English 9068

The Shock of the Old: Forms of Victorian Anachronism

Instructor: Professor Matthew Rowlinson.
Fall Half Course.

This course will have as its central concern the shock of anachronism as it shapes mid-Victorian texts and images in a variety of genres. Marx and Walter Benjamin both argued that bourgeois revolutions are typically represented through anachronism; it was in writing about the French revolution of 1848 and its aftermath, which seemed to repeat the events of 1789 and the Napoleonic counter-revolution, that Marx coined his well known aphorism about historical events that happen twice, once as tragedy and once as farce. Our theoretical reading on anachronism will come from this work of Marx and from Benjamin; it will also include Freud’s Beyond the Pleasure Principle, the work on repetition and trauma that shaped Benjamin’s work on shock. In literature, we will focus on writing published in the 1850’s but shaped by anachronism and/or traumatic repetition. These texts will include Tennyson’s poem “Maud,” Dickens’ Bleak House, selections from John Ruskin, including “The Nature of Gothic,” Fors Clavigera, and “The Storm Cloud of the Nineteenth Century” and poetry in translation by Charles Baudelaire. We will close by reading Bram Stoker’s 1897 Dracula. We will be considering the concept of the “primitive” as it emerges in the nineteenth century as a means by which the modern defines and internalizes its others, including racial others. Finally, we will consider the how works to be studied register the ecological shock of the fossil fuel extraction and combustion--itself a form of anachronistic consumption of energetic residue from earlier geological eras.


Required Books:
Freud, Beyond the Pleasure Principle, Norton ISBN 0393007693.

Dickens, Bleak House.  Ed. Bradbury. Penguin. 0141439726

Stoker, Dracula. Ed. Byron. Broadview. 9781551111360 / 1551111365