | Travels along the Dialectic: Hit-and-Run Observations on Interdimensionality | Curt Barnes | 26 | Editors' Statements | |
| 50 | Spring 1991 | Art Journal | Alberti's "Window": Art-Historiographic Notes on an Antimodernist Misprision | Joseph Masheck | 34 | ||
| 50 | Spring 1991 | Art Journal | Constructing Physicality | Richard Shiff | 42 | ||
| 50 | Spring 1991 | Art Journal | When Is a Door Not a Door? | Marjorie Welish | 48 | ||
| 50 | Spring 1991 | Art Journal | The Shape of Painting in the 1960s | Frances Colpitt | 52 | ||
| 50 | Spring 1991 | Art Journal | Elizabeth Murray: Deconstructing Our Interiors | Corinne Robins | 57 | ||
| 50 | Spring 1991 | Art Journal | The Tondo | William Zimmer | 60 | ||
| 50 | Spring 1991 | Art Journal | Physicality and Metaphor: The Paintings of Sean Scully | Robert C. Morgan | 64 | ||
| 50 | Spring 1991 | Art Journal | Piet Mondrian and Sean Scully: Two Political Artists | David Carrier | 67 | ||
| 50 | Spring 1991 | Art Journal | Back to Matter: Recent Constructed Paintings by David Geiser and Thomas Nonn | John Loughery | 71 | ||
| 50 | Spring 1991 | Art Journal | Higher Ground: The Assembled Paintings, Temples, Guardians, and Altars of Budd Hopkins | Terry R. Myers | 76 | ||
| 50 | Spring 1991 | Art Journal | Deconstructed Painting: Some Younger Artists in the 1980s | Holland Cotter | 79 | ||
| 50 | Spring 1991 | Art Journal | Albert Pinkham Ryder | William Innes Homer | 86 | Exhibition Reviews | |
| 50 | Spring 1991 | Art Journal | Caribbean Festival Arts | Peter Mark | 89 | Exhibition Reviews | |
| 50 | Spring 1991 | Art Journal | Joseph Beuys | David Adams | 96 | Book Reviews | |
| 50 | Spring 1991 | Art Journal | Jackson Pollock | Stephen Polcari | 98 | Book Reviews | |
| 50 | Spring 1991 | Art Journal | American Landscape Painting | David Tatham | 102 | Book Reviews | |
| 49 | Winter 1990 | Art Journal | Susan E. King's I Spent the Summer in Paris | Buzz Spector | 348 | Artists' Writings | |
| 49 | Winter 1990 | Art Journal | New Approaches to South Asian Art | Donald M. Stadtner | 359 | Editors' Statements | |
| 49 | Winter 1990 | Art Journal | From the Fifth to the Twentieth Century and Back | Joanna Williams | 363 | ||
| 49 | Winter 1990 | Art Journal | Painting and Politics in Seventeenth-Century North India: Mewar, Bikaner, and the Mughal Court | Vishakha N. Desai | 370 | ||
| 49 | Winter 1990 | Art Journal | Codicological Aspects of the Victoria and Albert Museum Akbarnama and Their Historical Implications | John Seyller | 379 | ||
| 49 | Winter 1990 | Art Journal | The Problem of Proportion and Style in Indian Art History: Or Why All Buddhas In Fact Do Not Look Alike | John F. Mosteller | 388 | ||
| 49 | Winter 1990 | Art Journal | De- and Re-constructing the Indian Temple | Michael W. Meister | 395 | ||
| 49 | Winter 1990 | Art Journal | Early Buddhist Art and the Theory of Aniconism | Susan L. Huntington | 401 | ||
| 49 | Winter 1990 | Art Journal | Art and Identity: The Rise of a New Buddhist Imagery | Gary Michael Tartakov | 409 | ||
| 49 | Winter 1990 | Art Journal | Style Louis-Philippe | Donald A. Rosenthal | 423 | Book Reviews | |
| 49 | Winter 1990 | Art Journal | French Art Nouveau | Gabriel P. Weisberg | 426 | Book Reviews | |
| 49 | Winter 1990 | Art Journal | Postmodernism | Johanna Drucker | 429 | Book Reviews | |
| 49 | Winter 1990 | Art Journal | Primitivism | W. Jackson Rushing | 432 | Book Reviews | |
| 49 | Winter 1990 | Art Journal | J. M. W. Turner for Our Age | Marjorie Munsterberg | 434 | Book Reviews | |
| 49 | Fall 1990 | Art Journal | Witness | Fred Fehlau | 217 | Artists' Writings | |
| 49 | Fall 1990 | Art Journal | Two Riddles | Fred Fehlau | 218 | Artists' Writings | |
| 49 | Fall 1990 | Art Journal | FORM in English: Uncle Stories | Timothy Porges | 219 | Artists' Writings | |
| 49 | Fall 1990 | Art Journal | Physics Dream | Barbara Rosenthal | 223 | Artists' Writings | |
| 49 | Fall 1990 | Art Journal | Clouds | Barbara Rosenthal | 223 | Artists' Writings | |
| 49 | Fall 1990 | Art Journal | French Class | Barbara Rosenthal | 224 | Artists' Writings | |
| 49 | Fall 1990 | Art Journal | Afraid of Going Blind | Barbara Rosenthal | 224 | Artists' Writings | |
| 49 | Fall 1990 | Art Journal | Computers and Art: Issues of Content | Terry Gips | 229 | Editors' Statements | |
| 49 | Fall 1990 | Art Journal | The Quickening of Galatea: Virtual Creation without Tools or Media | Timothy Binkley | 233 | ||
| 49 | Fall 1990 | Art Journal | Is There Love in the Telematic Embrace? | Roy Ascott | 241 | ||
| 49 | Fall 1990 | Art Journal | The Digital Revolution: Art in the Computer Age | Cynthia Goodman | 248 | ||
| 49 | Fall 1990 | Art Journal | Computer Art as Conceptual Art | Christine Tamblyn | 253 | ||
| 49 | Fall 1990 | Art Journal | Art, Technology, and Postmodernism: Paradigms, Parallels, and Paradoxes | Margot Lovejoy | 257 | ||
| 49 | Fall 1990 | Art Journal | Image, Language, and Belief in Synthesis | George Legrady | 266 | ||
| 49 | Fall 1990 | Art Journal | The Image in the Magic Box | Deborah Sokolove | 272 | ||
| 49 | Fall 1990 | Art Journal | Signal to Noise: A Computer-Based Artist's Book | Craig Hickman | 278 | ||
| 49 | Fall 1990 | Art Journal | A Selected Chronology of Computer Art: Exhibitions, Publications, and Technology | Copper Giloth, Lynn Pocock-Williams | 283 | ||
| 49 | Fall 1990 | Art Journal | The July Monarchy | Michael Marrinan | 301 | Exhibition Reviews | |
| 49 | Fall 1990 | Art Journal | Paris 1889: American Artists at the Universal Exposition | Piri Halasz | 306 | Exhibition Reviews | |
| 49 | Fall 1990 | Art Journal | Likeness and Beyond: Portraits from Africa and the World | Judith Bettelheim | 310 | Exhibition Reviews | |
| 49 | Fall 1990 | Art Journal | Picasso and Barque: Pioneering Cubism | Jack Flam | 313 | Exhibition Reviews | |
| 49 | Fall 1990 | Art Journal | Art History Surveys | Bradford R. Collins | 318 | Book Reviews | |
| 49 | Fall 1990 | Art Journal | Modern Sculpture | Nancy Grove | 323 | Book Reviews | |
| 49 | Fall 1990 | Art Journal | Alfred Barr at the Modern | Helen M. Franc | 325 | Book Reviews | |
| 49 | Fall 1990 | Art Journal | Franz Marc | Andrew Kagan | 329 | Book Reviews | |
| 49 | Fall 1990 | Art Journal | Curvilinear Perspective | Keith Long | 331 | Book Reviews | |
| 49 | Summer 1990 | Art Journal | Depictions of the Dispossessed | Cecelia F. Klein | 106 | Editors' Statements | |
| 49 | Summer 1990 | Art Journal | The Depiction of Self and Other in Colonial Peru | Rolena Adorno | 110 | ||
| 49 | Summer 1990 | Art Journal | "Doomed to Perish": George Catlin's Depictions of the Mandan | Kathryn S. Hight | 119 | ||
| 49 | Summer 1990 | Art Journal | Dispossession, Assimilation, and the Image of the Indian in Late-Nineteenth-Century Mexican Painting | Stacie G. Widdifield | 125 | ||
| 49 | Summer 1990 | Art Journal | Portraits of Dispossession in Plains Indian and Inuit Graphic Arts | Janet Catherine Berlo | 133 | ||
| 49 | Summer 1990 | Art Journal | The Representation of the Maori by European Artists in New Zealand, ca. 1890-1914 | Leonard Bell | 142 | ||
| 49 | Summer 1990 | Art Journal | "On the Savannah": Marie Pauline Thorbecke's Images from Cameroon, West Africa, 1911-12 | Christraud M. Geary | 150 | ||
| 49 | Summer 1990 | Art Journal | Dispossession by Ducks: The Imperialist Treasure Hunt in Southeast Asia | David Kunzle | 159 | ||
| 49 | Summer 1990 | Art Journal | The Iconography of Chicano Self-Determination: Race, Ethnicity, and Class | Shifra M. Goldman | 167 | ||
| 49 | Summer 1990 | Art Journal | Real Life and Symbolic Pictures | Naomi Rosenblum | 178 | Book Reviews | |
| 49 | Summer 1990 | Art Journal | Psychoanalysis and Art History | Bradley Collins | 182 | Book Reviews | |
| 49 | Summer 1990 | Art Journal | Cezanne in Basel and Philadelphia | Mary Tompkins Lewis | 187 | Museum News | |
| 49 | Summer 1990 | Art Journal | Another Look at Cubism | Jack Flam | 194 | Museum News | |
| 49 | Summer 1990 | Art Journal | Thomas Hart Benton | Greta Berman | 199 | Museum News | |
| 49 | Spring 1990 | Art Journal | From Leningrad to Ljubljana: The Suppressed Avant-Gardes of East-Central and Eastern Europe during the Early Twentieth Century | S. A. Mansbach | 7 | Editors' Statements | |
| 49 | Spring 1990 | Art Journal | Confrontation and Accommodation in the Hungarian Avant-Garde | S. A. Mansbach | 9 | ||
| 49 | Spring 1990 | Art Journal | Avant-Garde Tendencies in Yugoslavia | Irina Subotic | 21 | ||
| 49 | Spring 1990 | Art Journal | Art between Social Crisis and Utopia: The Czech Contribution to the Development of the Avant-Garde Movement in East-Central Europe, 1910-30 | Tomas Vlcek | 28 | ||
| 49 | Spring 1990 | Art Journal | The Ukrainian Studio of Plastic Arts in Prague and the Art of Jan Kulec | Myroslava M. Mudrak | 36 | ||
| 49 | Spring 1990 | Art Journal | Natalia Goncharova and Futurist Theater | John E. Bowlt | 44 | ||
| 49 | Spring 1990 | Art Journal | The Ghost of Representation, or the Masque of the Red Death | Dragan Kunjundzic | 52 | ||
| 49 | Spring 1990 | Art Journal | The Avant-Garde in Central and Eastern European Literature | Endre Bojtar | 56 | ||
| 49 | Spring 1990 | Art Journal | Impressionism: Art, Leisure, and Parisian Society | Joel Isaacson | 63 | Book Reviews | |
| 49 | Spring 1990 | Art Journal | Minimalism: Art of Circumstance, American Art of the 1960s | Joan Marter | 69 | Book Reviews | |
| 49 | Spring 1990 | Art Journal | Cezanne: The Early Years, 1859-1872 | Nina Athanassoglou-Kallmyer | 71 | Museum News | |
| 48 | Fall 1989 | Art Journal | Willem de Kooning, On His Eighty-Fifth Birthday | Bill Berkson, Rackstraw Downes | 215 | Editors' Statements | |
| 48 | Fall 1989 | Art Journal | Conversations with de Kooning | Irving Sandler | 216 | Editors' Statements | |
| 48 | Fall 1989 | Art Journal | Willem de Kooning, On His Eighty-Fifth Birthday | Rose C. S. Slivka | 129 | ||
| 48 | Fall 1989 | Art Journal | Long Ago with Willem de Kooning | Rudy Burckhardt | 222 | ||
| 48 | Fall 1989 | Art Journal | Mesostic | John Cage | 228 | ||
| 48 | Fall 1989 | Art Journal | 1948 | Pat Passlof | 229 | ||
| 48 | Fall 1989 | Art Journal | Willem de Kooning | Herman Cherry | 230 | ||
| 48 | Fall 1989 | Art Journal | Statements | Richard Diebenkorn, Jasper Johns, Robert Rauschenberg, Wayne Thiebaud | 231 | ||
| 48 | Fall 1989 | Art Journal | Re: De Kooning | Philip Pearlstein | 233 | ||
| 48 | Fall 1989 | Art Journal | Statements | Alex Katz, Frank Stella, Brice Marden, Elizabeth Murray, Bill Jensen | 234 | ||
| 48 | Fall 1989 | Art Journal | Bill the King | Robert Creeley | 237 | ||
| 48 | Fall 1989 | Art Journal | The View from de Kooning | Bill Berkson, Rackstraw Downes | 240 | ||
| 48 | Fall 1989 | Art Journal | De Kooning's Attitude | Rackstraw Downes | 241 | ||
| 48 | Fall 1989 | Art Journal | Master Bill | Robert Storr | 242 | ||
| 48 | Fall 1989 | Art Journal | On the Sculpture | William Tucker | 244 | ||
| 48 | Fall 1989 | Art Journal | De Kooning's Quest | John Elderfield | 245 | ||
| 48 | Fall 1989 | Art Journal | De Kooning Alone | Peter Schjeldahl | 247 | ||
| 48 | Fall 1989 | Art Journal | On de Kooning's Late Style | Robert Rosenblum | 249 | ||
| 48 | Fall 1989 | Art Journal | Old Times | Robert Creeley | 250 | ||
| 48 | Fall 1989 | Art Journal | Foreword | Buzz Spector | 253 | Artists' Writings | |
| 48 | Fall 1989 | Art Journal | Excerpts from 1989 Calendar | Jeanne Dunning, Hirsch Perlman | 254 | ||
| 48 | Fall 1989 | Art Journal | Vigil | Meg Cranston | 256 | ||
| 48 | Fall 1989 | Art Journal | Selected Short Stories | Dean McNeil | 258 | ||
| 48 | Fall 1989 | Art Journal | Goya and the Spirit of Enlightenment | Janis A. Tomlinson | 260 | Museum News | |
| 48 | Fall 1989 | Art Journal | A Prosperous Past | Susan Koslow | 265 | Museum News | |
| 48 | Fall 1989 | Art Journal | An Exchange: Annalee Newman and W. Jackson Rushing | 268 | Letters | ||
| 48 | Summer 1989 | Art Journal | Images of Rule: Issues of Interpretation | Thomas DaCosta Kaufmann | 119 | Editors' Statements | |
| 48 | Summer 1989 | Art Journal | Portable Propaganda, Tapestries as Princely Metaphors at the Courts of Philip the Good and Charles the Bold | Jeffrey Chipps Smith | 123 | ||
| 48 | Summer 1989 | Art Journal | Images of Castles in the Renaissance: Symbols of Signoria, Symbols of Tyranny | Joanna Woods-Marsden | 130 | ||
| 48 | Summer 1989 | Art Journal | Casting a Rival into the Shade: Catherine de' Medici and Diane de Poitiers | Sheila ffolliott | 138 | ||
| 48 | Summer 1989 | Art Journal | Masquerade and Enigma at the Court of Louis XIV | Betsy Rosasco | 144 | ||
| 48 | Summer 1989 | Art Journal | The Challenge to Rule: Confrontations with Louis XVI | Vivian P. Cameron | 150 | ||
| 48 | Summer 1989 | Art Journal | Assuring the Empire of the Future: The 1798 Fete de la Liberte | Patricia Mainardi | 155 | ||
| 48 | Summer 1989 | Art Journal | Allegories of Power: Markus Lupertz's German Motifs | Dorothea Dietrich | 164 | ||
| 48 | Summer 1989 | Art Journal | The MoMA's Hot Mamas | Carol Duncan | 171 | ||
| 48 | Summer 1989 | Art Journal | Images of Rule: A Power Pack | Robert Storr | 180 | ||
| 48 | Summer 1989 | Art Journal | Images | Leon Golub | 180 | ||
| 48 | Summer 1989 | Art Journal | Text and Images | Hans Haacke | 181 | ||
| 48 | Summer 1989 | Art Journal | Art: A History of Paintings, Sculpture, and Architecture; Art through the Ages | Bradford R. Collins | 186 | Book Reviews | |
| 48 | Summer 1989 | Art Journal | Art and Concept: A Philosophical Study; But Is It Art? The Value of Art and the Temptation of Theory; Artwriting | Hearne Pardee | 190 | Book Reviews | |
| 48 | Summer 1989 | Art Journal | The Great Museum: The Re-Presentation of History; Museums of Influence | Danielle Rice | 194 | Book Reviews | |
| 48 | Spring 1989 | Art Journal | Nineteenth-Century French Art Institutions | Patricia Mainardi | 7 | Editors' Statements | |
| 48 | Spring 1989 | Art Journal | The Debate over Censorship of Caricature in Nineteenth-Century France | Robert Justin Goldstein | 9 | ||
| 48 | Spring 1989 | Art Journal | Nineteenth-Century French Government Architectural Services and the Design of the Monuments of Paris | David Van Zanten | 16 | ||
| 48 | Spring 1989 | Art Journal | The Double Exhibition in Nineteenth-Century France | Patricia Mainardi | 23 | ||
| 48 | Spring 1989 | Art Journal | Circuits of Production, Circuits of Consumption: The Case of Mid-Nineteenth-Century French Art Dealing | Nicholas Green | 29 | ||
| 48 | Spring 1989 | Art Journal | L'Artiste and L'Art pour L'Art: The New Cultural Journalism in the July Monarchy | Nancy Ann Roth | 35 | ||
| 48 | Spring 1989 | Art Journal | The Political Economy of Graphic Art Production during the July Monarchy | Jeff Rosen | 40 | ||
| 48 | Spring 1989 | Art Journal | By Competition or Administrative Decree? The Contest for the Tomb of Napoleon in 1841 | Michael Paul Driskel | 46 | ||
| 48 | Spring 1989 | Art Journal | Aristocracy in the Arts: Philippe de Chennevieres and the Salons of the Mid 1870s | Jane Mayo Roos | 53 | ||
| 48 | Spring 1989 | Art Journal | Revising the Revisionists: The Formation of the Union des Femmes Peintres et Sculpteurs | Tamar Garb | 63 | ||
| 48 | Spring 1989 | Art Journal | Meissonier and the Founding of the Societe Nationale des Beaux-Arts | Constance Cain Hungerford | 71 | ||
| 48 | Spring 1989 | Art Journal | The Decorating Campaigns at the Salon du Champ-de-Mars and the Salon des Champs-Elysees in the 1890s | Marie Jeanne Aquilino | 78 | ||
| 48 | Spring 1989 | Art Journal | "Fine Cloths on the Altar": The Commodification of Late-Nineteenth-Century France | Shane Adler Davis | 85 | ||
| 48 | Spring 1989 | Art Journal | History of Art; The Story of Art | Bradford R. Collins | 90 | Book Reviews | |
| 48 | Spring 1989 | Art Journal | Realism, Writing, Disfiguration: On Thomas Eakins and Stephen Crane | Alan Wallach | 95 | Book Reviews | |
| 48 | Spring 1989 | Art Journal | Francis W. Edmunds: American Master in the Dutch Tradition; Domestic Bliss: Family Life in American Painting, 1849-1910 | Sally Webster | 99 | Book Reviews | |
| 47 | Winter 1988 | Art Journal | Revising Cubism | Patricia Leighten | 269 | Editors' Statements | |
| 47 | Winter 1988 | Art Journal | Abbreviated Historiography of Cubism | Daniel Robbins | 277 | ||
| 47 | Winter 1988 | Art Journal | Modernism, Formalism, and Politics: The Cubism and Abstract Art Exhibition of 1936 | Susan Noyes Platt | 284 | ||
| 47 | Winter 1988 | Art Journal | Picasso, Cubism, and Reflexivity | Edward F. Fry | 296 | ||
| 47 | Winter 1988 | Art Journal | Frames of Reference: Table and Tableau in Picasso's Collages and Constructions | Christine Poggi | 311 | ||
| 47 | Winter 1988 | Art Journal | X Rays and the Quest for Invisible Reality in the Art of Kupka, Duchamp, and the Cubists | Linda Dalrymple Henderson | 323 | ||
| 47 | Winter 1988 | Art Journal | Bergson and Cubism: A Reassessment | Robert Mark Antliff | 341 | ||
| 47 | Winter 1988 | Art Journal | What the Papers Say: Politics and Ideology in Picasso's Collage of 1912 | David Cottington | 350 | ||
| 47 | Winter 1988 | Art Journal | The Avant-Garde and the Trade in Art | Robert Jensen | 360 | ||
| 47 | Winter 1988 | Art Journal | Fragonard | Mary Sheriff | 368 | Museum News | |
| 47 | Winter 1988 | Art Journal | Fashion and Surrealism | Jack J. Spector | 372 | Museum News | |
| 47 | Winter 1988 | Art Journal | Art of the Fantastic | Edward J. Sullivan | 376 | Museum News | |
| 47 | Winter 1988 | Art Journal | Philosophical Disenfranchisement of Art; The State of the Art | David A. Hoekema | 379 | Book Reviews | |
| 47 | Winter 1988 | Art Journal | Le Renouveau de la peinture religieuse en France | Thomas Buser | 380 | Book Reviews | |
| 47 | Summer 1988 | Art Journal | Object and Intellect: Interpretations of Meaning in African Art | John Drewal | 71 | Editors' Statements | |
| 47 | Summer 1988 | Art Journal | Words about Words about Icons: Iconologology and the Study of African Art | Suzanne Preston Blier | 75 | ||
| 47 | Summer 1988 | Art Journal | An African Triptych: On the Interpretation of Three Parts and the Whole | Philip L. Ravenhill | 88 | ||
| 47 | Summer 1988 | Art Journal | Double Perspectives: Village Masking in Canton Boo, Ivory Coast | Monni Adams | 95 | ||
| 47 | Summer 1988 | Art Journal | Messages and Meaning of African Court Arts: Warrior Figures from the Bamum Kingdom | Christraud M. Geary | 103 | ||
| 47 | Summer 1988 | Art Journal | Queen Victoria for Twenty-Five Pounds: The Iconography of a Breadsted Drum from Southern Ghana | Doran H. Ross | 114 | ||
| 47 | Summer 1988 | Art Journal | The Source and Significance of the Snake-Winged Bird in Southwestern Nigeria | Frank Willett | 121 | ||
| 47 | Summer 1988 | Art Journal | From Trader to Priest in Two Hundred Years: The Transformation of a Foreign Figure on Benin Ivories | Barbara W. Blackmun | 128 | ||
| 47 | Summer 1988 | Art Journal | Ejumba: The Iconography of the Diola Initiation Mask | Peter Mark | 139 | ||
| 47 | Summer 1988 | Art Journal | Western Art, Historical Methodology and African Art: Panofsky's Paradigm and Ivoirian Mma | Robert T. Soppelsa | 147 | ||
| 57 | 1990 | Parachute | L'Imaginaire Comme Objet De Curiosite | Jean Trudel | 4 | ||
| 57 | 1990 | Parachute | Ron Benner: Other Lives | David Merritt | 10 | ||
| 57 | 1990 | Parachute | Clic-Eclipse | Pierre Boogaerts | 16 | ||
| 57 | 1990 | Parachute | Rudolf Bonvie: Rhapsodie Nucleaire | Desa Philippi | 24 | ||
| 57 | 1990 | Parachute | Ulrike Rosenbach: Un Feminisme En Evolution | Therese St-Gelais | 28 | ||
| 57 | 1990 | Parachute | Marcel Odenbach | Alain Laframboise | 31 | ||
| 57 | 1990 | Parachute | Fictions | Johanne Lamoureux | 32 | ||
| 57 | 1990 | Parachute | Territoires d'artistes: Paysages verticaux | Catherine Bedard | 33 | ||
| 57 | 1990 | Parachute | Marlene Creates | Jacqueline Fry | 35 | ||
| 57 | 1990 | Parachute | Nicole Jolicoeur | Serge Berard | 36 | ||
| 57 | 1990 | Parachute | Dan Graham & Marie-Paule Macdonald | Bob Wilkie | 37 | ||
| 57 | 1990 | Parachute | Marcel Broodthaers | Ben Portis | 39 | ||
| 57 | 1990 | Parachute | Ulrike Rosenbach | Carol Laing | 40 | ||
| 57 | 1990 | Parachute | The Phase Show | Glen Cooly | 41 | ||
| 57 | 1990 | Parachute | The Flat Side of the Landscape The Emma Lake Artists' Workshop | Lelde Muehlenbachs | 42 | ||
| 57 | 1990 | Parachute | Al Neil | Bill Jeffries | 43 | ||
| 57 | 1990 | Parachute | Lorna Brown | Carol Williams | 44 | ||
| 57 | 1990 | Parachute | Belfast/ Berlin | Mark Harris | 45 | ||
| 57 | 1990 | Parachute | Jack Jeffrey | Annette Hurtig | 47 | ||
| 57 | 1990 | Parachute | Beyond History | Allan J. Ryan | 48 | ||
| 57 | 1990 | Parachute | Ron Huebner | Robin Peck | 49 | ||
| 57 | 1990 | Parachute | Holly King | Jennifer Fisher | 50 | ||
| 57 | 1990 | Parachute | Colloque sur les enjeux actuels de la photographie | Sylvain Campeau | 51 | ||
| 57 | 1990 | Parachute | Espaces revelateurs La, au travers, hors de la et retour | Sylvain Campeau | 52 | ||
| 57 | 1990 | Parachute | Cites-Cines | Jean-Claude Marineau | 55 | ||
| 57 | 1990 | Parachute | The Imagination as an Object of Curiosity | Jean Trudel | 62 | ||
| 56 | 1989 | Parachute | Tenir I'image a distance | Alain Laframboise | 52 | ||
| 56 | 1989 | Parachute | 5e Festival international de films et videos de femmes de Montreal | Christine Ross | 53 | ||
| 56 | 1989 | Parachute | Laurent Pilon | Guy Bellavance | 54 | ||
| 56 | 1989 | Parachute | Festival de Cannes | Francine Laurendeau | 56 | ||
| 56 | 1989 | Parachute | Guy Pellerin | Lisanne Nadeau | 57 | ||
| 56 | 1989 | Parachute | Alain Laframboise | Christine Bernier | 5 | ||
| 56 | 1989 | Parachute | Children's Pavilion: Dan Graham & Jeff Wall | Rene Viau | 60 | ||
| 56 | 1989 | Parachute | Francoise Schein | Jacques Doyon | 61 | ||
| 56 | 1989 | Parachute | Grace Hopper: An Independent Group Exhibition | Carol Laing | 62 | ||
| 56 | 1989 | Parachute | Andy Fabo | Janice Andreae | 63 | ||
| 56 | 1989 | Parachute | Genevieve Cadieux | Kitty Scott | 65 | ||
| 56 | 1989 | Parachute | Richard Purdy | Alison Tett | 66 | ||
| 56 | 1989 | Parachute | Liliana Berezowsky | Donald Mc Grath | 67 | ||
| 56 | 1989 | Parachute | Interior Presence: Projecting Situations | Robert Milthorp | 69 | ||
| 56 | 1989 | Parachute | Gardens | Elizabeth Ritchie | 70 | ||
| 56 | 1989 | Parachute | Festivals: la part du risque | Gilbert David | 71 | ||
| 56 | 1989 | Parachute | Condemned to History (But Not Invited to Lunch) | Philip Monk | 78 | ||
| 56 | 1989 | Parachute | Bilderstreit | Sabine Vogel | 79 | ||
| 55 | 1989 | Parachute | La Vie Impossible De Christian Boltanski | Bernard Marcade | 4 | ||
| 55 | 1989 | Parachute | Some Notes on Photography, Democracy and the Public Body | Mark Lewis | 9 | ||
| 55 | 1989 | Parachute | Les Magiciens De La Terre | Rene Viau | 16 | ||
| 55 | 1989 | Parachute | Montreal Magnetique | Raymond Gervais | 20 | ||
| 55 | 1989 | Parachute | Painting and Sexual Difference | John Roberts | 25 | ||
| 55 | 1989 | Parachute | Interview with Mary Kelly | Jennifer Fisher | 32 | ||
| 55 | 1989 | Parachute | Sylvie Bouchard | Martine Meilleur | 36 | ||
| 55 | 1989 | Parachute | British Now: sculpture et autres dessins | Jacques Doyon | 37 | ||
| 55 | 1989 | Parachute | Celine Surprenant | Francine Paul | 38 | ||
| 55 | 1989 | Parachute | Louise Robert | Therese St-Gelais | 39 | ||
| 55 | 1989 | Parachute | Marie A. Cote, Joseph Branco, Francois Lacasse | Marc Archambault | 40 | ||
| 55 | 1989 | Parachute | The Bi-National: American and German Art of the Late 80s | Trevor Gould | 42 | ||
| 55 | 1989 | Parachute | The New Urban Landscape | Marie-Paule Macdonald | 44 | ||
| 55 | 1989 | Parachute | Bill Burns | Bob Wilkie | 45 | ||
| 55 | 1989 | Parachute | Jana Sterbak | Kitty Scott, Johanne Sloan | 46 | ||
| 55 | 1989 | Parachute | John Massey | James D. Campbell | 47 | ||
| 55 | 1989 | Parachute | Enchantment/ Disturbance | Janice Andreae | 48 | ||
| 55 | 1989 | Parachute | Mina Totino | Nancy Shaw | 50 | ||
| 55 | 1989 | Parachute | Joey Morgan | Annette Hurtig | 51 | ||
| 55 | 1989 | Parachute | Guido Molinari | Scott Watson | 52 | ||
| 55 | 1989 | Parachute | Espaces revelateurs | Sylvain Campeau | 54 | ||
| 55 | 1989 | Parachute | D'une saison I'autre: le facteur mise en scene | Gilbert David | 56 | ||
| 55 | 1989 | Parachute | Paterson Ewen: Phenomena Paintings 1971-1987 Monk's Dream | Greg Curnoe | 61 | ||
| 55 | 1989 | Parachute | History Evaporates: Philip Monk and Paterson Ewen | Andy Patton | 63 | ||
| 55 | 1989 | Parachute | The Impossible Life of Christian Boltanski | Bernard Marcade | 71 | ||
| 54 | 1989 | Parachute | Collections: Visions D'Avenir | Chantal Pontbriand | 5 | ||
| 54 | 1989 | Parachute | La Collection Herbert la recherche sans compromis d'Anton et Annick Herbert Notes sur la collection privee | Michael Tarantino | 8 | ||
| 54 | 1989 | Parachute | La Collection et ses facteurs determinants | Anton Herbert | 10 | ||
| 54 | 1989 | Parachute | Dia Art Foundation a history of daring gestures as recollected | Jim Drobnick | 14 | ||
| 54 | 1989 | Parachute | The Crex Collection "We collect because we believe in the future..." | Rene Viau | 22 | ||
| 54 | 1989 | Parachute | Ydessa Hendeles Art Foundation | Pierre Theberge | 28 | ||
| 54 | 1989 | Parachute | Art & Compagnie | Rene Viau | 34 | ||
| 54 | 1989 | Parachute | The Canadian Centre for Architecture Phyllis Lambert's Magna opus: expanding categories, moving boundaries | Robert Graham | 38 | ||
| 54 | 1989 | Parachute | Connoisseurs 1986-1988 | Karen Knorr | 43 | ||
| 54 | 1989 | Parachute | L'Oeuvre-Collection | Christine Dubois | 47 | ||
| 54 | 1989 | Parachute | Coincidental Re-Collections: exhibitions of the Self | Jennifer Fisher | 52 | ||
| 54 | 1989 | Parachute | L'Objectivation De Soi | Marcel Fournier | 56 | ||
| 54 | 1989 | Parachute | Gerard Collin-Thiebaut | Catherine Bedard | 58 | ||
| 54 | 1989 | Parachute | John di Stefano | Andre Martin | 59 | ||
| 54 | 1989 | Parachute | Francois Vaillancourt | Vincent Lavoie | 60 | ||
| 54 | 1989 | Parachute | Histoires de bois | Christine Bernier | 61 | ||
| 54 | 1989 | Parachute | Mary Kelly | Kitty Scott | 62 | ||
| 54 | 1989 | Parachute | Arnaud Maggs | Gordon Lebredt | 63 | ||
| 54 | 1989 | Parachute | Andrew Forster | Martin von Mirbach | 64 | ||
| 54 | 1989 | Parachute | Making Space | Carol Laing | 65 | ||
| 54 | 1989 | Parachute | Structures of Desire | Jeanne Randolph, Bernie Miller | 67 | ||
| 54 | 1989 | Parachute | Yvonne Singer | Shelly Hornstein-Rabinovitch | 68 | ||
| 54 | 1989 | Parachute | Jane Buyers | Janice Andreae | 69 | ||
| 54 | 1989 | Parachute | 17eme Festival international du nouveau cinema et de la video de Montreal | Jean-Claude Marineau | 71 | ||
| 54 | 1989 | Parachute | Editorial Collections: Visions of the Future | Chantal Pontbriand | 72 | ||
| 54 | 1989 | Parachute | Roland Poulin | Chantal Pontbriand | 73 | ||
| 53 | 1988 | Parachute | Gerhard Richter | Ulrich Loock | 4 | ||
| 53 | 1988 | Parachute | Roland Poulin - une entrevue | Chantal Pontbriand | 12 | ||
| 53 | 1988 | Parachute | T.V. Eye Dan Graham's Homes for America | Charles Reeve | 19 | ||
| 53 | 1988 | Parachute | Archeologie Due Cuivre | Serge Berard | 25 | ||
| 53 | 1988 | Parachute | Gerhard Merz | Linda Genereux | 29 | ||
| 53 | 1988 | Parachute | Les Temps chauds | Alain Laframboise | 32 | ||
| 53 | 1988 | Parachute | Janice Gurney et Colette Whiten | Catherine Bedard | 33 | ||
| 53 | 1988 | Parachute | Trevor Gould | Sylvie Ollivier | 34 | ||
| 53 | 1988 | Parachute | Monique Regimbald-Zeiber | Francine Paul | 35 | ||
| 53 | 1988 | Parachute | Gerald McMaster | Jacqueline Fry | 36 | ||
| 53 | 1988 | Parachute | Don Corman | Jennifer Fisher | 38 | ||
| 53 | 1988 | Parachute | Gerhard Richter | Carol Laing | 39 | ||
| 53 | 1988 | Parachute | Claude Mongrain | Bruce Grenville | 41 | ||
| 53 | 1988 | Parachute | Elizabeth MacKenzie | Vera Lemecha | 42 | ||
| 53 | 1988 | Parachute | Andy Patton | Gordon Lebredt | 43 | ||
| 53 | 1988 | Parachute | Alan Dunning | Colleen O'Neill | 44 | ||
| 53 | 1988 | Parachute | Rodney Graham | Bill Jeffries | 44 | ||
| 53 | 1988 | Parachute | Don Gill | Peter Culley | 46 | ||
| 53 | 1988 | Parachute | Norman Cohn | Kathleen Fleming | 47 | ||
| 53 | 1988 | Parachute | Domus via Domus | Marie-Paule Macdonald | 48 | ||
| 53 | 1988 | Parachute | Beyond the Threshold of Recent Critical Practice in Toronto | Tom Folland | 49 | ||
| 53 | 1988 | Parachute | Gerhard Richter | Ulrich Loock | 54 | ||
| 52 | 1988 | Parachute | Marges du cinema | Chantal Pontbriand | 4 | ||
| 52 | 1988 | Parachute | The Fringes of Cinema | Chantal Pontbriand | 5 | ||
| 52 | 1988 | Parachute | Godard, Ruiz, Wenders ou I'impossible regard de Dieu | Jean-Claude Marineau | 6 | ||
| 52 | 1988 | Parachute | Hans Jurgen Syberberg: la Memoire en repetition | Jocelyn Deschenes | 10 | ||
| 52 | 1988 | Parachute | Peter Greenaway: Le photographique et I'inquietante stabilite | Nicole Gingras | 17 | ||
| 52 | 1988 | Parachute | Peter Greenaway: The Photographic Effect and the Disquieting Stability | Nicole Gingras | 23 | ||
| 52 | 1988 | Parachute | Le Meurtre du matelot - Les Trois Couronnes du matelot de Raoul Ruiz | Mario-Francoise Grange | 29 | ||
| 52 | 1988 | Parachute | The Death of the Sailor - Les Trois Courones du matelot by Raoul Ruiz | Mario-Francoise Grange | 35 | ||
| 52 | 1988 | Parachute | L'image du mystere | Frederic Sabouraud | 39 | ||
| 52 | 1988 | Parachute | Ken McMullen - An Interview | Stephen Sarrazin | 42 | ||
| 52 | 1988 | Parachute | Women and Language in Francophone West African Film | Sheila Petty | 45 | ||
| 52 | 1988 | Parachute | Gerhard Richter | Christine Dubois | 48 | ||
| 52 | 1988 | Parachute | Un Temps, 2 Lieux | Jean Arrouye | 49 | ||
| 52 | 1988 | Parachute | Marilyn Magid | Catherine Bedard | 51 | ||
| 52 | 1988 | Parachute | Pierre Dorion | Martine Meilleur | 52 | ||
| 52 | 1988 | Parachute | Jean Lantier | Jacques Doyon | 53 | ||
| 52 | 1988 | Parachute | Lucio de Heusch | Francine Paul | 54 | ||
| 52 | 1988 | Parachute | Marcel Lemyre | James D. Campbell | 55 | ||
| 52 | 1988 | Parachute | The Discursive Field of Recent Photography | Earl Miller | 56 | ||
| 52 | 1988 | Parachute | Waterworks | Beth Seaton, Jennifer Fisher | 57 | ||
| 52 | 1988 | Parachute | Joanne Tod | Janice Andreae | 62 | ||
| 52 | 1988 | Parachute | Shonagh Adelman | Jane Farrow | 62 | ||
| 52 | 1988 | Parachute | Renee Van Halm | Bruce Grenville | 63 | ||
| 52 | 1988 | Parachute | Independent Film and Video Alliance | Karen Knights | 64 | ||
| 52 | 1988 | Parachute | Une dramaturgie a deux vitesses | Gilbert David | 66 | ||
| 52 | 1988 | Parachute | Nationalisms: Women and the State | Carol Laing | 70 | ||
| 51 | 1988 | Parachute | Genevieve Cadieux Le Regard et le visible | Therese St-Gelais | 4 | ||
| 51 | 1988 | Parachute | Nancy Spero A Work in Comic Courage | Jo Anna Isaak | 11 | ||
| 51 | 1988 | Parachute | Nan Hoover Le Sujet videologique ou la reception | Christine Ross | 16 | ||
| 51 | 1988 | Parachute | Reinhard Mucha The Silence of Presentation | Philip Monk | 22 | ||
| 51 | 1988 | Parachute | Betty Goodwin | Martine Meilleur | 29 | ||
| 51 | 1988 | Parachute | Danielle Sauve | Lisanne Nadeau | 30 | ||
| 51 | 1988 | Parachute | La Photographie en tant que document vulgaire/ Towards the Photograph as a Vulgar Document | Jean-Pierre Denis | 31 | ||
| 51 | 1988 | Parachute | Marques et contrastes | Sylvain Campeau | 32 | ||
| 51 | 1988 | Parachute | Festival international du film sur l'art | Stephen Sarrazin | 33 | ||
| 51 | 1988 | Parachute | Ian Wallace | Serge Berard | 34 | ||
| 51 | 1988 | Parachute | Stan Douglas | Karen Henry | 35 | ||
| 51 | 1988 | Parachute | Politically Speaking | Nancy Shaw | 36 | ||
| 51 | 1988 | Parachute | The Phase Show | Earl Miller | 37 | ||
| 51 | 1988 | Parachute | Paterson Ewen | Janice Andreae | 38 | ||
| 50 | 1988 | Parachute | Le Jardin protecteur | Martine Aballea | 6 | ||
| 50 | 1988 | Parachute | Private/Public | Kim Adams | 8 | ||
| 50 | 1988 | Parachute | Sans titre/ UntitledPater Noster | Shelagh Alexander | 10 | ||
| 50 | 1988 | Parachute | Pater Noster | Roy Arden | 12 | ||
| 50 | 1988 | Parachute | The London Philharmonic Sex Sculpture | Brian Boigon | 14 | ||
| 50 | 1988 | Parachute | La Noce tragique | Christian Boltanski | 16 | ||
| 50 | 1988 | Parachute | Lovely Blue | Eva Brandl | 18 | ||
| 50 | 1988 | Parachute | Killing Cats, Burning Myths/ Mort aux chats, mythes incendies | Tony Brown | 20 | ||
| 50 | 1988 | Parachute | Model I - Model II | Ludger Gerdes | 28 | ||
| 50 | 1988 | Parachute | Freud Supplement (170A-170D) | Rodney Graham | 30 | ||
| 50 | 1988 | Parachute | The Taking of Photographs Is Strictly Prohibited | Janice Gurney | 32 | ||
| 50 | 1988 | Parachute | Ascension, Pathway | Holly King | 34 | ||
| 50 | 1988 | Parachute | Nomination of Women: For Lioubov Popova (1889-1924) | Carol Laing | 40 | ||
| 50 | 1988 | Parachute | Le mystere de la chambre jaune... | Andre Martin | 42 | ||
| 50 | 1988 | Parachute | Imprese | Olivier Richon | 48 | ||
| 50 | 1988 | Parachute | Jannis Kounellis | Catherine Bedard | 54 | ||
| 50 | 1988 | Parachute | Dominique Blain/ Rene Desilets/ Michael Gaboury | Christine Dubois | 55 | ||
| 50 | 1988 | Parachute | Jean McEwen | Francine Paul | 56 | ||
| 50 | 1988 | Parachute | Festival international du nouveau cinema | Stephen Sarrazin | 57 | ||
| 50 | 1988 | Parachute | Alain Paiement | Jennifer Fisher | 58 | ||
| 50 | 1988 | Parachute | Astrid Klein | Tom Folland | 59 | ||
| 50 | 1988 | Parachute | Christine Davis | Andrew Payne | 60 | ||
| 50 | 1988 | Parachute | Women's Work | Monika Gagnon | 61 | ||
| 50 | 1988 | Parachute | Duchampics, Duchampistry Duchampology | Peggy Gale | 62 | ||
| 50 | 1988 | Parachute | The Ruin of Representation... | Carol Laing | 63 | ||
| 50 | 1988 | Parachute | Bill C-54 | Robert Graham | 64 | ||
| 50 | 1988 | Parachute | At the Threshold | Jeanne Randolph | 65 | ||
| 49 | 1987 | Parachute | In Memory of Rene Payant | Chantal Pontbriand | 5 | ||
| 49 | 1987 | Parachute | Bertrand Lavier: Le plaisir et son contraire | Nadine Descendre | 6 | ||
| 49 | 1987 | Parachute | Sarah Charlesworth: An Interview | David Clarkson | 12 | ||
| 49 | 1987 | Parachute | Impressions D'Afrique | Rene Viau | 16 | ||
| 49 | 1987 | Parachute | Is the McDonald Hamburger a Work of Art? | Michael M. Ames | 22 | ||
| 49 | 1987 | Parachute | Documenta 8 | Jo-Anna Isaak | 28 | ||
| 49 | 1987 | Parachute | Lothar Baumgarten | Philip Monk | 30 | ||
| 49 | 1987 | Parachute | Elementa Naturae | Gaston St-Pierre | 31 | ||
| 49 | 1987 | Parachute | Stations | Alain Laframboise | 32 | ||
| 49 | 1987 | Parachute | Daniel Buren | Catherine Bedard | 33 | ||
| 49 | 1987 | Parachute | Hans Haacke | Pat Sullivan | 35 | ||
| 49 | 1987 | Parachute | Raymond Gervais | Paul Theberge | 36 | ||
| 49 | 1987 | Parachute | Martha Townsend | Jennifer Fisher | 37 | ||
| 49 | 1987 | Parachute | Women on Site | Patricia Seaman | 38 | ||
| 49 | 1987 | Parachute | Pierre Granche | Gaston St-Pierre | 38 | ||
| 49 | 1987 | Parachute | Jana Sterbak | Janice Andreae | 39 | ||
| 49 | 1987 | Parachute | Jocelyn Jean | Francine Paul | 40 | ||
| 49 | 1987 | Parachute | A Linear Narration: Post Phallocentrism | Earl Miller | 42 | ||
| 49 | 1987 | Parachute | Marie Noelle Chouinard | Stephen Sarrazin | 42 | ||
| 49 | 1987 | Parachute | Edouard Lock Andre Martin | Guy Bellavance | 43 | ||
| 49 | 1987 | Parachute | Gisele Trudel | Gary Telfer | 45 | ||
| 49 | 1987 | Parachute | The 401 Show | Brenda Orser | 46 | ||
| 49 | 1987 | Parachute | Artropolis | Serge Berard | 47 | ||
| 49 | 1987 | Parachute | Le festival international de nouvelle danse | Isabelle Poulin | 48 | ||
| 49 | 1987 | Parachute | Sous le signe de l'oiseau moqueur | Jean-Pierre Denis | 51 | ||
| 49 | 1987 | Parachute | Debuts poussifs d'une nouvelle saison theatrale | Gilbert David | 52 | ||
| 49 | 1987 | Parachute | Material Fictions/ Ideological Facts | Philip Monk | 55 | ||
| 49 | 1987 | Parachute | Bertrand Lavier: Pleasure and Its Opposite | Nadine Descendre | 56 | ||
| 49 | 1987 | Parachute | Le Hamburger de McDonald est-il une oeuvre d'art? | Michael M. Ames | 57 | ||
| 48 | 1987 | Parachute | Le Public Et Le Prive | Chantal Pontbriand | 4 | ||
| 48 | 1987 | Parachute | Un Autre Style: La Colonne Burennique | Daniel Buren, Serge Guilbaut | 5 | ||
| 48 | 1987 | Parachute | The Value of Privacy | Tom Sherman | 12 | ||
| 48 | 1987 | Parachute | Philippe Cazal de A a Z | Rene Viau | 16 | ||
| 48 | 1987 | Parachute | Public Imaginary | Public Access | 21 | ||
| 48 | 1987 | Parachute | Nelly Richard | 26 | |||
| 48 | 1987 | Parachute | Illusion and the Diverted Subject: A Psychoanalysis of Art and Entertainment | Jeanne Randolph | 28 | ||
| 48 | 1987 | Parachute | Creer A Rebours Vers Le Recit | Rober Racine | 33 | ||
| 48 | 1987 | Parachute | Skulpture in Munster | Chantal Pontbriand | 36 | ||
| 48 | 1987 | Parachute | Une Lettre | Remy Zaugg | 42 | ||
| 48 | 1987 | Parachute | L'industrie Culturelle Revisitee | Theodor W. Adorno | 46 | ||
| 48 | 1987 | Parachute | Irene F. Whittome | Therese St-Gelais | 49 | ||
| 48 | 1987 | Parachute | Guido Molinari | Francine Paul | 50 | ||
| 48 | 1987 | Parachute | Beatrice Reuillard | Lisanne Nadeau | 51 | ||
| 48 | 1987 | Parachute | Perspectives Culturelles/ Cross Cultural Views | Jacqueline Fry | 52 | ||
| 48 | 1987 | Parachute | Stardusters | Jacqueline Fry | 53 | ||
| 48 | 1987 | Parachute | Jack Shadbolt and the Coastal Indian Image | Jacqueline Fry | 55 | ||
| 48 | 1987 | Parachute | Troisieme Festival International De Films Et De Videos De Femmes | Christine Ross | 56 | ||
| 48 | 1987 | Parachute | Festival De Theatre Des Ameriques 1987 | Gilbert David | 57 | ||
| 48 | 1987 | Parachute | La Donna Delinquenta | Jennifer Fisher | 59 | ||
| 48 | 1987 | Parachute | Toronto: A Play of History (Jeu d'histoire) | Bruce Grenville | 61 | ||
| 48 | 1987 | Parachute | Kim Modie | David Tomas | 62 | ||
| 48 | 1987 | Parachute | Nancy Spero A Work in Comic Courage | Carol Laing | 63 | ||
| 48 | 1987 | Parachute | David Askevold/ Garry Neill Kennedy | Petra Rigby Watson | 64 | ||
| 48 | 1987 | Parachute | The Public vs. the Private | Chantal Pontbriand | 65 | ||
| 47 | 1987 | Parachute | Histoire Et Postmodernite | Chantal Pontbriand | 4 | ||
| 47 | 1987 | Parachute | Ludger Gerdes | Trevor Gould | 9 | ||
| 47 | 1987 | Parachute | Liens Du Quebec Avec La Modernite En Musique | 16 | |||
| 47 | 1987 | Parachute | Mapping The Surface | Bruce Grenville | 22 | ||
| 47 | 1987 | Parachute | Claude Mongrain | Gaston St-Pierre | 28 | ||
| 47 | 1987 | Parachute | Jocelyne Alloucherie | Martine Meilleur | 29 | ||
| 47 | 1987 | Parachute | Nell Tenhaaf | Serge Berard | 30 | ||
| 47 | 1987 | Parachute | Jauran | Marie Carani | 31 | ||
| 47 | 1987 | Parachute | Implosion/ Explosion | Helene Taillefer | 32 | ||
| 47 | 1987 | Parachute | Linda Covit | Therese St-Gelais | 33 | ||
| 47 | 1987 | Parachute | George Legrady/ Raymonde April | Guy Bellavance | 34 | ||
| 47 | 1987 | Parachute | Eva Brandl | Jocelyne Lupien | 36 | ||
| 47 | 1987 | Parachute | Ou Est Le Fragment Histoire En Quatre Temps | Therese St-Gelais | 37 | ||
| 47 | 1987 | Parachute | Alain Laframboise | Linda Delisle | 39 | ||
| 47 | 1987 | Parachute | David Tomas | Gordon Lebredt | 40 | ||
| 47 | 1987 | Parachute | Lee Dickson | Bruce Grenville | 41 | ||
| 47 | 1987 | Parachute | Colette Whiten | Carol Laing | 42 | ||
| 47 | 1987 | Parachute | Carolyn White | Andrew Payne | 43 | ||
| 47 | 1987 | Parachute | Camera Works | Richard C. Lawlor | 44 | ||
| 47 | 1987 | Parachute | Reid Shire | James Graham | 45 | ||
| 47 | 1987 | Parachute | Artists' Television | Dot Tuer | 46 | ||
| 47 | 1987 | Parachute | Un debat conventionnel: La Photographie Et L'art Contemporain | Guy Bellavance | 48 | ||
| 47 | 1987 | Parachute | History And Postmodernity | Chantal Pontbriand | 51 | ||
| 47 | 1987 | Parachute | Topographie De La Surface | Bruce Grenville | 53 | ||
| 46 | 1986 | Parachute | Musees de l'avenir/ Museums of the Future | Chantal Pontbriand | 5 | ||
| 46 | 1986 | Parachute | Le Musee des beaux-arts de Montreal | Pierre Theberge | 8 | ||
| 46 | 1986 | Parachute | The Art Gallery of Ontario | Philip Monk | 11 | ||
| 46 | 1986 | Parachute | The Castello di Rivoli at Turin | Peggy Gale | 14 | ||
| 46 | 1986 | Parachute | Grenoble et son Magasin | Jacques Guillot, Chantal Pontbriand | 19 | ||
| 46 | 1986 | Parachute | Le Musee d'art contemporain de Bordeaux | Jean-Louis Froment, Chantal Pontbriand | 24 | ||
| 46 | 1986 | Parachute | Le Musee national d'art moderne | Catherine David, Chantal Pontbriand | 30 | ||
| 46 | 1986 | Parachute | The Los Angeles MoCA | Reesa Greenberg | 35 | ||
| 46 | 1986 | Parachute | La Kunsthalle de Bale | Jean-Christophe Ammann, Johanne Lamoureux | 41 | ||
| 46 | 1986 | Parachute | Monchengladbach | Judy Annear | 45 | ||
| 46 | 1986 | Parachute | A Project, 1986 | Irene F. Whittome | 50 | ||
| 46 | 1986 | Parachute | Pour une museographie canadienne | Chantal Pontbriand | 56 | ||
| 46 | 1986 | Parachute | The Postmodern Museum | Douglas Crimp | 61 | ||
| 46 | 1986 | Parachute | Quand l'oeuvre a lieu | Jean-Marc Poinsot | 70 | ||
| 46 | 1986 | Parachute | Museums of Tomorrow | Tom Sherman | 78 | ||
| 46 | 1986 | Parachute | Entrepot des legendes ou legende des entrepots? | Rene Viau | 82 | ||
| 46 | 1986 | Parachute | Museums, Managers of Consciousness | Hans Haacke | 84 | ||
| 46 | 1986 | Parachute | Le musee: l'art de se distinguer | Marcel Fournier | 89 | ||
| 46 | 1986 | Parachute | The Museum Building and its Architectural Expression | 94 | |||
| 46 | 1986 | Parachute | Sans titre | Jean Trudel | 102 | ||
| 46 | 1986 | Parachute | The Acoustic Eye | Reesa Greenberg | 106 | ||
| 46 | 1986 | Parachute | Derriere la scene: entretien | Johanne Brouillet, Jacqueline Fry | 109 | ||
| 46 | 1986 | Parachute | Reclaimed by Mercouri | Anne Ramsden | 113 | ||
| 46 | 1986 | Parachute | David Craven | Francine Paul | 115 | ||
| 46 | 1986 | Parachute | Festival international du nouveau cinema et de la video | Stephen Sarrazin, Christine Ross | 116 | ||
| 46 | 1986 | Parachute | Mary Scott | Helene Taillefer | 118 | ||
| 46 | 1986 | Parachute | Trevor Gould | Helene Taillefer | 119 | ||
| 46 | 1986 | Parachute | Tom Dean | Jean-Jacques Bernier | 120 | ||
| 46 | 1986 | Parachute | Roberto Pellegrinuzzi | Jacques Doyon | 120 | ||
| 46 | 1986 | Parachute | Andre Martin | Therese St-Gelais | 122 | ||
| 46 | 1986 | Parachute | Serge Murphy | Nicole Gingras | 122 | ||
| 46 | 1986 | Parachute | 350 degree autour de l'objet | Michele Waquant | 124 | ||
| 46 | 1986 | Parachute | Elizabeth Mackenzie | Monika Gagnon | 125 | ||
| 46 | 1986 | Parachute | Dark/ Light | Peggy Gale | 126 | ||
| 46 | 1986 | Parachute | Randy Bradley | Robert Lindsley | 127 | ||
| 46 | 1986 | Parachute | A propos de la conference sur la nouvelle critique ou l'insinuation comme strategie | Mireille Perron | 128 | ||
| 46 | 1986 | Parachute | Lettre a l'editeur/ Letter to the Editor | Jessica Bradley, Diana Nemiroff | 128 | ||
| 46 | 1986 | Parachute | Livres et revues | Johanne Lamoureux | 130 | ||
| 46 | 1986 | Parachute | Books and Magazines | Reesa Greenberg | 131 | ||
| 46 | 1986 | Parachute | For a Canadian Museography | Chantal Pontbriand | 133 | ||
| 46 | 1986 | Parachute | Demain, les musees | Tom Sherman | 136 | ||
| 46 | 1986 | Parachute | Les musees: gestionnaires de la conscience | Hans Haacke | 138 | ||
| 45 | 1986 | Parachute | Polar Inertia on Reinhard Mucha | Paul Virilio | 4 | ||
| 45 | 1986 | Parachute | Reinhard Mucha: Truths and Lies | Catherine David | 7 | ||
| 45 | 1986 | Parachute | Les videos de Bill Viola une poetique de l'espace-temps | Anne-Marie Duguet | 10 | ||
| 45 | 1986 | Parachute | Tony Oursler | Christine Ross | 16 | ||
| 45 | 1986 | Parachute | The Big Sleep/ The Flat Death an apocryphal dialogue | James R. Hugunin | 22 | ||
| 45 | 1986 | Parachute | Terminal Signs | Gordon Lebredt | 20 | ||
| 45 | 1986 | Parachute | Lumieres | Alain Laframboise | 25 | ||
| 45 | 1986 | Parachute | Celine Baril | Gaston St-Pierre | 26 | ||
| 45 | 1986 | Parachute | Thomas Corriveau | Jocelyne Lupien | 27 | ||
| 45 | 1986 | Parachute | Sorel Cohen | Therese St-Gelais | 28 | ||
| 45 | 1986 | Parachute | Patterson Ewen/ Betty Goodwin | Jean-Jacques Bernier | 29 | ||
| 45 | 1986 | Parachute | ASA 86 | Serge Berard | 30 | ||
| 45 | 1986 | Parachute | La magie de l'image | David Bate | 31 | ||
| 45 | 1986 | Parachute | Space Invaders | Stephen Sarrazin | 32 | ||
| 45 | 1986 | Parachute | Holly King | Cyril Reade | 34 | ||
| 45 | 1986 | Parachute | Some Uncertain Signs | Marc Glassman | 35 | ||
| 45 | 1986 | Parachute | Sharon Cook | Dot Tuer | 36 | ||
| 45 | 1986 | Parachute | The Interpretation on Architecture | John R. Fraser, Steven Mannell | 37 | ||
| 45 | 1986 | Parachute | Ultrasurd | Bruce Grenville | 39 | ||
| 45 | 1986 | Parachute | Shelagh Alexander | Carol Laing | 40 | ||
| 45 | 1986 | Parachute | Enjeux actuels du Musee d'art contemporain de Montreal | Chantal Pontbriand | 42 | ||
| 45 | 1986 | Parachute | Livres et revues | Johanne Lamoureux | 44 | ||
| 45 | 1986 | Parachute | Books and magazines | Reesa Greenberg | 47 | ||
| 45 | 1986 | Parachute | L'Inertie polaire a propos de Reinhard Mucha | Paul Virilio | 49 | ||
| 45 | 1986 | Parachute | Reinhard Mucha: Verites et mensonges | Catherine David | 49 | ||
| 45 | 1986 | Parachute | The Videos of Bill Viola | Anne-Marie Duguet | 50 | ||
| 44 | 1986 | Parachute | Chants d'experience | Chantal Pontbriand | 4 | ||
| 44 | 1986 | Parachute | Jardins postmodernes/ Postmodern Gardens | Chantal Pontbriand | 5 | ||
| 44 | 1986 | Parachute | Psychomachie | Ruediger Schoettle | 6 | ||
| 44 | 1986 | Parachute | A Project for Parachute | Geoffrey James | 9 | ||
| 44 | 1986 | Parachute | Du jardin en musique | Raymond Gervais | 13 | ||
| 44 | 1986 | Parachute | Chronicle of a New Landscape Garden | Philip Fry | 16 | ||
| 44 | 1986 | Parachute | A l'ombre des fleurs du Crinum | Pierre Boogaerts | 22 | ||
| 44 | 1986 | Parachute | De Chine en Chine, en jardins, en images | Jocelyne Alloucherie | 25 | ||
| 44 | 1986 | Parachute | Lechery in the Garden | Jennifer Dickson | 30 | ||
| 44 | 1986 | Parachute | Three Garden Projects | Maria Nordman | 34 | ||
| 44 | 1986 | Parachute | The Greening of Capitalism | John Roberts | 38 | ||
| 44 | 1986 | Parachute | Observations of Contemporary Landscape | Robert Graham | 42 | ||
| 44 | 1986 | Parachute | Jean-Charles Blais/ Gerard Garouste | Rene Payant | 45 | ||
| 44 | 1986 | Parachute | Francoise Sullivan | Martine Meilleur | 46 | ||
| 44 | 1986 | Parachute | Michel Lamothe | Guy Bellavance | 47 | ||
| 44 | 1986 | Parachute | Jean-Serge Champagne | Chantal Pontbriand | 49 | ||
| 44 | 1986 | Parachute | Louise Mercille | Therese St-Gelais | 50 | ||
| 44 | 1986 | Parachute | Gerard Courant | Michel Larouche | 51 | ||
| 44 | 1986 | Parachute | Richard Purdy | Jacqueline Fry | 52 | ||
| 44 | 1986 | Parachute | Interface III | Martine Meilleur | 54 | ||
| 44 | 1986 | Parachute | Enzo Cucchi/ Toni Grand/ La revue Parkett | Jocelyne Lupien | 55 | ||
| 44 | 1986 | Parachute | Chambres d'amis/ La Biennale de Venise | Johanne Lamoureux | 57 | ||
| 44 | 1986 | Parachute | Royden Rabinowitch | Robert Fones | 61 | ||
| 44 | 1986 | Parachute | Nicole Jolicoeur | Monika Gagnon | 62 | ||
| 44 | 1986 | Parachute | Arlene Stamp | Bruce Grenville | 63 | ||
| 44 | 1986 | Parachute | Cathy Daley | Donna Lypchuk | 64 | ||
| 44 | 1986 | Parachute | A Measure of Consensus: Canadian Architecture in Transition | Barbara E. Shapiro | 65 | ||
| 44 | 1986 | Parachute | Songs of Experience | Carol Laing | 67 | ||
| 44 | 1986 | Parachute | Lettre ouverte | Jocelyne Alloucherie | 69 | ||
| 44 | 1986 | Parachute | Livres et revues | Johanne Lamoureux | 70 | ||
| 44 | 1986 | Parachute | Books and Magazines | Reesa Greenberg | 71 | ||
| 44 | 1986 | Parachute | From China to China, in Gardens and Images | Jocelyne Alloucherie | 75 | ||
| 44 | 1986 | Parachute | Chronique d'un nouveau jardin paysager | Philip Fry | 76 | ||
| 44 | 1986 | Parachute | Editorial: Songs of Experience | Chantal Pontbriand | 80 | ||
| 43 | 1986 | Parachute | Lothar Baumgarten's The Origin of the Night | Peggy Gale | 4 | ||
| 43 | 1986 | Parachute | Raymonde April autour du portrait | Serge Berard | 10 | ||
| 43 | 1986 | Parachute | A Venice Construction: a Banquet | Melvin Charney | 14 | ||
| 43 | 1986 | Parachute | L'rt d'exposer | Louis Marin | 16 | ||
| 43 | 1986 | Parachute | Gordon Matta-Clark | Dan Graham | 21 | ||
| 43 | 1986 | Parachute | Pierre Granche | Marie Perrault | 26 | ||
| 43 | 1986 | Parachute | Suzy Lake | Marie Perrault | 27 | ||
| 43 | 1986 | Parachute | Sculpteurs canadiens | Gaston St-Pierre | 27 | ||
| 43 | 1986 | Parachute | Ilana Isehayek | Rene Payant | 28 | ||
| 43 | 1986 | Parachute | Gilbert Boyer - Louise Viger | Johanne Lamoureux | 29 | ||
| 43 | 1986 | Parachute | Vienne 1880-1938 Naissance d'un siecle/ l'Oeuvre et son accrochage | Johanne Lamoureux | 30 | ||
| 43 | 1986 | Parachute | Yves Bouliane | James D. Campbell | 34 | ||
| 43 | 1986 | Parachute | Object and Reference | Bruce Grenville | 35 | ||
| 43 | 1986 | Parachute | Kim Adams | Andre Jodoin | 36 | ||
| 43 | 1986 | Parachute | John Massey | Elke Town | 37 | ||
| 43 | 1986 | Parachute | Janice Gurney | Monika Gagnon | 39 | ||
| 43 | 1986 | Parachute | Luminous Sites | Scott Watson | 40 | ||
| 43 | 1986 | Parachute | Art Galleries and Canada Council Funding | Brenda Wallace | 42 | ||
| 43 | 1986 | Parachute | To Speak of Difference | Dot Tuer | 43 | ||
| 43 | 1986 | Parachute | Livres et revues | Johanne Lamoureux | 46 | ||
| 43 | 1986 | Parachute | Books and Magazines | Reesa Greenberg | 47 | ||
| 43 | 1986 | Parachute | Concernng The Wacousta Syndrome | Philip Fry | 51 | ||
| 43 | 1986 | Parachute | L'Origine de la nuit de Lothar Baumgarten | Peggy Gale | 54 | ||
| 43 | 1986 | Parachute | The Art of Exhibiting | Louis Marin | 57 | ||
| 42 | 1986 | Parachute | Notes sur l'avenir de la photographie canadienne contemporaine | Chantal Pontbriand | 4 | ||
| 42 | 1986 | Parachute | Magnificent Obsession | Laura Mulvey | 6 | ||
| 42 | 1986 | Parachute | Georges Rousse ou la derobade de l'anamorphose | Jocelyne Lupien | 13 | ||
| 42 | 1986 | Parachute | L'installation: au-dela de l'in situ | Chantal Boulanger | 16 | ||
| 42 | 1986 | Parachute | MOMA and Modernism: the Frame Game | Reesa Greenberg | 21 | ||
| 42 | 1986 | Parachute | Su Schnee/Martha Townsend | Therese St-Gelais | 32 | ||
| 42 | 1986 | Parachute | 14e Festival international du nouveau cinema et de la video | Michel Larouche | 33 | ||
| 42 | 1986 | Parachute | Denis Rousseau | Martine Meilleur | 34 | ||
| 42 | 1986 | Parachute | Magnificent Obsession | Guy Bellavance | 35 | ||
| 42 | 1986 | Parachute | General Idea | Serge Berard | 36 | ||
| 42 | 1986 | Parachute | Andree Baillargeon | Yvan Moreau | 37 | ||
| 42 | 1986 | Parachute | Space | Paul Theberge | 38 | ||
| 42 | 1986 | Parachute | Contemporary Canadian Photography | Robert Graham | 39 | ||
| 42 | 1986 | Parachute | Betty Goodwin | Peggy Gale | 40 | ||
| 42 | 1986 | Parachute | Robin Collyer | Jeanne Randolph | 41 | ||
| 42 | 1986 | Parachute | Eldon Garnet | Bruce Grenville | 42 | ||
| 42 | 1986 | Parachute | Blair Robins | Tom Folland | 43 | ||
| 42 | 1986 | Parachute | James Graham | Robin Peck | 45 | ||
| 42 | 1986 | Parachute | Photography against the Gain: Essays and Photo Works 1973-1983 | James R. Hugunin | 46 | ||
| 42 | 1986 | Parachute | Ecrans politiques | Rene Payant | 47 | ||
| 42 | 1986 | Parachute | La video s'en va | 49 | |||
| 42 | 1986 | Parachute | Letters | 50 | |||
| 42 | 1986 | Parachute | Livres et revues | Johanne Lamoureux | 51 | ||
| 42 | 1986 | Parachute | Installation: beyond In Situ | Chantal Boulanger | 53 | ||
| 42 | 1986 | Parachute | MOMA et le modernisme: le cadre en jeu | Reesa Greenberg | 55 | ||
| 41 | 1986 | Parachute | Monstrousites photographiques | Jean Arrouye | 4 | ||
| 41 | 1986 | Parachute | Autour de Promenades | Johanne Lamoureux | 7 | ||
| 41 | 1986 | Parachute | Sound, Image and the Media, Rock Video and Social Reconstruction | Jody Berland | 12 | ||
| 41 | 1986 | Parachute | Narratives | Peggy Gale | 20 | ||
| 41 | 1986 | Parachute | Giulio Paolini | Serge Berard | 24 | ||
| 41 | 1986 | Parachute | Roberto Pellegrinuzzi | Serge Berard | 25 | ||
| 41 | 1986 | Parachute | Alain Paiement | Martine Meilleur | 26 | ||
| 41 | 1986 | Parachute | Guy Bourassa | Brigitte Ostiguy | 27 | ||
| 41 | 1986 | Parachute | Lynn Cohen/ Robert Del Tredici/ Karen Smiley | Jacqueline Fry | 28 | ||
| 41 | 1986 | Parachute | Edward Poitras | Jacqueline Fry | 31 | ||
| 41 | 1986 | Parachute | John Heward | James D. Campbell | 33 | ||
| 41 | 1986 | Parachute | Louise Noguchi | Bruce Grenville | 34 | ||
| 41 | 1986 | Parachute | Bernie Miller | Bruce Grenville | 35 | ||
| 41 | 1986 | Parachute | Art and Community | Barbara Fischer | 36 | ||
| 41 | 1986 | Parachute | Mark Adair | Patrick Jenkins | 37 | ||
| 41 | 1986 | Parachute | Lettre a l'editeur | 38 | |||
| 41 | 1986 | Parachute | La Musique et le Temps | Raymond Gervais | 40 | ||
| 41 | 1986 | Parachute | About Promenades | Jhanne Lamoureux | 42 | ||
| 41 | 1986 | Parachute | Son, Image, Media | Jody Berland | 44 | ||
| 40 | 1985 | Parachute | Fashion: Demythology/ Fascination | Chantal Pontbriand | 4 | ||
| 40 | 1985 | Parachute | La Maniere et la Mesure | Guy Bellavance | 5 | ||
| 40 | 1985 | Parachute | Le Pantalon de Tintin | Jacques Samson | 10 | ||
| 40 | 1985 | Parachute | Ex-posing the Female Model or on the woman who poses for money | Kate Linker | 15 | ||
| 40 | 1985 | Parachute | Discordant Views | Silvia Kolbowski | 18 | ||
| 40 | 1985 | Parachute | Buying and Selling the Look | Kate Davy | 21 | ||
| 40 | 1985 | Parachute | Fashion, Envy & the Gift | Robert Graham | 25 | ||
| 40 | 1985 | Parachute | Dominique Blain/ Rene Desilets/ Michael Gaboury | Rene Payant | 28 | ||
| 40 | 1985 | Parachute | Angela Grauerholz | Serge Berard | 32 | ||
| 40 | 1985 | Parachute | Leon Golub | Nicole Dubreuil-Blondin | 30 | ||
| 40 | 1985 | Parachute | Michel Goulet | Lise Lamarche | 31 | ||
| 40 | 1985 | Parachute | T.V. or Not T.V. | Christine Ross | 34 | ||
| 40 | 1985 | Parachute | Guy Pellerin | Chantal Boulanger | 35 | ||
| 40 | 1985 | Parachute | La Nouvelle Biennale de Paris | Gerard Monnier | 36 | ||
| 40 | 1985 | Parachute | Doug Walker | John Scott | 37 | ||
| 40 | 1985 | Parachute | The Republic | Bruce Grenville | 38 | ||
| 40 | 1985 | Parachute | Greg Snider | Petra Rigby Watson | 39 | ||
| 40 | 1985 | Parachute | Artists/ Critics, YYZ Conference | Andre Jodoin | 40 | ||
| 40 | 1985 | Parachute | Susan McEachern | Robert Labossiere | 40 | ||
| 40 | 1985 | Parachute | Carl Beam | Jaqueline Fry | 41 | ||
| 40 | 1985 | Parachute | Tony Brown | Donna Lypchuk | 43 | ||
| 40 | 1985 | Parachute | Not Doing: Late Capitalist Mysticism | Gary Kibbins | 45 | ||
| 40 | 1985 | Parachute | Peinture au Quebec: une nouvelle generation/ Aurora Borealis/ Interface II | Rene Payant | 48 | ||
| 40 | 1985 | Parachute | Livres et Revues | Jean Papineau | 50 | ||
| 40 | 1985 | Parachute | La Musique et le Temps | Raymod Gervais | 53 | ||
| 39 | 1985 | Parachute | About Installation | Chantal Pontbriand | 4 | ||
| 39 | 1985 | Parachute | Une ambiguite resistante | Rene Payant | 6 | ||
| 39 | 1985 | Parachute | Lieux et non-lieux du pittoresque | Johanne Lamoureux | 10 | ||
| 39 | 1985 | Parachute | Big Bang et postmodernite | Raymond Gervais | 20 | ||
| 39 | 1985 | Parachute | Move, Remove | Serge Berard | 25 | ||
| 39 | 1985 | Parachute | Ecrire une installation on installer I'ecriture? | Rober Racine | 28 | ||
| 39 | 1985 | Parachute | Ritual and Camera | Robert Graham | 31 | ||
| 39 | 1985 | Parachute | A Tableau Vivant | Peggy Gale | 33 | ||
| 39 | 1985 | Parachute | Pro Bono Publico | Bruce Barber | 36 | ||
| 39 | 1985 | Parachute | Brian Boigon | Bruce Grenville | 39 | ||
| 39 | 1985 | Parachute | Betty Goodwin, Black Words, Installation | 42 | |||
| 39 | 1985 | Parachute | Defying the Death Machine | Nichole Jolicoeur, Nell Tenhaaf | 50 | ||
| 39 | 1985 | Parachute | La Grande Parade | Pierre Theberge | 56 | ||
| 39 | 1985 | Parachute | 5/5 Figuration libre France/ U.S.A. New York ailleurs et autrement | Johanne Lamoureux | 57 | ||
| 39 | 1985 | Parachute | The European Iceberg | Chantal Pontbriand | 59 | ||
| 39 | 1985 | Parachute | Sylvie Bouchard | Denis Lessard | 61 | ||
| 39 | 1985 | Parachute | June Leaf | Martine Meilleur | 62 | ||
| 39 | 1985 | Parachute | Danielle Fillion/Carole Wainio | Rene Payant | 63 | ||
| 39 | 1985 | Parachute | Stephen Hutchings | Jean-Jacques Bernier | 64 | ||
| 39 | 1985 | Parachute | Holly King | Paul Tiffet | 65 | ||
| 39 | 1985 | Parachute | Jacob Lenz | Johanne Rivest | 65 | ||
| 39 | 1985 | Parachute | Ma vie, ma mort de Pier Paolo Pasolini | Lorraine Verner | 66 | ||
| 39 | 1985 | Parachute | David Clarkson | Bruce Grenville | 67 | ||
| 39 | 1985 | Parachute | Stephen Horne | Martin Von Mirbach | 69 | ||
| 39 | 1985 | Parachute | Richard Prince | Joel H. Kaplan | 70 | ||
| 39 | 1985 | Parachute | Les Vingt premieres annees | Jean Papineau | 72 | ||
| 39 | 1985 | Parachute | East Village | Rene Payant | 74 | ||
| 38 | 1985 | Parachute | Object and Image | Trevor Gould | 4 | ||
| 38 | 1985 | Parachute | Des mots qui font image | Michel Larouche | 10 | ||
| 38 | 1985 | Parachute | Conrad Atkinson | Charlotte Townsend-Gault | 20 | ||
| 38 | 1985 | Parachute | Les videos de Thierry Kuntzel | Anne-Marie Duguet | 25 | ||
| 38 | 1985 | Parachute | Von hier aus | Johanne Lamoureux | 32 | ||
| 38 | 1985 | Parachute | Branco/Pilon/Przysiezniak | Louise Poissant | 33 | ||
| 38 | 1985 | Parachute | Sylvain P. Cousineau | Paul Tiffet | 34 | ||
| 38 | 1985 | Parachute | Hansen/Laplante/Simard/Dorin | Gilles Godmer | 36 | ||
| 38 | 1985 | Parachute | An Whitlock | Helene Taillefer | 37 | ||
| 38 | 1985 | Parachute | Murray MacDonald | Chantal Boulanger | 37 | ||
| 38 | 1985 | Parachute | Alison Rossiter | Michel Gaboury | 38 | ||
| 38 | 1985 | Parachute | Norman Cohn | Rene Blouin | 39 | ||
| 38 | 1985 | Parachute | Architectures en France: modernite/post-modernite | Jacques Lachapelle | 40 | ||
| 38 | 1985 | Parachute | Celine Baril | Paul Tiffet | 42 | ||
| 38 | 1985 | Parachute | Avant-scene de I'imaginaire | Rene Payant | 43 | ||
| 38 | 1985 | Parachute | Judson Beaumont | Robin Peck | 45 | ||
| 38 | 1985 | Parachute | Evidence of the Avant-Garde since 1957: selected works from the collection of Art Metropole | Bruce Barber | 46 | ||
| 38 | 1985 | Parachute | Larry Richards | Gordon Lebredt | 47 | ||
| 38 | 1985 | Parachute | Shelagh Alexander | Bruce Grenville | 49 | ||
| 38 | 1985 | Parachute | Lisa Steele | Dot Tuer | 50 | ||
| 38 | 1985 | Parachute | Livres et revues | Jean Papineau | 51 | ||
| 36 | 1984 | Parachute | Un proces pour heresie | Antonio Foscari, Manfredo Tafuri | 5 | ||
| 36 | 1984 | Parachute | Ceci tuera cela: the fate of a notion | Robert Graham | 12 | ||
| 36 | 1984 | Parachute | Traavestissements architecturaux | Rene Payant | 16 | ||
| 36 | 1984 | Parachute | Du lieu, vu du lieu vu | Jacques Rousseau | 24 | ||
| 36 | 1984 | Parachute | Loving, Obeying, Defying Orders | Larry Richards | 32 | ||
| 36 | 1984 | Parachute | Signs of Recognition, Ciphers of Deception | Melvin Charney | 38 | ||
| 36 | 1984 | Parachute | Les Immateriaux | Jean-Francois Lyotard | 43 | ||
| 36 | 1984 | Parachute | Via New York | Johanne Lamoureux | 49 | ||
| 36 | 1984 | Parachute | Eva Brandl | Stephen Sarrazin | 50 | ||
| 36 | 1984 | Parachute | Alain Laframboise | Jean-Emile Verdier | 51 | ||
| 36 | 1984 | Parachute | Aspects Du Theatre Et De L'Artifice | Paul Tiffet | 52 | ||
| 36 | 1984 | Parachute | Charles Daudelin, Peter Gnass, Claude Theberge | Louis Martin | 53 | ||
| 36 | 1984 | Parachute | Festival International Du Film Sur L'Art | Michel Larouche | 54 | ||
| 36 | 1984 | Parachute | Jean Lantier | Cyril Reade | 55 | ||
| 36 | 1984 | Parachute | Sue Coe | Robert Labossiere | 56 | ||
| 36 | 1984 | Parachute | Vera Frenkel | Bruce Grenville | 57 | ||
| 36 | 1984 | Parachute | Influencing Machines | Elke Town | 58 | ||
| 36 | 1984 | Parachute | British Canadian Video Exchange | Renee Baert | 60 | ||
| 36 | 1984 | Parachute | Jamelie Hassan | Janice Gurney, Andy Patton | 62 | ||
| 36 | 1984 | Parachute | Joey Morgan | Merike Talve | 64 | ||
| 36 | 1984 | Parachute | Reflections: Contemporary Art Since 1964 At the National Gallery of Canada | Robert Graham | 65 | ||
| 36 | 1984 | Parachute | Covering Up Some Old Wounds | Mark Lewis | 66 | ||
| 36 | 1984 | Parachute | livres et Revues | Jean Papineau | 70 | ||
| 35 | 1984 | Parachute | Unity and Fragmentation in Manet | Jeff Wall | 5 | ||
| 35 | 1984 | Parachute | Une Notion Du "Corps-Cliché" Au Xix Siecle | Georges Didi-Huberman | 8 | ||
| 35 | 1984 | Parachute | Callas De Reinhild Hoffmann | Chantal Pontbriand | 15 | ||
| 35 | 1984 | Parachute | Terry Atkinson | John Roberts | 23 | ||
| 35 | 1984 | Parachute | Edge and Image Cadrage Image | Johanne Lamoureux | 28 | ||
| 35 | 1984 | Parachute | Festival International Du Nouveau Cinema | Stephen Sarrazin | 29 | ||
| 35 | 1984 | Parachute | Le Musee Des Sciences | Alain Laframboise, Michele Des Chatelets | 30 | ||
| 35 | 1984 | Parachute | Frictions: En Effects | Paul Tiffet | 32 | ||
| 35 | 1984 | Parachute | Christian Kiopini | Helene Taillefer | 33 | ||
| 35 | 1984 | Parachute | Andrew Dutkewych | Helene Taillefer | 34 | ||
| 35 | 1984 | Parachute | Lise Begin David Bolduc Exchanges Chromazone | Michel Gaboury, Robert Graham | 35 | ||
| 35 | 1984 | Parachute | Michael Snow | Bruce Grenville | 36 | ||
| 35 | 1984 | Parachute | The Revolutionary Power of Women's Laughter | Philip Monk | 37 | ||
| 35 | 1984 | Parachute | Brenner/ Woodrow | Trevor Gould | 38 | ||
| 35 | 1984 | Parachute | Ten Ottawa Photographers | Bohadanna Horich Cmoc | 40 | ||
| 33 | 1983 | Parachute | Lynn Cohen: Un Theatre D'Objets De Plus En Plus Inquisiteurs | Jaqueline Fry | 4 | ||
| 33 | 1983 | Parachute | General Idea and the Myth of Inhabitation | Philip Monk | 12 | ||
| 33 | 1983 | Parachute | Memoire De Musee/ Figures D'Amnesie | Johanne Lamoureux | 24 | ||
| 33 | 1983 | Parachute | Appropriation/ Expropriation: Convention or Intervention? | Bruce Alistair Barber | 30 | ||
| 33 | 1983 | Parachute | Avant-Garde Russe | Nicole Dubreuil-Blondin | 40 | ||
| 33 | 1983 | Parachute | Coups D'Eclat 1 | Martine Meilleur | 41 | ||
| 33 | 1983 | Parachute | Fotofilms | Michel Larouche | 42 | ||
| 33 | 1983 | Parachute | Photographie/ Cinema | Michel Larouche | 43 | ||
| 33 | 1983 | Parachute | Roland Poulin | Helene Taillefer | 44 | ||
| 33 | 1983 | Parachute | Le Plan K | Wladimir Krysinski | 45 | ||
| 33 | 1983 | Parachute | Stephen Horne | Bruce Grenville | 46 | ||
| 33 | 1983 | Parachute | Ken Lum | Ellen Ramsey | 47 | ||
| 33 | 1983 | Parachute | Adam Swica | Blaine Allan | 48 | ||
| 33 | 1983 | Parachute | Brad Brace | Charlotte Townsend-Gault | 49 | ||
| 33 | 1983 | Parachute | Susan McEachern | Carla Murray | 50 | ||
| 33 | 1983 | Parachute | Andrew Forster | Leslie J. de Freitas | 51 | ||
| 33 | 1983 | Parachute | Rodney Werden | Andrew Patterson | 51 | ||
| 33 | 1983 | Parachute | Andy Patton | Tim Guest | 52 | ||
| 32 | 1983 | Parachute | Comment Peut-On Etre Wagnerien? | Jean-Jacques Nattiez | 4 | ||
| 32 | 1983 | Parachute | Representation and Sexuality | Kate Linker | 12 | ||
| 32 | 1983 | Parachute | John Clark | Bruce Grenville | 24 | ||
| 32 | 1983 | Parachute | L'Espace Immacule Dans Les Films De Straub-Huillet | Stephen Sarrazin | 30 | ||
| 32 | 1983 | Parachute | Melvin Charney | Bruce Grenville | 36 | ||
| 32 | 1983 | Parachute | Tom Sherman | Trevor Gould | 37 | ||
| 32 | 1983 | Parachute | Rebecca Garrett Lyne Lapointe | Elke Town | 38 | ||
| 32 | 1983 | Parachute | R. Peck | Garry N. Kennedy | 39 | ||
| 32 | 1983 | Parachute | Department for the West | Andrew Forster | 40 | ||
| 32 | 1983 | Parachute | Janice Hoogstraten | Ian Carr-Harris | 40 | ||
| 32 | 1983 | Parachute | Nancy Johnson | Ian Carr-Harris | 41 | ||
| 32 | 1983 | Parachute | Renee Van Halm | Jeanne Randolph | 42 | ||
| 32 | 1983 | Parachute | Gilbert and George | James Clark | 43 | ||
| 32 | 1983 | Parachute | Museums by Artists | Philip Monk | 44 | ||
| 32 | 1983 | Parachute | Krzysztof Wodiczko | Philip Monk | 45 | ||
| 32 | 1983 | Parachute | International Exposure for Canadian Artists | Johanne Lamoureux | 46 | ||
| 32 | 1983 | Parachute | Detours, Voire Ailleurs | Pierre Landry | 48 | ||
| 32 | 1983 | Parachute | Fragmentts Figures/ L'Arte Povera, L'Art Conceptuel Et Les Mythologies Individuelles En Europe | Rene Payant | 49 | ||
| 31 | 1983 | Parachute | Modernisme Et Culture De Masse Dans Les Arts Visuels | Thomas Crow | 4 | ||
| 31 | 1983 | Parachute | Theater, Cinema, Power | Dan Graham | 11 | ||
| 31 | 1983 | Parachute | Civil Space | Andy Patton | 20 | ||
| 31 | 1983 | Parachute | Le Cristal Se Venge | Guy Bellavance | 26 | ||
| 31 | 1983 | Parachute | Letter from Berlin | Oliver Girling | 34 | ||
| 31 | 1983 | Parachute | Les Blank | Michel Larouche | 38 | ||
| 31 | 1983 | Parachute | Vincent Grenier | Michel Larouche | 39 | ||
| 31 | 1983 | Parachute | Les Annees De Plomb | Jocelyne Legare | 40 | ||
| 31 | 1983 | Parachute | D'Hypothetiques Confluences | Johanne Lamoureux | 41 | ||
| 31 | 1983 | Parachute | Okanada | Chantal Pontbriand | 42 | ||
| 31 | 1983 | Parachute | Kunstler Aus Kanada | Philip Monk | 46 | ||
| 31 | 1983 | Parachute | Appropriation/ Expropriation: Convention or Intervention? | Heather Dawkins | 47 | ||
| 31 | 1983 | Parachute | Ron Shuebrook | John Clark | 48 | ||
| 31 | 1983 | Parachute | Michael Fernandes Sorel Cohen | Cliff Eyland, Monica M. Haim | 49 | ||
| 31 | 1983 | Parachute | A. R. Penck | Ian Carr-Harris | 50 | ||
| 31 | 1983 | Parachute | Jenny Holzer | Elke Town | 51 | ||
| 30 | 1983 | Parachute | Modernism Et Culture De Masse Dans Les Arts Visuels | Thomas Crow | 5 | ||
| 30 | 1983 | Parachute | Urban Renewal | John Roberts | 12 | ||
| 30 | 1983 | Parachute | Entre-Lieux | Rene Payant | 18 | ||
| 30 | 1983 | Parachute | A Postcard Home | Marshalore | 23 | ||
| 30 | 1983 | Parachute | Tom Sherman Presenting Text | Philip Monk | 26 | ||
| 30 | 1983 | Parachute | Perspective, Photographie, et "Encadrement" | Pierre Boogaerts | 33 | ||
| 30 | 1983 | Parachute | Cobra Via Dotremont | Marc Dachy | 42 | ||
| 30 | 1983 | Parachute | Brigitte Radecki | Pierre Landry | 43 | ||
| 30 | 1983 | Parachute | Andre Martin Michele Parisi | Rene Payant | 44 | ||
| 30 | 1983 | Parachute | La Chambre D'Elsa | Bernard Andres | 45 | ||
| 30 | 1983 | Parachute | Le Festival International Du Nouveau Cinema | Stephen Sarrazin | 46 | ||
| 30 | 1983 | Parachute | Festival De Choregraphies D'Artistes Visuels | Denis Lessard | 48 | ||
| 30 | 1983 | Parachute | Victor Burgin | Richard Rhodes | 50 | ||
| 30 | 1983 | Parachute | Vincent Trangredi | Ian Carr-Harris | 51 | ||
| 30 | 1983 | Parachute | Philip Monk Raymonde April | Ian Carr-Harris | 52 | ||
| 30 | 1983 | Parachute | Owen Land | Bruce Elder | 53 | ||
| 30 | 1983 | Parachute | Nicholas Wade | David Merritt | 54 | ||
| 30 | 1983 | Parachute | Terence Johnson | Stephen Horne | 55 | ||
| 30 | 1983 | Parachute | Nancy Nicol | Bruce Barber | 56 | ||
| 30 | 1983 | Parachute | Brian Scott | Bruce Grenville | 57 | ||
| 30 | 1983 | Parachute | Richard Long | Trevor Gould | 59 | ||
| 30 | 1983 | Parachute | livres et Revues | Jean Papineau | 60 | ||
| 30 | 1983 | Parachute | musiques au present "Let's Ban Applause" Glenn Gould | Birgit Pelzer, Caroline Van Damme | 64 | ||
| 29 | 1983 | Parachute | The Enduring of the Artsystem | Gary Kibbins | 4 | ||
| 29 | 1983 | Parachute | Dessaisissement Et Reappropriation | Guy Bellavance | 9 | ||
| 29 | 1983 | Parachute | Colour Video/Vulgar Potential | Peggy Gale | 19 | ||
| 29 | 1983 | Parachute | Colin Campbell | Peggy Gale | 24 | ||
| 29 | 1983 | Parachute | L'Eloquence Des Moyens | Paul-Albert Plouffe | 27 | ||
| 29 | 1983 | Parachute | Andrew Jackson | Stephen Horne | 32 | ||
| 29 | 1983 | Parachute | "Mirrorings" | V. Cameron, H. Dawkins, S. McEachern | 33 | ||
| 29 | 1983 | Parachute | John Greer Sandra Meigs | Ian Carr-Harris | 34 | ||
| 29 | 1983 | Parachute | Yana Sterbak | Jennifer Oille | 35 | ||
| 29 | 1983 | Parachute | "Monumenta" | Tim Guest | 36 | ||
| 29 | 1983 | Parachute | Stephen Horne | Andy Patton | 37 | ||
| 29 | 1983 | Parachute | "New Canadian Photography" | Jeanne Randolph | 38 | ||
| 29 | 1983 | Parachute | Carol Wainio | Oliver Girling | 39 | ||
| 29 | 1983 | Parachute | Michael Snow | Bruce R. Elder | 40 | ||
| 29 | 1983 | Parachute | "Reperes" | Jean Papineau | 41 | ||
| 29 | 1983 | Parachute | Bourdeau, Bronfman, Seding, Sugino | Serge Berard | 42 | ||
| 29 | 1983 | Parachute | Sylvain Cousineau | Johanne Lamoureux | 43 | ||
| 29 | 1983 | Parachute | Guy Pellerin Gilbert and George | Johanne Lamoureux, Pierre Landry | 44 | ||
| 29 | 1983 | Parachute | Stephen Schofield | Rene Payant | 45 | ||
| 28 | 1982 | Parachute | Cindy Sherman's "Film Stills" | Richard Rhodes | 4 | ||
| 28 | 1982 | Parachute | Marthe Wery | Thierry de Duve | 8 | ||
| 28 | 1982 | Parachute | L'Eternel Et Le Transitoire | Giovanni Calabrese | 16 | ||
| 28 | 1982 | Parachute | Paterson Ewen | Janice Andreae | 22 | ||
| 28 | 1982 | Parachute | The Malevolent Heart | Yana Sterbak | 29 | ||
| 28 | 1982 | Parachute | Documenta 7 | Chantal Pontbriand | 30 | ||
| 28 | 1982 | Parachute | 60 '80. Attitudes/ Concepts/ Images | Georges Roque | 32 | ||
| 28 | 1982 | Parachute | Collection Du Musee D'Art Contemporain De Gand Revolutions Per Minute/ Big Science | Georges Roque, Denis Lessard | 33 | ||
| 28 | 1982 | Parachute | Roland Poulin | Serge Berard | 34 | ||
| 28 | 1982 | Parachute | Henry Saxe | Serge Berard | 35 | ||
| 28 | 1982 | Parachute | Nancy Spero Films Experimentaux | Pierre Landry, Michel Larouche | 36 | ||
| 28 | 1982 | Parachute | Le Festival Des Films Du Monde | Gilles Marsolais | 37 | ||
| 28 | 1982 | Parachute | Robin Collyer | Bruce Grenville | 39 | ||
| 28 | 1982 | Parachute | Wanda Koop | Goldie Rans | 40 | ||
| 28 | 1982 | Parachute | Fiction | Philip Monk | 41 | ||
| 28 | 1982 | Parachute | Shelagh Alexander Agit-Prop | Philip Monk | 42 | ||
| 28 | 1982 | Parachute | William S. Brown | Jeanne Randolph | 44 | ||
| 28 | 1982 | Parachute | Fred Fitzpatrick Mise En Scene | Roger Malbert, Greg Snider | 45 | ||
| 27 | 1982 | Parachute | Redefining Experimental Film | Bruce Elder | 4 | ||
| 27 | 1982 | Parachute | L'Espace Pollock | Louis Marin | 10 | ||
| 27 | 1982 | Parachute | Rhetoric and Figure in Montreal Painting Now | Diana Nemiroff | 22 | ||
| 27 | 1982 | Parachute | Le Corps Dans Le Theatre Moderne | Wladimir Krysinski | 28 | ||
| 27 | 1982 | Parachute | Commentaries/Reviews | 36 | |||
| 27 | 1982 | Parachute | Information | 48 | |||
| 26 | 1982 | Parachute | Renee Van Halm | Chantal Pontbriand | 4 | ||
| 26 | 1982 | Parachute | Re: Post | Hal Foster | 11 | ||
| 26 | 1982 | Parachute | L'Ombre, Le Miroir, L'Index | Philippe Dubois | 16 | ||
| 26 | 1982 | Parachute | Mother As Site of Her Proceedings Mary Kelly's Post-Partum Document | Paul Smith | 29 | ||
| 26 | 1982 | Parachute | No Essential Feminity | Paul Smith | 29 | ||
| 26 | 1982 | Parachute | Information | 45 | |||
| 24 | 1981 | Parachute | John Massey's Essential Realities | Peggy Gale | 4 | ||
| 24 | 1981 | Parachute | Du Critere | Birgit Pelzer | 14 | ||
| 24 | 1981 | Parachute | Westkunst, Modernism's Restkunst | Benjamin H. D. Buchloh | 17 | ||
| 24 | 1981 | Parachute | Paris-Paris | Serge Guilbaut | 21 | ||
| 24 | 1981 | Parachute | Performance as Social Intervention | Bruce Barber, Serge Guilbaut | 25 | ||
| 24 | 1981 | Parachute | Le Musee Dans Quelques Oeuvres Recentes | Jaqueline Fry | 33 | ||
| 24 | 1981 | Parachute | OVAC | 46 | |||
| 24 | 1981 | Parachute | VOIR la critique d'art | Jean Leduc | 48 | ||
| 24 | 1981 | Parachute | Information | 62 | |||
| 23 | 1981 | Parachute | Hans Haacke and the Aesthetics of Legitimation | David Craven | 4 | ||
| 23 | 1981 | Parachute | Artist as Corporate Critic | Tony Brown | 12 | ||
| 23 | 1981 | Parachute | Musique Et Participation | Raymond Gervais | 18 | ||
| 23 | 1981 | Parachute | David Thomas: Project | 25 | |||
| 23 | 1981 | Parachute | From Landuage to Landuage | Rene Payant | 27 | ||
| 23 | 1981 | Parachute | A Vendre/ For Sale | Sylvain Cousineau | 34 | ||
| 22 | 1981 | Parachute | Trois portraitistes newyorkais: Irving Penn, Diane Arbus, Richard Avedon | Guy Bellavance | 5 | ||
| 22 | 1981 | Parachute | Photographing Industrial Architecture | Angela Grauerholz, Anne Ramsden | 14 | ||
| 22 | 1981 | Parachute | La Mise Entre Parentheses Du Sublime Par La Photographie Et Quelques Exemples Chez Robert Bourdeau | Serge Berard | 20 | ||
| 22 | 1981 | Parachute | Tom Gibson- Among the Naturalists | Robert Graham | 26 | ||
| 22 | 1981 | Parachute | La Meme Chose | Raymonde April | 30 | ||
| 22 | 1981 | Parachute | The Museum's Old/ The Library's New Subject | Douglas Crimp | 32 | ||
| 22 | 1981 | Parachute | Artificial Intelligence | George Legrady | 38 | ||
| 22 | 1981 | Parachute | Stereo | Jeff Wall | 56 | ||
| 18 | 1980 | Parachute | Le Corps Logique De L'image | Robert Richard | 4 | ||
| 18 | 1980 | Parachute | John Hall | Philip Fry | 9 | ||
| 18 | 1980 | Parachute | Giuseppe Penone | Garmano Celant | 12 | ||
| 18 | 1980 | Parachute | Stanley Brouwn and the Zero Machine | Philip Monk | 18 | ||
| 18 | 1980 | Parachute | Etats De La Performance | Regis Durand | 21 | ||
| 18 | 1980 | Parachute | L'Art A Propos De L'Art | Rene Payant | 25 | ||
| 18 | 1980 | Parachute | La Musique Et L'Histoire | Raymond Gervais | 33 | ||
| 18 | 1980 | Parachute | An Arrangement of Proportions | Matthew Kangas, David Mahler | 36 | ||
| 18 | 1980 | Parachute | Chaperons Rouges | Andree Duchaine | 38 | ||
| 17 | 1979 | Parachute | La Musique Et L'Histoire | Raymond Gervais | 5 | ||
| 17 | 1979 | Parachute | Les Nouvelles Aventures De L'Avant-Garde En Am Erique | Serge Guilbault | 16 | ||
| 17 | 1979 | Parachute | Notes on the Interstice | Graham Asmundson | 22 | ||
| 17 | 1979 | Parachute | Jackie Winsor | Ellen H. Johnson | 26 | ||
| 17 | 1979 | Parachute | Environmental Manifesto | Stephanie E. Waring | 30 | ||
| 17 | 1979 | Parachute | Recent Paintings by Shirley Wiitasalo | Anne Ramsden | 35 | ||
| 17 | 1979 | Parachute | Dialogues De Boules Et D'Yeux | Michel Butor, Michel Sicard | 39 | ||
| 17 | 1979 | Parachute | Performance: Live Art 1909 to the Present Roselee Goldberg | Bruce Barber | 43 | ||
| 17 | 1979 | Parachute | Plus Tard, Plus Tard, Michael Snow | Chantal Pontbriand | 49 | ||
| 15 | 1979 | Parachute | Images En Crise D'Un Cinema En Desespoir De Cause | Jean Billard | 5 | ||
| 15 | 1979 | Parachute | Manifeste Pour Le Cinema Libre | Rene Bail | 9 | ||
| 15 | 1979 | Parachute | Autour Du Manifeste | Rene Bail, Andree Duchaine | 16 | ||
| 15 | 1979 | Parachute | The Painting the Drawing | Alan Sondheim | 20 | ||
| 15 | 1979 | Parachute | Notions De Performance | Chantal Pontbriand | 25 | ||
| 15 | 1979 | Parachute | Marcel Broodthaers, Poete, Artiste | Marie-Pascale Gildemyn | 33 | ||
| 15 | 1979 | Parachute | Bechet To Coltrane | Raymond Gervais | 39 | ||
| 15 | 1979 | Parachute | Avant-Garde Historique Et Typographie | Marc Dachy | 46 | ||
| 15 | 1979 | Parachute | Fiche Musique | Rober Racine | 50 | ||
| 13 | 1978 | Parachute | Fifth Network | Andree Duchaine | 5 | ||
| 13 | 1978 | Parachute | Tele-Performances | Rober Racine | 11 | ||
| 13 | 1978 | Parachute | Garry Kennedy | Alan Barkley | 14 | ||
| 13 | 1978 | Parachute | La Musique Et L'Histoire | Raymond Gervais | 18 | ||
| 13 | 1978 | Parachute | Melvin Charney | Chantal Pontbriand | 26 | ||
| 13 | 1978 | Parachute | Gerhard Richter | Bruce Ferguson, Jeffrey Spalding | 31 | ||
| 13 | 1978 | Parachute | Steranko: Graphic Narrative | Francine Perinet | 34 | ||
| 13 | 1978 | Parachute | Mia Westerlund's Pictorial Sculpture | Peter White | 36 | ||
| 13 | 1978 | Parachute | Tim Clark | 40 | |||
| 13 | 1978 | Parachute | Festival De Performances Du M.B.A.M. | Rober Racine | 43 | ||
| 13 | 1978 | Parachute | Brenda Wallace On Parallel Galleries | France Morin | 48 | ||
| 13 | 1978 | Parachute | Fiche Musique Musiciens Improvisateurs D'Ici | Raymon Torchinsky | 52 | ||
| 11 | 1978 | Parachute | Jean-Francois Lyotard, De La Fonction Critique A La Transformation | Jean Papineau | 4 | ||
| 11 | 1978 | Parachute | Simone Forti | Germano Celant | 10 | ||
| 11 | 1978 | Parachute | On Painting and Video | Eric Cameron | 14 | ||
| 11 | 1978 | Parachute | Signed Sign MD | Andre Gervais | 18 | ||
| 11 | 1978 | Parachute | Le Catalogue D'Exposition? | France Morin, Chantal Pontbriand | 24 | ||
| 11 | 1978 | Parachute | La Musique Et La Mer | Raymond Gervais | 30 | ||
| 11 | 1978 | Parachute | Brian Dyson Looking Both Ways At Once | Paul Woodrow | 43 | ||
| 11 | 1978 | Parachute | Avant-Garde, Recuperation, Buren, Etc. | Gerorges Roque | 46 | ||
| 11 | 1978 | Parachute | Christian Knudsen | David Burnett | 50 | ||
| 11 | 1978 | Parachute | La Peinture Au Quebec: Le Vide | Rene Payant | 54 | ||
| 11 | 1978 | Parachute | Gunter Hampel | 60 | |||
| 10 | 1978 | Parachute | Francois Morellet | Gilles Gheerbrant | 4 | ||
| 10 | 1978 | Parachute | Suzy Lake, Impositions | Diana Nemiroff | 9 | ||
| 10 | 1978 | Parachute | Temporal Realities | 12 | |||
| 10 | 1978 | Parachute | Cinema | 15 | |||
| 10 | 1978 | Parachute | Independent Film, Experimental Film, Avant-Garde Film: A Clarification | John W. Locke | 16 | ||
| 10 | 1978 | Parachute | Claude Chamberland | France Morin, Chantal Pontbriand | 18 | ||
| 10 | 1978 | Parachute | Jonas Mekas | Yana Sterbak | 21 | ||
| 10 | 1978 | Parachute | Visionary Experiments | George Csaba Koller | 25 | ||
| 10 | 1978 | Parachute | Le Cinema Experimental - 1978 | John W. Locke | 27 | ||
| 10 | 1978 | Parachute | Experimental Film 1978 | John W. Locke | 29 | ||
| 10 | 1978 | Parachute | Two Films, Two Filmmakers: Vincent Grenier, J. J. Murphy | John W. Locke | 33 | ||
| 10 | 1978 | Parachute | Vincent Grenier | Serge Berard | 35 | ||
| 10 | 1978 | Parachute | Le Cinema Quebecois Au Carrefour | Vlada Petric | 37 | ||
| 10 | 1978 | Parachute | Rameau's Nephew By Diderot | Wilma Schoen | 40 | ||
| 10 | 1978 | Parachute | Yvonne Rainer | Chantal Pontbriand | 45 | ||
| 9 | 1977 | Parachute | Richard Nonas | France Morin | 4 | ||
| 9 | 1977 | Parachute | Reference Faite: New York, N. Y. | Thierry de Duve | 8 | ||
| 9 | 1977 | Parachute | Strata | Ann Morrison | 12 | ||
| 9 | 1977 | Parachute | Catherine Millet | Catherine Millet, Rene Payant | 15 | ||
| 9 | 1977 | Parachute | Tom Sherman | Rodney Werden | 17 | ||
| 9 | 1977 | Parachute | Une Autre Dimension | George Roque | 22 | ||
| 9 | 1977 | Parachute | Dedda Renouf | France Morin, Alain Middleton | 25 | ||
| 9 | 1977 | Parachute | It Ain't What You Make, It's What Makes You Do It | Anne Ramsden | 30 | ||
| 9 | 1977 | Parachute | Coss Ideological Referents | Robert Walker, Paul Heyer | 34 | ||
| 9 | 1977 | Parachute | John Tilbury | Ramon Pelinski | 37 | ||
| 8 | 1977 | Parachute | Charles Gagnon: Making and Taking | Philip Fry | 4 | ||
| 8 | 1977 | Parachute | Charles Gagnon: Faire Et Prendre | Philip Fry | 8 | ||
| 8 | 1977 | Parachute | Documenta | Chantal Pontbriand | 14 | ||
| 8 | 1977 | Parachute | Documenta 6 Et Les Artistes | France Morin | 16 | ||
| 8 | 1977 | Parachute | David Rabinowitch: Recent Sculpture | Philip Monk | 22 | ||
| 8 | 1977 | Parachute | L'Usage De La Video En Europe | Maria Gloria Bicocchi | 25 | ||
| 8 | 1977 | Parachute | Use And Misuse of Videotape in Europe | Maria Gloria Bicocchi | 27 | ||
| 8 | 1977 | Parachute | Robert Grosvenor | France Morin, John Torreano, Robert Yasuda | 29 | ||
| 8 | 1977 | Parachute | Music on a Long Thin Wire | Douglas Simon | 32 | ||
| 8 | 1977 | Parachute | Trisha Brown | 35 | |||
| 8 | 1977 | Parachute | Artpark 1977 | France Morin | 38 | ||
| 8 | 1977 | Parachute | "Skulptur" A Munster | Pierre Theberge | 41 | ||
| 7 | 1977 | Parachute | Reportage Sur 02 23 03 | 4 | |||
| 7 | 1977 | Parachute | Irene Whittome: Le Discours Blanc De L'Invention Du Classement Au Classement De L'Invention | Rene Payant | 10 | ||
| 7 | 1977 | Parachute | Video Has Captured Our Imagination | Peggy Gale | 16 | ||
| 7 | 1977 | Parachute | A Propos Du Readymade | Thierry de Duve | 19 | ||
| 7 | 1977 | Parachute | George Crumb and the Art Ensemble of Chicago: Moving Parallel In Separate Worlds | Art Lange | 23 | ||
| 7 | 1977 | Parachute | Entretient Entre Herve Fischer Et Giuseppe Panza A Milan | 25 | |||
| 7 | 1977 | Parachute | Didier Vermeiren | Thierry de Duve | 30 | ||
| 7 | 1977 | Parachute | Yves Bouliane: Topographie (Solo) | 32 | |||
| 6 | 1977 | Parachute | Le Sud A Vol D'Oiseau | Chantal Pontbriand | 4 | ||
| 6 | 1977 | Parachute | Lynda Benglis | France Morin | 7 | ||
| 6 | 1977 | Parachute | Tina Girouard | Liza Bear | 12 | ||
| 6 | 1977 | Parachute | Richard Landry | Philip Glass | 18 | ||
| 6 | 1977 | Parachute | Robert Rauschenberg | Calvin Tomkins | 22 | ||
| 6 | 1977 | Parachute | Keith Sonnier | Calvin Harlan | 25 | ||
| 6 | 1977 | Parachute | Louisiana Cajns Still Say: "Lache Pas La Patate, Mon Negre" | Revon Reed | 29 | ||
| 6 | 1977 | Parachute | Reflexions Sur Le Probleme Regionaliste | France Morin | 32 | ||
| 6 | 1977 | Parachute | Dorothea Rockburne | Nancy Murray | 35 | ||
| 6 | 1977 | Parachute | Yves Gaucher | 38 | |||
| 6 | 1977 | Parachute | Le Potage Outaouais | Philip Fry | 42 | ||
| 5 | 1976 | Parachute | Charlemagne Palestine | Raymond Gervais, Chantal Pontbriand | 4 | ||
| 5 | 1976 | Parachute | Miljenko Horvat | Raymond Gervais | 10 | ||
| 5 | 1976 | Parachute | Alison Knowles et Dick Higgins | Rene Payant | 16 | ||
| 5 | 1976 | Parachute | "Your Turned the Tables On Me" | Roberto Masotti | 19 | ||
| 5 | 1976 | Parachute | Art As Contextual Art | Jan Swidzinski | 22 | ||
| 5 | 1976 | Parachute | Notes Et Commentaires | Herve Fischer | 26 | ||
| 5 | 1976 | Parachute | Le Cinema Comme Agent Catalyseur | Anthony McCall | 28 | ||
| 5 | 1976 | Parachute | Off the Bribed Path | Paul Haines | 32 | ||
| 4 | 1976 | Parachute | Two Photographic Exhibitions | Penny Cousineau | 6 | ||
| 4 | 1976 | Parachute | Mario Bertoncini | Raymond Gervais | 10 | ||
| 4 | 1976 | Parachute | On Description, Notes on the Installation of Stephen Cruise's "Bitsandspecies" | Philip Fry | 16 | ||
| 4 | 1976 | Parachute | Joseph Beuys | Joseph Beuys | 21 | ||
| 4 | 1976 | Parachute | Steve Lacy | Raymond Gervais, Yves Bouliane | 24 | ||
| 4 | 1976 | Parachute | Guido Molinari | France Morin, Chantal Pontbriand | 31 | ||
| 2 | 1976 | Parachute | Betty Goodwin | Georges Bogardi | 4 | ||
| 2 | 1976 | Parachute | Royden Rabinowitch | Walter Klepac | 7 | ||
| 2 | 1976 | Parachute | Ron Martin: In Regard to the Black Paintings | Philip Fry | 13 | ||
| 2 | 1976 | Parachute | Claude Mongrain | France Morin | 20 | ||
| 2 | 1976 | Parachute | Les Levine | 23 | |||
| 2 | 1976 | Parachute | Steve Reich | 27 | |||
| 2 | 1976 | Parachute | Lisa Steele, Looking Very Closely | Peggy Gale | 30 | ||
| 2 | 1976 | Parachute | Quebec 75 Postface | Chantal Pontbriand | 32 | ||
| 1 | 1975 | Parachute | Quebec 75: Une Strategie | France Morin, Chantal Pontbriand | 4 | ||
| 1 | 1975 | Parachute | Pierre Boogaerts Plantation, Jaune Bananier | 10 | |||
| 1 | 1975 | Parachute | John Heward | I. Gopnik | 16 | ||
| 1 | 1975 | Parachute | Jean Noel | 22 | |||
| 1 | 1975 | Parachute | Roland Poulin Notes 1974-1975 | 24 | |||
| 1 | 1975 | Parachute | Ian Carr Harris | 28 | |||
| 1 | 1975 | Parachute | Philip Glass | R. Gervais, R. Lepage | 32 | ||
| 1 | 1975 | Parachute | Cioni Carpi Les Transfigurations | 35 | |||
| 1 | 1975 | Parachute | Albert Mayr Performances from "Time-Aspects" | 42 |
