Emeriti & Retired Faculty

For a full listing of all faculty and staff, please click here.
Helmut Becker

Helmut Becker

Professor Emeritus

Research Interests / Specializations: Printmaking
Kathryn Brush

Kathryn Brush

Distinguished University Professor, Emerita, Art History

Research Interests / Specializations: medieval art and architecture; art theory and historiography, particularly during the nineteenth and twentieth centuries; histories of museums, collecting, archives, and art institutions; medievalism.
Sheila Butler

Sheila Butler

Professor Emerita

Biography: Sheila Butler (born 1938) is an American-Canadian visual artist and retired professor. Her collections are featured at the National Gallery of Canada, the Art Gallery of Hamilton, the University of Toronto, and the Winnipeg Art Gallery and University of Manitoba in Winnipeg. She is a founding member of Mentoring Artists for Women's Art in Winnipeg, Manitoba and the Sanavik Inuit Cooperative in Baker Lake, Nunavut. She is a fellow of the Royal Canadian Academy of Arts.
William Scott Abell Dale

William Scott Abell Dale

Professor Emeritus

Duncan de Kergommeaux

Duncan de Kergommeaux

Professor Emeritus


Bridget Elliott

Bridget Elliott

Professor Emerita

Roly Fenwick

Roly Fenwick

Professor Emeritus

Joy  James

Joy James

Professor Emerita

Research Interests / Specializations: histories and theories of photography; aesthetics; contemporary art and new media; visual culture
Madeline Lennon

Madeline Lennon

Professor Emerita

Patrick  Mahon

Patrick Mahon

Professor Emeritus

Research Interests / Specializations: visual art practice and curating; printmaking and print culture, postcolonial theory and national identity; links between visual practices and writing practices.
David  Merritt

David Merritt

Professor Emeritus

Research Interests / Specializations: contemporary drawing practices; visual art and language; time and image.
Kim Moodie

Kim Moodie

Professor Emeritus

Research Interests / Specializations: visual art practice and curating; painting and drawing; deconstruction; narrative structures; ahistoricism; and the horror vacui.